Items Similar to Mural Study 1933 Depression Era Mid-Century WPA Modern American Scene Drawing
Want more images or videos?
Request additional images or videos from the seller
Michael LoewMural Study 1933 Depression Era Mid-Century WPA Modern American Scene Drawing1933
1933
About the Item
Mural Study 1933 Depression Era Mid-Century WPA Modern American Scene Drawing.
Study to Scale Mural Sketch for “Evolution of Textile Production” East. All, Textile High School. 1933. Tempera on Board. 8 1/2″ x 13 7/8” Framed 15 1/4” x 20 5/8”. Signed lower mid section. Exhibited. Marilyn Pearl Gallery.
We have available more than two dozen paintings and works on paper from the 1930s - 80s that come directly from the Loew estate.
Michael Loew (1907 – 1985) was the son of a New York City baker. After high school, he was an apprentice to a stained-glass maker, and from 1926-1929, he studied at the Art Students League. In 1929, he traveled to Paris, North Africa, Germany, and Italy with a group of artists. When he returned to New York City in 1931, the Great Depression hit Loew unexpectedly, and for the next two years he paid his apartment rent with his paintings. In 1935, he found work with the WPA where he painted murals and partnered up with longtime friend Willem de Kooning in 1939 on a mural for the Hall of Pharmacy at the New York World’s Fair. Their friendship lasted for the rest of their lives. In the mid-30’s he painted in Mexico and the Yucatán documenting the construction of a U.S. Naval airbase on Tinian Island. It was from this airbase that the Enola Gay bomber jet would later take off to drop the atomic bombs on Hiroshima and Nagasaki. After Pearl Harbor, Loew joined the Navy and served as the battalion artist for the “Seabees” in the Pacific.
When he returned in 1946, his painting moved quickly toward abstraction and he studied under Hans Hoffman. The Artists Gallery in New York hosted his first one-man show in 1949, and one year later, he studied with Fernand Leger in Paris. In 1956, he began teaching in the United States. He was a member of the American Abstract Artists group. By 1985 he had been an instructor at the Portland Museum School, University of California at Berkeley, and the School of the Visual Arts, NYC. His works are in the collections of prominent institutions such as the Whitney, Guggenheim, and the Philadelphia Museum of Art.
- Creator:Michael Loew (1907-1985, American)
- Creation Year:1933
- Dimensions:Height: 16 in (40.64 cm)Width: 21 in (53.34 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU115626738152
Michael Loew
Michael Loew was born on May 8, 1907 and was the son of a New York City baker. After high school, he was an apprentice to a stained-glass maker and from 1926–29, he studied at the Art Students League. In 1929, he traveled to Paris, North Africa, Germany and Italy with a group of artists, including Max Schnitzler and Alfred Jensen. When he returned to New York City in 1931, the Great Depression hit Loew unexpectedly and for the next two years, he paid his apartment rent with his paintings. In 1935, he found work with the Works Progress Administration where he painted murals and partnered up with longtime friend Willem de Kooning in 1939 on a mural for the Hall of Pharmacy at the New York World's Fair. Their friendship lasted for the rest of their lives and in fact, Loew met his wife Mildred through a friend of de Kooning's. He traveled to Mexico in the late 1930s. Loew had a strong interest in artists' rights and activism and as president of the Artists Union, he led a protest which involved artists chaining themselves to poles in Union Square. After Pearl Harbor, Loew joined the Navy and served as the battalion artist for the Seabees in the Pacific. When he returned in 1946, his painting moved quickly toward abstraction. From 1947–49, he studied post-cubism at the Hans Hofmann School of Fine Arts. In 1948, he joined the Spiral Group, an organization of artists devoted to the exhibition of experimental art. The Artists Gallery in New York hosted his first one-man show in 1949 and one year later, he enrolled at the Atelier Léger in Paris. In 1956, he began teaching in the United States. By 1985 he had been an instructor at the Portland Museum School, University of California at Berkeley and the School of Visual Arts. His works are in the collections of prominent institutions such as the Whitney Museum of American Art, the Guggenheim Museum and the Philadelphia Museum of Art. He died on November 14, 1985, in New York.
