Items Similar to Neoclassical Interior Scene by Russian Theater Artist Early 20th century Mixed
Want more images or videos?
Request additional images or videos from the seller
1 of 11
Neoclassical Interior Scene by Russian Theater Artist Early 20th century Mixed
About the Item
Signed lower right with monogram "MD" - in Cyrillic, leads to the Russian - Lithuanian artist Mstislav Valerianovich Dobuzhinsky (Mstislavas Dobužinskis; 1875 - 1957). Fascinating decorative interior of small room, presumably hotel apartment or boudoir, featuring neoclassical furniture, Bouillotte lamp, mirror, tulips in a glass vase, oval Lady portrait on the wall, carpet or rug underfoot… Dobuzhinsky's use of mixed media, including gouache, watercolor, whitewash, and etc. adds depth and texture to the painting. His ability to capture the beauty and harmony of a room's furnishings in such a detailed and intricate manner is truly awe-inspiring. Mixed media painting and drawing on paper, signed, framed.
Size app.: 41 x 47.6 cm (roughly 16.1 x 18.7 in), frame is 55.5 x 60.5 cm (roughly 21.9 x 23.8 in). Good condition, minor fading and stains, age wear; showing wear such tiny losses to frame (inquire for cosmetic touch ups prior payment). Please study good resolution images for cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 2.2 kg is going to measure 4 kg packed for shipment.
Dobuzhinsky attended the Drawing School of the Society for the Promotion of the Artists from 1885 to 1887. Between 1895 and 1899, he read Law at Saint Petersburg Imperial University, simultaneously studying in private studios. After graduating from the university, he was trained from 1899 to 1901 by Anton Ažbe in Munich and Simon Hollósy in Nagybánya (Austria-Hungary). In Munich, he came to be influenced by the Jugendstil. On his return to Russia, he joined the Mir iskusstva, an artistic circle which idealized the 18th century as the "age of elegance". Dobuzhinsky was distinguished from other miriskusniki by his expressionist manner and keen interest in modern industrial cityscapes. He often painted seedy or tragic scenes from urban life which expressed the nightmarish bleakness and loneliness of modern times. Among his works were also humorous vignettes and sketches with demon-like creatures which seemed to embody the monstrosities of urbanization. Like other members of the Mir iskusstva, Dobuzhinsky also experimented with scenic design. At first he worked for Konstantin Stanislavski at the Moscow Art Theatre, but later on also contributed sets to several Diaghilev productions. He was renowned as an excellent art teacher; among his young pupils was Vladimir Nabokov, with whom he maintained correspondence for decades. During World War I, Dobuzhinsky went with Eugene Lanceray to the front lines to sketch. In 1918, he supervised the theatrical workshop at the State Educational Workshops of the Decorative Arts (the former Stieglitz School of the Technical Drawing). In 1920, he took part in the 2nd World Congress of the Communist International. In 1923–1924, he went abroad to study developments in European art and to arrange one-man shows. In 1924, Dobuzhinsky followed the advice of Jurgis Baltrušaitis and withdrew to Lithuania. He was naturalized there in 1924 and lived in Kaunas until 1925. Between 1925 and 1929 lived in Paris where he designed sets for Nikita Balieff's The Bat. He returned to Lithuania in 1929. In Lithuania he worked at a state theatre as scenographer and created scenography for 38 plays, besides running a private painting school (1930–1933). He then emigrated to England in 1935, and moved to the United States in 1939 where he stayed for the duration of World War II and painted imaginary landscapes of the besieged Leningrad. He spent the last 10 years of his life in Europe, occasionally returning to New York City for theatrical work. Dobuzhinsky contributed sets for theatre productions in Paris, Brussels, Amsterdam, and Düsseldorf etc. Among his later works are series of masterful and dramatic illustrations, notably for Fyodor Dostoevsky's White Nights (1923) and Yury Olesha's Three Fat Men (1925). He died in New York City on November 20, 1957. After his death in 1957, he was interred at the Sainte-Geneviève-des-Bois Russian Cemetery. His memoirs were published posthumously in Russian. Dobuzhinsky's works are kept in many museum collections and private collections, including: The Tretyakov Gallery (Moscow), the State Russian Museum (St. Petersburg), Bakhmetev Archive (Columbia University, New York) and the National Gallery of Armenia (Yerevan) etc.
