Jacque Witjens

"Sheeps in Field"

This is an signed and dated lower left corner and with title and date on the back. Painting is oil on board Measurements Image size: 16 by 29 1/4; overall: 25 1/4 by 38 3/4 inches

Bert Geer Phillips (1868-1956) Original Oil On Board In good condition Measures 22x17 International buyers most cover shipping cost

Original painting on board signed bottom left in purple measures 18x15 in good condition International shippers must include shipping expense

Frame: 23 x 19 x 2 Picture: 12 x 16 Frame has minor wear. original oil on board

William Holmes Sullivan oil on board Frame: 23 x 19 x 3 Picture: 13.5 x 9.5 Frame has some cracks and scratches Matte is stained Picture in good condition International buyers must ...

This is an Willard Ayer Nash original oil on board . It’s a very old painting and flaky due to age and how it was kept. Still a beautiful painting . Unframed measures 25x21 Internati...

Alkyd-oil on Masonite, signed and dated (middle left), 61cm (diam.), (83cm diam. framed). (This work was kept by the artist for his personal collection. It remained in his collection...

Castle Doorway is an original modern artwork realized in the half of the XX Century by Giuseppe Scognamiglio (Neaples, 1901 - Neaples, 1985). Original oil on cardboard. Hand-sign...

Santiago Fuente Bo pieces are exceptionally high in detail, but as well are playful and thought provoking. He is influenced with the ever-changing idea of what home means. His consta...

Santiago Fuente Bo pieces are exceptionally high in detail, but as well are playful and thought provoking. He is influenced with the ever-changing idea of what home means. His consta...

Approximate Date: 1954 Medium: Oil on Board Signature: Signed Lower Right Sight Size 21.00" x 21.00", Framed 26.00" x 26.00" Saturday Evening Post cover painting, December 18, 1954 ...

Cover of The Saturday Evening Post Magazine, February 6, 1960 Caption: "The Cover: Artist John Clymer takes you to the summit of Washington state's Snoqualimie Pass, where they seem to have had a few snow flurries lately. Up there the moist westerly winds bump against sky-reaching peaks of the Cascade Range, with the result that the winds spill their contents before whistling dryly on down across the eastern slopes. Thus residents of places like Seattle living in a relatively balmy clime beside the Pacific's mild Japan current, can drive in an hour or two up to where skiing material is sometimes twenty feet thick if it's an inch. Indeed, when seasons overlap, a downlander might conceivably pick a rose and go skiing with it in his buttonhole. All of which, thanks to highway crews who blow off the blizzards, is a very felicitous geographic arrangement." John Ford Clymer's success as an artist can be traced to his boyhood in the Kittitas Valley located in the central regions of Washington state. It was there that he developed an enthusiasm for the world around him and an abiding respect for historical accuracy. Over the years John Clymer received numerous awards and honors including the revered Prix de West in 1976, from the national Academy of Western Art. Other great achievements included both gold and silver metals for his oils and charcoal drawings from the Cowboy Artists of America, "Western Artist of the Year" from the National Wildlife Art Collectors Society, and both John and Doris were honored at the Ellensburg National Art Show and Auction for their contributions to western heritage. John's highest honor came in 1988 when he was awarded the prestigious Rungius Medal from the Wildlife of American West Art...