About the Seller
5.0
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 2008
1stDibs seller since 2019
165 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Pawling, NY
- Return PolicyA return for this item may be initiated within 3 days of delivery.
More From This SellerView All
- Guy Pene du Bois WPA American Modernism Realism NYC Scene Oil Lawyers in CourtBy Guy Pène Du BoisLocated in New York, NYGuy Pene du Bois' "Two Figures in Courtroom" is a WPA era American scene oil painting created in a realistic style. Modernism at its best The work is framed by Heydenryk. Pène du Bois descended from French immigrants who settled in Louisiana in 1738 and was raised in a Creole household. He was born in 1884 in Brooklyn, NY and first studied with William Merritt Chase at the New York School of Art and later continued his training with Robert Henri. Pène du Bois was greatly impressed with Henri's credo that "real life" was subject matter for art and throughout his life a realist philosophy informed his art as well as his parallel career, art criticism. In 1905, Pène du Bois made his first visit to Paris where he painted scenes of fashionable people in cafes rendered in the dark tonalities and impasto associated with the Ashcan School. By 1920, he had achieved his mature style, which was characterized by stylized, rounded, almost sculptural figures painted with invisible brushstrokes. The subjects of his paintings were often members of society whom he gently satirized. In 1924, Pène du Bois and his wife, Floy, left for France where they would remain until 1930. Returning to America showcases pictures the artist produced after this very productive period abroad. After five years of living in France, Pène du Bois was able to observe American life with fresh eyes. His work becomes more psychologically intense and less satirical. In Girl at Table a slender, blond is shown gazing at a small statue that she holds at arm's distance. The meaning is elusive, but a powerful sense of longing is evoked. Similarly, paintings such as Dramatic Moment and Jane are taut with unresolved dialogue. Both pictures depict mysterious interiors in which a lone woman anxiously awaits the denouement of a suspenseful scene. Other pictures, for example, Chess Tables, Washington Square and Bar, New Orleans, recall Pene du Bois's Ashcan origins in their depiction of urban entertainment. During this period, landscape becomes an important subject for Pène du Bois. Girl Sketching...Category
1930s American Modern Figurative Paintings
MaterialsPaper, Oil, Board
- "Tailor" WPA American Scene Social Realism Modernism Mid Century Modern FashionBy Mervin JulesLocated in New York, NY"Tailor" WPA American Scene Social Realism Modernism Mid Century Modern Fashion The board measures 9 1/2 x 15 1/2. Provenance: Mervin Jules Estate. Bio A painter, illustrator, pri...Category
1930s American Modern Figurative Paintings
MaterialsOil, Board
- Philip Evergood American Modernism WPA Social Realism Modern Still Life InteriorBy Philip EvergoodLocated in New York, NYInterior with Man at Table American Modernism WPA Social Realism Modern Painting Philip Evergood (1901 - 1973) Untitled (Interior with Man at ...Category
1930s American Modern Figurative Paintings
MaterialsPanel, Oil
- "Sock Hop" Mid-Century American Modernism WPA Female Artist 20th Century RealismBy Kyra MarkhamLocated in New York, NY"Sock Hop" Mid-Century American Modernism WPA Female Artist 20th Century Realism. 30 x 24 inches. Oil on canvas. Signed on stretcher, c. 1940s. Frame is likely original to the painting. Realist painter-printmaker Kyra Markham...Category
1940s American Modern Figurative Paintings
MaterialsOil, Canvas
