Louis de Caullery

Virgin and angels

Incredible triptych from the end of 15 century.

Oil on panel. Flemish 17 century. Louis de Caullery, auction house provenance, sold like Louis de Caullery.

Oil on panel 17 century

Oil on panel of 16 century . Master of the Luna’s. Certificated by Isabel de Mateo who is the most important expert in the Spanish artist of 16 century.

Life of Jesus

Venetian oil on panel end of 15 century

During his successful career as a goldsmith the desire to paint grew on Dutch artist René Smoorenburg (1954). The attention to detail, which was of great importance in his work as a ...

Acrylic on wood

Ritorno a casa (Homecoming) is a superb original oil painting on wooden panel realized by the contemporary Italian artist Claudio Benghi. Title, tecnique, dimensions and signature are hand-written with a black marker on the back at the center of the panel. Signed in capital letters with a brown color on the lower margin at the center. In excellent conditions, our artwork demonstrates an incredible mastery of the artistic technique. Representing a surreal scene: a man or a child is carrying a toy, following a big train-toy. In this oniric scene a child, a bluefish and a watch are floating in an anti...

Un valzer lento (A Slow Waltz) is a beautiful original oil painting on panel realized by the contemporary Italian artist Claudio Benghi. Title, tecnique, dimensions and signature ar...

Passages of black and grey lit with subtle marks of ecrue, pink, blue and yellow bring to life Andrew Lui's theme of inexorable change. Born in Guangzhou, China, Lui participated in the Chinese Cultural Revolution as a member of the Red Guard but escaped to Hong Kong in 1970. Making his way to Toronto, Lui studied at the Ontario College of Art before traveling to the UK, and Italy. In Florence, he was drawn to the dynamic Uccello's Battle of San Romano (c. 1456). Lui is represented in multiple public, corporate and private collections in Canada, Europe and China: Musée d'art contemporain, Musée de Dijon, France, L'Ecole des Beaux Arts, Bruxelles, Pallazo Strozzi, Florence, Musée National des Beaux-Arts du Quebec, Musée des Beaux-Arts de Sherbrooke, Grimsby Art Gallery, Robert McLaughlin Art Gallery, Art Gallery of Stratford, Stratford, Coburg Art Gallery, Rodman Hall Art Centre, Canadiana Foundation (Art Collection of Governor General of Canada). He is part of a large number of private and corporate collections, including HSBC of Canada, DKNY and Sun Life Insurance...

Lazzaro Donati (Italian, 1926-1977) Oil on board. Colorful woman. La Regina (the Queen) Hand signed upper right. signed, titled on back of panel. Dimensions: (Frame) H 37" x W 29", (Panel) H 27.5" x W 20" Lazzaro Donati was born in Florence and attended the Academy of Fine Arts. He began to paint in 1953, and in 1955 held his first exhibition at the Indiano Gallery in Florence. Within three years eleven exhibitions followed in Italy, and as his reputation grew he was invited to give major exhibitions in London, Paris, New York, Chicago, Rio de Janeiro and Montevideo. He is considered one of the foremost contemporary Italian painters and his paintings hang in museums and private collections throughout the Americas, Europe and Asia. His work is recalling the works of the french Raoul Dufy, Dunoyer de Segonzac, Francois Gall and Jean Jansem. This particular work is reminiscent of the work of Manolo Valdes. Donati lived and worked at 24 Piazza Donatello in Florence, the square where generations of artists have created works worthy of the great Florentine tradition. As you entered the narrow hallway to his studio, a gilded life-size Venetian angel beckoned you to his door. Once inside, the present faded away and you found yourself in an atelier where early masters might have worked during the Renaissance. Within, luxurious Persian rugs set off the innumerable objects d’art and antique furnishings. Light poured in through the sloping glass wall on the north side. A dramatic stairway led to an overhanging balcony which served as a private gallery where the artist hung some of his favorite early works. To the left of the entrance was a smaller studio where Donati sculpted, with a window overlooking the famous old English cemetery where tourists laid flowers on the grave of Elizabeth Barrett Browning. In the main studio itself, where Donati received his clients in an atmosphere as polished as an office of a top executive, one hardly realized that it was here that the artist actually painted. His easel was covered with Persian blue velvet, the painting on the easel was already framed, his chair was upholstered in red velvet and on his palette the colors were arranged with the precision of a Byzantine mosaic. In a corner stand were his latest works, framed and ready to be sent off to his next exhibition in Europe or America. He spoke fluent French and English as well as some Spanish and German. “After all”, he said, “you've got to know how to sell...