Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 11

Richard Barrett Davis
Mr Ward on Quicksilver, the hunt beyond

About the Item

Richard Barrett Davis (1782-1854) Mr Ward on Quicksilver Oil on canvas Canvas Size - 25 x 30 in Provenance with Ackermann & Son, London; where purchased by the present owner. Born at Watford, this painter was the son of another Richard Davis (1750-1825) who was huntsman to George III's private harriers. One of nine children, Richard Junior was also the brother of W.H. Davis and Charles Davis the famous huntsman to the Royal Buckhounds who was so highly thought of both as a rider and a huntsman. Davis spent most of his life at Windsor; it was George III who first saw his work and arranged for him to be placed under Sir Francis Bourgeois. He also studied under William Evans at Eton, Sir William Beechey and at the RA schools, although he was never registered as a student. He first exhibited at the Rain 1802 and although he was an exhibitor for fifty years he was, like Chalon, never elected to ARA but, like him, also had a successful career. In 1829 Davis became a member of the Suffolk Street Academy Society and in 1831 was appointed animal painter to William IV. In this year he painted an enormous frieze of William IV's coronation procession which was 1,540 inches long. It is interesting to note that in 1827 the same year as Agasse, he too painted the Nubian Giraffe for George IV. George III and Queen Victoria were both patrons and for the latter he painted three of her favourite horses. A painter of landscapes and shooting scenes as well as horses, Davis has thirty plates published in The Sporting Magazine. A number of his works were reproduced as prints, but he was probably the first artist to produce a series of prints of different hunts. Coming from so famous a hunting family he had many opportunities to follow hounds on foot and had a thorough knowledge of the subject. In 1836 he produced the first four prints in his 'Hunter's Annual' series. Each picture depicted a huntsman and hounds of a different pack. In 1839 and 1841 he produced further sets of four to complete series of twelve. This was an idea not really followed seriously until G.D. Giles but frequently used by modern artists, most notably Alain, Edwards and King. Davis' work is variable, at best it is outstanding, strong and well finished, and his horses and hounds both delightfully painted. His hound portraitures really superb. One might describe his horses as a cross between Ferneley Senior and Chalon.
  • Creator:
    Richard Barrett Davis (1782 - 1854, English)
  • Dimensions:
    Height: 30 in (76.2 cm)Width: 25 in (63.5 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Stoke, GB
  • Reference Number:
    1stDibs: LU446311596962
More From This SellerView All
  • Setters on the scent
    Located in Stoke, Hampshire
    Martin Theodore Ward (1799-1874) Setters on the scent Signed M T Ward lower left Oil on canvas Canvas Size - 18 x 24 in Framed Size - 23 x 29 in Martin Theodore Ward, a distinguishe...
    Category

    19th Century Victorian Animal Paintings

    Materials

    Oil

  • The Hunt Breaking cover
    By Samuel Alken Jnr.
    Located in Stoke, Hampshire
    Samuel Alken Jnr (1784-1825) The Hunt Breaking cover Signed 'S. Alken.' lower right Oil on canvas Canvas size - 24 x 36 in Framed size - 31 x 42 1/2 in Samuel Alken junior was the eldest son of Sporting artist Samuel Alken (1756-1815), he was born on April 10th. The family mostly became sporting artists, his younger brothers Henry Thomas (Ben Tally Ho), George and Sefferien. Little is known about his life, in his father's will he was the only son mentioned, but this was to leave him 1s., which presumably was a derogatory legacy perhaps because, as Shaw Sparrow suggests, he traded on his father's name, signing in the same manner. However, as he often signed quite clearly S. Alken Jnr one feels it unlikely, but it does imply S. Alken Snr also painted sporting pictures. There has always been great confusion over the Samuel Alkens and for a long time they were looked upon as one person. number of prints were published after Samuel Junior's work including a set of sixteen published in the early 1820's depicting various sports, including hunting, racing, shooting and fishing. In the works recorded by him, his style would seem closer to that of Barenger. A lot of small wooded shooting scenes...
    Category

    19th Century Victorian Landscape Paintings

    Materials

    Oil

  • A huntsman with pointer in a landscape
    By Philip Reinagle
    Located in Stoke, Hampshire
    Philip Reinagle (1749-1833) A huntsman with pointer in a landscape Oil on canvas Canvas size - 17 x 23 in Framed size - 22 x 28 in Philip Reinagle RA ...
    Category

    19th Century Victorian Landscape Paintings

    Materials

    Oil

  • A dark bay racehorse held by his trainer at Newmarket Heath
    Located in Stoke, Hampshire
    Benjamin Killingbeck (act. 1769-1783) A dark bay racehorse held by his trainer on a racecourse Oil on canvas Canvas Size - 40 x 50 in Framed Size ...
    Category

    18th Century Old Masters Animal Paintings

    Materials

    Oil

  • 'Prime Minister' with jockey John Shepherd up, and owner Sir Mark Sykes
    By Henry Bernard Chalon
    Located in Stoke, Hampshire
    Henry Bernard Chalon (London 1770-1849) 'Prime Minister' with jockey John Shepherd up, and owner Sir Mark Sykes Signed and dated 'H.B. Chalon pinxit 181...
    Category

    Early 19th Century Old Masters Animal Paintings

    Materials

    Oil

  • The Devon and Somerset Staghounds Hunting at Hawcombe Head
    By Michael Lyne
    Located in Stoke, Hampshire
    Michael Lyne (1912-1989) The Devon and Somerset Staghounds at Hawcombe Head Signed lower left Oil on canvas Canvas Size - 24 x 36 in Framed Size - 30 x 42 in Michael Lyne (1912-1989) was a celebrated British artist renowned for his striking depictions of the equestrian world. Born in London, England, Lyne developed a passion for art and horses from an early age. He studied at the Slade School of Fine Art in London and was greatly influenced by the works of Sir Alfred Munnings, one of the most renowned equestrian painters of the time. Lyne's career flourished when he was commissioned to illustrate several books, including "In the Shire Country" by Susan Shaw...
    Category

    20th Century Modern Animal Paintings

    Materials

    Oil

You May Also Like

Recently Viewed

View All