Eugenio De Blasi

INSIDE SCENE- Belgian School - Italian figurative oil on canvas painting

2005

PORTRAIT OF UGO FOSCOLO - Oil on canvas cm.50x40, Antonio Jannone, Italy, 2002. this beautiful portrait of the Italian poet Ugo Foscolo is the painter's pe...

Youth and wisdom -Ciro De Rosa Italia 2007 - Oil on canvas cm.60x50 Gold leaf gilded wooden frame cm.82x73 available on request The painting by Ciro De Rosa is characterized by light...

Portrait of a Gentlemen - Oval oil on canvas cm.50x40, Italia, 2006 Eugenio De Blasi Wooden frame available on request The portrait of Eugenio De Blasi is inspired by one of the many portraits painted by Guillam Francois Colson, a French historian painter, who painted portraits of families...

Autumn's Allegory - Oil on canvas cm.60x50, Italia, 2007, Eugenio De Blasi (3c59a) The painting by Eugenio De Blasi is an autumn allegory inspired by the allegorical figures of the ...

LADY IN BLACK - Oil on canvas painting, Eugenio De Blasi, Italy, 2011 This is his reinterpretation of a greatest old master painting by Giovanni Boldini. Gold leaf gilded and mohogan...

Allegorical Scene - Giovanni Faliero Italia 2009 - Oil on canvas cm. 90x110. Gold leaf gilded wooden frame available on request This beautiful oil on canvas is the personal reinterpretation of the magnificent painting “Bacchant playing the Cymbals” by Jean-Simon Berthélemy, a French painter of the 18th century. Here we admire a mythological scene showing a naked bacchant playing cymbals next to a wooded stream, with a small sleeping faun...

Attributed to Godfried SCHALKEN (Made 1643 – The Hague 1706) Young fischer Oil on panel in one board H. 32.5 cm; L. 25.5 cm Around 1670/75 Related works: - Autograph version with numerous variants, Berlin, Gemaldegalerie, Inv. N°837 - Copy or workshop version of our painting with slight variations but of inferior quality, Germany, sold at Berlinghof Auktionshaus in 2002 The object of this notice is not to produce a biography of Schalken, the reference work by Thierry Beherman published by Maeght in 1988. The goal here is to understand this version of a painting of formidable craftsmanship and to compare it to the work preserved in Berlin with its many variants in order to draw some hypotheses for conclusions Our young angler is a very interesting subject that can be found as early as the 16th century to invoke one of the four temperaments. Not melancholy as one might think at first glance, but phlegmatic character. The interpretation of astrological symbols closely linked peach and phlegm, laziness, slowness, often represented alongside the moon. Here the composition is very clear in this sense. The young man, chin resting on his arm, looks at his modest cane, the cork of which he soaks alongside snails and butterflies located in the Irises. All near a willow under a heavy sky, like a night sky. All the elements are there to give an explanation of the subject and not to leave the spectator in front of a simple genre scene. Let's go back to the willow, a tree that loses its fruits before they mature. It is often considered a symbol of lost youth, a reference to passivity or times of debauchery. Plato advised in his time to banish fishing from the education of children since it is an activity of expectation and not of exercise or reflection. Needless to explain the presence of small slow-moving animals with short lives or flowers… The image speaks for itself! Let's go back to the differences between the Berlin version and ours, of which it must be recognized that the quality is slightly lower and therefore can hardly be given with certainty to Schalken itself. This version has some additional elements compared to ours. In our version, the row of willows cut into trunks located to the left of the composition is replaced by a simple area of reeds that opens up to a luminous sky. The sky is also different by the clouds represented. A white butterfly flying in the middle of the Irises has been removed, as has a large leaf located on the back of the young fisherman at the foot of the willow. Only addition to our table in addition to the Berlin version: a second fish near the earthen pot...

Frans Francken the Younger (1581, Antwerp – 6 May 1642, Antwerp was a Flemish painter and the best-known and most prolific member of the large Francken family of artists.[1] He painted large altarpieces for churches as well as smaller historical, mythological and allegorical scenes. His depictions of collectors' cabinets established a popular new genre of art in the era. Francken often collaborated with other artists, adding figures and narrative elements to scenes created by specialists in landscape, architectural and floral still life painting Francken was a versatile artist who practiced in many genres and introduced new subjects into Flemish art. Many of his works are small historical, allegorical and biblical...

Louis Joseph César DUCORNET (Lille 1806 – Paris 1856) Portrait of a young girl Oil on canvas H. 92 cm; L. 73 cm Signed upper left, dated 1837 When he came into the world in Lille in...

French school circa 1840 Sketch of a dandy portrait Oil on canvas mounted on cardboard H. 21 cm; L. 20.5 cm

The painting (oil on canvas, 44.5 x 35 cm; with wood frame 64 x 54,5 cm) represents a moment on deception. It's signed Maccari on the bottom left, and it's dated 1956 and titled "ins...

oil on canvas 48” H x 36” W Nicolas V. Sanchez received his BFA from Kendall College of Art and Design in Grand Rapids, MI and his MFA from the New York Academy of Art. While at the...