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Heny Steinberg
Cliff-modern abstract geometrical minimalistic painting-artwork-contemporary Art

2024

About the Item

"Cliff" by Heny Steinberg is a captivating exploration of geometrical minimalism that invites viewers to contemplate the interplay of shape, form, and space. Crafted with a mix of mediums on canvas, this original artwork showcases Steinberg's mastery of minimalistic composition and keen attention to detail. At the heart of the piece lies a minimalistic 3D geometrical composition, where clean lines and precise angles converge to create a sense of depth and dimension. The juxtaposition of geometric shapes against the canvas evokes a sense of balance and harmony, drawing the viewer's gaze into a mesmerizing exploration of form. The color scheme, dominated by shades of blue, beige, and black, adds to the serene ambiance of the composition, evoking a sense of tranquility and contemplation. Each hue is carefully chosen to complement the overall aesthetic, enhancing the visual impact of the artwork. Signed by the artist, "Cliff" is ready to be displayed, offering viewers the opportunity to immerse themselves in Steinberg's captivating exploration of geometrical minimalism. Whether showcased in a gallery setting or adorning the walls of a private collection, this striking artwork is sure to captivate and inspire all who behold it. For those eager to add "Cliff" to their collection, it is available for purchase at Signet Contemporary Art, Chelsea, where it can be admired in person. Additionally, art enthusiasts from around the world can conveniently acquire this thought-provoking piece online, ensuring that its beauty can be enjoyed by collectors near and far. Don't miss the opportunity to own a slice of geometrical minimalism with "Cliff" by Heny Steinberg. Artist biography: Heny Steinberg was born in Mexico City and received a degree in graphic design from the National Institute of Fine Arts and Literature in Mexico City. Heny Steinberg’s unique artworks are constructed by displacement over a lattice or a diagram by way of fragmentation, union, and re-fragmentation. The shapes that inhabit this multi-dimensional space possess visual values that transcend their actual representation. Her work process becomes a means by which elements that have previously been unnoticed are discovered. Through their de-contextualisation, elements acquire new meaning, giving rise to a dialogue between the material and the viewer. Steinberg’s imagination discovers, within the territories, the link between abundance and vacuum, the complex and diverse strategies imagined pursuing the appropriation of space. Her mid-century modern inspired paintings can be found in art collections world-wide. Steinberg’s paintings have been exhibited frequently in her native country of Mexico and achieved abundant recognition internationally with exhibitions in the United States, Netherlands, Germany, and Belgium. Heny Steinberg was born in Mexico City and received a degree in graphic design from the National Institute of Fine Arts and Literature in Mexico City. Heny Steinberg’s unique artworks are constructed by displacement over a lattice or a diagram by way of fragmentation, union, and re-fragmentation. The shapes that inhabit this multi-dimensional space possess visual values that transcend their actual representation. Her work process becomes a means by which elements that have previously been unnoticed are discovered. Through their de-contextualisation, elements acquire new meaning, giving rise to a dialogue between the material and the viewer. Steinberg’s imagination discovers, within the territories, the link between abundance and vacuum, the complex and diverse strategies imagined pursuing the appropriation of space. Her mid-century modern inspired paintings can be found in art collections world-wide. Steinberg’s paintings have been exhibited frequently in her native country of Mexico and achieved abundant recognition internationally with exhibitions in the United States, Netherlands, Germany, and Belgium. “Every piece is constructed through the displacement over a lattice or a diagram, by way of fragmentation, union and re-fragmentation. The shapes that inhabit this bi-dimensional space possess visual values — in themselves — that transcend their actual representation. The process occasionally begins with a concrete image, at times with very specific references, as some titles suggest. Other times, elements of a less obvious nature affirm their presence through lines, planes or colours, manifesting a search of what visual language is without claiming to be narrative or anecdotal. This construction process also becomes a means through which elements that have previously been unnoticed are discovered. By being decontextualized, they acquire new meaning, giving rise to a dialogue between that which is material and that which is visual. The only obstacle is the physical limits of the canvas.” – Heny Steinberg
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