Richard Thomas Scott

"Metamorphosis" - Contemporary History Painter - Vermeer

2018

"Equestrian Sheet Music" is an oil on canvas study of horses hooves featuring black, white and grey hues. The framed dimensions are 22 by 18 inches. Atlanta native, Julie Ferris is ...

"Magnificat" is a large-scale portrait of a Westphalian mare. This painting features rich and textured hues of tan, yellow, brown and white. Echoing the spirit of masters of Equestr...

"Divina Domina" is a large-scale portrait of a Hanoverian mare. This painting features rich and textured hues of tan, yellow, brown and white. Echoing the spirit of masters of Eques...

"The Abolitionist" features vibrant hues of blue, pink, purple, green and yellow. Richard Thomas Scott is inspired by the work of Rembrandt, Andrew Wyeth,...

"Veritas" is a portrait of a Westphalian mare. This painting features rich and textured hues of tan, yellow, brown and white. Echoing the spirit of masters of Equestrian art like St...

Similar in style to Guido Reni's late masterpiece "The Baptism of Christ," circa 1623, this painting by a follower of Guido Reni captures Reni's unique balance of strictly discipline...

William John Hennessy was born in Ireland. He came to America in 1849 with his mother and brother a year after his father had fled their homeland after taking part in the unsuccessful Young Ireland Party uprising. The Hennessys settled in New York, and when young William came of age, he decided upon a career as an artist. At the age of fifteen, he enrolled at the National Academy of Design, where he learned to draw from the antique, and the following year he was granted admission to the Academy’s life-drawing class. Hennessy first exhibited at the National Academy in 1857, starting a continuous run of appearances in their annuals that lasted until 1870, when he expatriated himself to Europe. During his time in America, Hennessy was principally known as a genre painter and prolific illustrator for such publications as Harper’s Weekly and a number of books, including illustrated works of William Cullen Bryant...

In the latter half of the nineteenth century and into the first decade of the twentieth, New York City art aficionados could count on finding recent work of Seymour Joseph Guy hanging on the walls of the city’s major galleries. Primarily a genre artist, but also a portraitist, between 1859 and 1908 Guy showed more than seventy works at the National Academy of Design. From 1871 to 1903 he contributed over seventy times to exhibitions at the Century Club. From 1864 to 1887, he sent about forty pictures to the Brooklyn Art Association. A good number of these works were already privately owned; they served as advertisements for other pictures that were available for sale. Some pictures were shown multiple times in the same or different venues. Guy was as easy to find as his canvases were omnipresent. Though he lived at first in Brooklyn with his family and then in New Jersey, from 1863 to his death in 1910 he maintained a studio at the Artist’s Studio Building at 55 West 10th Street, a location that was, for much of that period, the center of the New York City art world. Guy’s path to a successful career as an artist was by no means smooth or even likely. Born in Greenwich, England, he was orphaned at the age of nine. His early interest in art was discouraged by his legal guardian, who wanted a more settled trade for the young man. Only after the guardian also died was Guy free to pursue his intention of becoming an artist. The details of Guy’s early training in art are unclear. His first teacher is believed to have been Thomas Buttersworth...

Exhibited: National Academy of Design, New York, 1906 (as no. 101) Art Institute of Chicago, 1908 (as no. 74)

A beautiful and rare antique American portrait of a young woman in a stunning period frame, likely original to the piece. Unsigned but beaut...

Oil on canvas Dr. Rowland S. Russell PhD. writes about his experience directly witnessing Greg's practice as a “plein air” artist: Whether he’s portraying quiet scenes from Brooklyn...

An oil painting of daffodils in a silver vessell. Situated upon a table, before a window. Maryann Lucas lives and works in Sag Harbor. She is primarily self-taught but has also rec...