- NYC Subway Mid 20th Century American Modernism WPA Realism industrial ColorfulLocated in New York, NYNYC Subway Mid 20th Century American Modernism WPA Realism industrial Colorful "New York Subway," 36 x 48 inches. Oil on Masonite (backed with a wood frame), Signed and dated ’47 upper left. The colors of the painting are extraordinarily vibrant. The white gold frame, signed Richard Tobey...Category
1940s American Modern Figurative Paintings
MaterialsMasonite, Oil
- NYC Subway Mid 20th Century Modern American Scene Social Realism ContemporaryLocated in New York, NYNYC Subway Mid 20th Century Modern American Scene Social Realism Contemporary David Atkins (1910 – 2012) Subway Train Departure 24 x 30 inches Oil on canvas, c. 1960s Signed lower r...Category
1960s American Modern Interior Paintings
MaterialsCanvas, Oil
You May Also Like
- Seated FigureLocated in Rockland, MESally Michel Biography American, 1902-2003 Sally Michel Avery was an American painter known for her lyrical depictions of everyday life. Though she used techniques and stylized form...Category
1980s American Modern Figurative Paintings
MaterialsOil
- The SculptressBy William Robert ShulgoldLocated in West Hollywood, CAWilliam Robert Shulgold (1897-1989), studied under Arthur Watson Sparks, head of Carnegie?€™s art department. He specialized in figurative genre subjects, displaying within his paintings a quality and understanding akin to 19th century impressionism...Category
1930s American Modern Figurative Paintings
MaterialsOil
- "Nude by the Mirror" Mid-Century Modern Expressionist and Cubist FigureBy Byron BrowneLocated in New York, NYByron Browne (1907 - 1961) Nude by a Mirror, 1958 Oil on canvas 26 x 20 inches Signed lower right Provenance: Doyle New York, Doyle + Design, June 7, 2017, Lot 20 Born in Yonkers,...Category
1950s American Modern Interior Paintings
MaterialsOil, Canvas
- Interior with FiguresBy Arthur OsverLocated in Dallas, TXArthur Osver studied at Northwestern University and the Art Institute of Chicago. Osver was awarded the Prix de Rome in 1952. He taught at the Brooklyn Museum Art School, Columbia Un...Category
1930s American Modern Interior Paintings
MaterialsOil, Canvas
- Two Girls in GreenBy Donald S. VogelLocated in Dallas, TXDonald Vogel’s paintings reflect his interest in seeking beauty in life and in sharing pleasure with his viewers. Vogel entreats us to "rejoice and celebrate each new day, knowing it...Category
1960s American Modern Figurative Paintings
MaterialsPanel, Oil
- Bay Area Figurative Movement -- Cigarette BreakBy Patricia Gren HayesLocated in Soquel, CAWonderful figurative by Patricia Gren Hayes (American, 20th Century). Signed on verso. Unframed. Size: 30"H x 40"W. Bay Area Figurative / Bay Area Feminist Art Movement artist, Patricia Gren-Hayes, studied at Winnipeg Public Art School in 1950. She received early recognition in Museum and Gallery competitions and exhibitions and was awarded a Special Education in Art recognition by the Winnipeg Museum of Fine Art, and was awarded a scholarship to the Banff College of Fine Art. Further studies were at The University of Manitoba. She was a Member of Winnipeg Free Press Sketch Club and was a Cartoonist and paste-up for a French-English bi-weekly, in Eastern Canada; She studied outdoor impressionism in New York in 1960; in 1962, attended The California College of Arts and Crafts, and in 1976 B.A., U.C. Berkeley where she studied under Elmer Bischoff, David Simpson, Joan Brown, Felix Ruvolo, Yolanda Lopez and Vincent Perez...Category
1960s American Modern Figurative Paintings
MaterialsOil, Canvas
Recently Viewed
View AllMore Ways To Browse
Modern American Art Glass
Mid Modern American Paintings
Midcentury Pearls
American Modern 1930
Depression Art Art
Depression Art
Vintage Depression
Midcentury Sketch
New York Jets
Midcentury Philadelphia
Great Depression
Philadelphia Scene
1933 Germany
Depression Modern
New York Worlds Fair 1939
Berkeley School
Great Depression Art
Glass Mural