Jessie Willcox Smith

The Green Door

1904

Signed Lower Right Framed under glass

Signed Lower Left Illustrated in October 23, 1938 Issue of "This Week Magazine" Page 3

Signed Lower Right by Artist Magazine story illustration: “Mr. and Mrs. Fixit”, author: Ring Lardner, Liberty Magazine; publisher: (Liberty Weekly, Inc.), Vol. 2, no 1, May 9, 1925.

Signed Lower Right by Artist “Now as Julia sat there drinking tea from the quaintest of old-fashioned china cups...” Book illustration: Brenda, her School and her Club, by Helen Le...

Date: 1915 Medium: Watercolor, Gouache and Charcoal on Board Dimensions: 26.25" x 16.50" Signature: Signed Lower Left LITERATURE Louisa May Alcott,...

Medium: Charcoal Pastel Dimensions: 36.00" x 24.00" Signature: Signed Lower Left Image of Longfellow and other figures.

Yesterday's Memory, 2021. Mixed media: charcoal and acrylic paint on Fabriano Fillipus Sheehama's latest large-scale sculptural textiles have grown out of an exploration of recycled materials and their link to overconsumption. The materials are sourced from under-maintained and largely impoverished areas of Namibia. His artistic process has evolved to incorporate organic waste materials. Indigenous makalani fruits are often used as a food source and to brew alcohol. In these works the discarded makalani piths are cut in half and hand-stitched together alongside flattened metal bottle caps and shards of animal bone. The use of these discarded materials also points to the agricultural processes that sustain subsistence farmers. Sheehama highlights issues of land (re)distribution as years of Apartheid and colonialism carved up and cut off access to much of the arable land in Namibia, leaving the majority of the population scrambling for resources. The patchwork of different materials and textures speaks to the segregation of land and people, and the need to use our natural resources and knowledge to unify for a more just and fair society. Each artwork is both a reflection of society as well as a critique of contemporary living. He is preoccupied with ideas of wholeness, thinking about the relationship between individual and collective identity. The materials he chooses to use en masse- discarded bottle tops, plastics, old school desks...

Jogen Chowdhury Untitled Charcoal & Dry Pastel on Brown Paper Pasted on Board 10 x 8 inches 2021 Style : He has immense contribution in inspiring young artists of India. Jogen Cho...

Shuvaprasanna Bhattacharya - The Wings 35 x 90 inches (unframed size) Acrylic and Charcoal on Canvas One of the most popular series of the Master Artist, The Golden Flute is the art...

Shuvaprasanna Bhattacharya - The Owl Oil Acrylic & Charcoal on Canvas 48 x 48 inches (unframed size) 2005 One of the most popular series of the Master Artist, The Golden Flute is...

Shuvaprasanna Bhattacharya - The Bird Oil Acrylic & Charcoal on Canvas 45 x 45 inches (unframed size) 2004 One of the most popular series of the Master Artist, The Golden Flute is...

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