- Attributed to:Mstislav Dobuzhinsky (1875 - 1957, Russian)
- Dimensions:Height: 21.9 in (55.63 cm)Width: 23.8 in (60.46 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Good condition, minor fading and stains, age wear; showing wear such tiny losses to frame (inquire for cosmetic touch ups prior payment).
- Gallery Location:Stockholm, SE
- Reference Number:1stDibs: LU2257214309252
About the Seller
5.0
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
Established in 1995
1stDibs seller since 2022
16 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Stockholm, Sweden
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Grandpa and Naughty Boy Danish Master Genre Scene 19th century Signed FramedBy Erik Ludwig HenningsenLocated in Stockholm, SESigned lower right “Henningsen” and dated 1881 at reverse. Attributed by Erik Ludvig Henningsen (1855 - 1930) was a Danish painter and illustrator. Masterly painted genre scene “testing grandfather’s pipe” depicting lively domestic moment. The little prankster wants to be like his grandfather, but how can he not try his grandfather’s pipe, which he loves so much and does not let go of even in his sleep. The curious and brave sly man, despite the consequences, took off his shoes to approach quietly... One can imagine his disappointment and emotions after he accomplished what he had planned... The boy's faithful friend, a small dog, looks at all this with interest and curiosity. Loved and admired for his talent to realistically portray life and tell a story at the same time, Henningsen took great pride to never include any personal feelings or philosophy, but to stay neutral to the subject matter for whichever painting he was doing. Antique oil painting on canvas, signed, framed. Size: 43 cm x 35 cm (roughly 16.9 x 13.8 in), frame 52 x 43.5 cm (roughly 20.5 x 17.1 in). Very Good pristine condition with minimal wear. Please study good resolution images for cosmetic condition. In person actual painting may appear darker or brighter than in our pictures, strictly depending on sufficient light in your environment. Weight of app. 1 kg is going to measure some 2 kg packed for shipment. Erik Henningsen was educated at the Copenhagen Royal Academy of Art. He Traveled and studied in Germany, Italy, France and Holland, and received numerous awards and medals throughout Europe. He later became a member of the Royal Academy of Art. Exhibited in Charlottenborg, Copenhagen, Vienna, Paris, Berlin, Munich, Lubeck, and many more. Erik Henningsen is always mentioned in the same breath as his older brother, painter Frants Henningsen. Both with their traditionally classic approach to realism, anecdotal undertones and bold use of dark colors, they were the most loved and celebrated illustrators of life and times; often depicting the hardships and trials of that day and age. One of Erik Henningsen’s large...Category
Late 19th Century Realist Figurative Paintings
MaterialsCanvas, Wood, Oil
- Interior genre scene Reading Early 20th century Oil painting Well framedLocated in Stockholm, SEThe painting "Reading" is a true vision of color and light. In this work, the artist managed to convey the unusual characters of the characters. through his amazing writing style. Th...Category
Early 20th Century Realist Interior Paintings
MaterialsCanvas, Wood, Oil
- French Genre scene Street snake charmer 19th century Oil painting by LecurieuxLocated in Stockholm, SESigned lower right - Jacques - Joseph Lécurieux (Jacques - Joseph Lecurieux, 1801-1867). "Rituel du Serpent. Bou Saada" ("Snake Ritual. Bou Saada") - highly informative and masterly painted picture of Algerian street scene by acknowledged and talented 19th century french artist. His genre scenes, his landscapes and his still lifes are particularly remarkable, as well as his engravings. His life nonetheless remains mysterious, but until now his work continues to be studied and appreciated by art enthusiasts around the world. Antique oil painting on wood panel...Category
1840s Realist Interior Paintings
MaterialsWood, Oil, Wood Panel
- American artist Portrait German lady 19th century Oil painting by J. EichholtzLocated in Stockholm, SECeremonial Portrait of Noble German Lady - amazing discovery of hidden monogram "J.E. 1826" disclosing Great American portraitist Jacob Eichholtz (17...Category
1820s Realist Portrait Paintings
MaterialsCanvas, Wood, Oil
- Italian landscape View of bay from foothills 19th century Large oil paintingLocated in Stockholm, SESigned: Augusto Corelli (1853 - 1918). Superbly and professionally painted Italian landscape. A narrow path, an alley hanging over it with centuries-old oaks, a sea bay...Category
Late 19th Century Realist Interior Paintings
MaterialsCanvas, Oil
- Italian genre portrait Middle Eastern beauty at a well 19th century oil paintingLocated in Stockholm, SEBedouin girl posing for the painter in late sunlight (sunset). Was painted by Cavaliero Antonio Scognamiglio ca. 1870-1880, most likely in Cairo as similar work of smaller size was i...Category
Late 19th Century Realist Portrait Paintings
MaterialsCanvas, Oil
You May Also Like
- Rare Early 20th C. Watercolor -- Pendennis, Captain Costigan and Miss FotheringBy Charles Edmund BrockLocated in Soquel, CAAn fine period watercolor, dated 1910, an illustration by Charles Edmund Brock (English, 1870-1938). This, from a semi-autobiographical novel written by William Makepeace Thackeray, "Pendennis", in full "The History of Pendennis: His Fortunes and Misfortunes, His Friends and His Greatest Enemy." The novel was published in monthly installments from 1848 to 1850 and published in book form in two volumes in 1849–50. Below this image is a quote from "Pendennis," Chapter VI, "Captain Costigan leaves Pendennis & Miss Fotheringay at the great window looking out into the Deans Garden". Signed lower left. Displayed in a rustic giltwood frame. Image, 8.5"H x 6.25"W. Charles Edmund Brock was a widely published English painter, line artist and book illustrator, who signed most of his work C. E. Brock. He received his first book commission at the age of 20. He became very successful, and illustrated books for authors such as Jonathan Swift, William Thackeray, Jane Austen, Charles Dickens, and George Eliot. Brock also contributed pieces to several magazines such as The Quiver, The Strand, and Pearsons...Category
1910s Realist Figurative Paintings
MaterialsPaper, Watercolor
- After the rain. 1988, paper, watercolor, 28x27.5 cmLocated in Riga, LVAfter rain. 1988, paper, watercolor, 28x27.5 cmCategory
1980s Realist Landscape Paintings
MaterialsPaper, Watercolor
- Warehouses 1979, paper, watercolor, 99x64 cmLocated in Riga, LVWarehouses 1979, paper, watercolor, 99x64 cm Through the use of watercolors on paper, the artist has created a nostalgic and picturesque portrayal of the landscape, inviting viewers to immerse themselves in the beauty of the old town's architecture and its rich history. Janis Brekte...Category
1970s Realist Landscape Paintings
MaterialsPaper, Watercolor
- Old City 1970. Paper, watercolor, 71x64 cmLocated in Riga, LVOld City 1970. Paper, watercolor, 71x64 cm "Old Town" is a visually captivating and evocative watercolor painting, celebrating the timeless allure of an old cityscape. Through the use of watercolors on paper, the artist has created a nostalgic and picturesque portrayal of the old town's unique character and historical charm, inviting viewers to appreciate the beauty of the urban past. Janis Brekte...Category
1970s Realist Landscape Paintings
MaterialsPaper, Watercolor
- Portal. 1956. Paper, watercolor, 75x55 cmLocated in Riga, LVPortal 1956. Paper, watercolor, 75x55 cm The central focus of the artwork is on an old town, a historic district known for its antiquated architecture, cobbled streets, and a sense...Category
1950s Realist Landscape Paintings
MaterialsPaper, Watercolor
- Old Riga. 1982, paper, watercolor, 60x32 cmLocated in Riga, LVOld Riga. 1982, paper, watercolor, 60x32 cm The central focus of the artwork is on an old town, a historic district known for its antiquated architecture, cobbled streets, and a sen...Category
1980s Realist Landscape Paintings
MaterialsPaper, Watercolor
Recently Viewed
View AllMore Ways To Browse
World Of Interiors
The World Of Interiors
Antique Neoclassical Furniture
Antique Furniture Interior Design
Modern Antique Interior
From Theater
Decorative Interior Glass
Neoclassic Art
1930 Interior
Theater Signs
Paintings Room Interiors
Russian School Painting
Russian School Of Painting
Paper Theater
Interior Room Scenes
Russian Scenes
Interior Sketch
Russian War Art