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Emilio Grau Sala"Plage de Trouville" Sept. 1953, 20th Century oil on canvas by Emilio Grau Sala1953
1953
About the Item
EMILIO GRAU SALA
Spanish, 1911 - 1975
TROUVILLE, SEPTEMBRE 1953
signed Grau Sala (lower left)
signed again, located & dated "Grau Sala, Trouville, Septembre 1953" on the reverse
oil on canvas
9-1/2 X 16-1/4 inches (24 X 41 cm.)
framed: 16 X 22-3/4 inches (40,5 X 57.5 cm.)
PROVENANCE
Private French Collection
Emilio Grau Sala came from a family of artists. He was born in Barcelona in 1911 and his father, a good cartoonist, had been one of the promoters of the "Salon des Humanistes" and made his exhibitions normally in the Parés Hall.
His first works were exhibited at the Salon des Independents, in the years 1930-33.
Grau Sala was essentially a Mediterranean painter, son of post-impressionism and enriched with French painting of the last fifty years.
Grau Sala lived and absorbed all the avant-garde movements that broke through in Paris, but never adhered to any. Creating your personal style. His pictorial lyricism and naturalism superimposed the evocative and sensitive quality of the image to any other concern. In 1953 Grau Sala spends his first summer in Honfleur becoming one of the most active Honflerian painters. Honfleur forms a coast triangle next to Deauville and Trouville, and in that August of 53, Grau Sala pinto is an elegant beach, which at that time met French and European high society.
His works can be found in the Museums of the Villa de Paris, L'Ile de France Museum, at the Château de Sceaux, Honfleur Museum, La Rochelle Museum, Barcelona Museum, Tossa de Mar Museum, Philadelphia Museum, Museum of Buenos Aires, etc.
This Trouville beach is painted in the distance, just with a thin line of greenish blue colors that are degrading in the distance.
The sky full of clouds that let you see after you glow blue. The composition clearly marks a diagonal that divides the somewhat darker area of the water and the beach, with another with much more light that brings us to the promenade with lively figures.
EXHIBITION
Museo de Arte Moderno, Madrid
Galería Muller, Buenos Aires
Dindley Gallery, New York
Outdoor and Autumn Halls, Paris
Galería Charpentier, París
Monique de Groote, París
Sala Parés, Barcelona
Sala Rovira, Barcelona
Sala Syra, Barcelona
- Creator:Emilio Grau Sala (1911-1975, Spanish)
- Creation Year:1953
- Dimensions:Height: 9.45 in (24 cm)Width: 16.15 in (41 cm)
- More Editions & Sizes:24 X 41 cm.Price: $11,074
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Madrid, ES
- Reference Number:1stDibs: LU128114768342
Emilio Grau Sala
Emilio Grau Sala came from a family of artists. He was born in Barcelona in 1911 and his father, a good cartoonist, had been one of the promoters of the "Salon des Humanistes" and made his exhibitions normally in "Sala Parés", Barcelona. His first works were exhibited at the Salon des Independents. In the years 1930-33 he had painted under the influence of Cubism, especially that of Torres García. It is from that time a painting of the port of Barcelona, geometric and structural, which completely anticipated what would later be his work. His personality began fully painting watercolors and oils with a certain fantasy character, with a point of decorative instinct and themes full of naivety and grace. Romantic interiors, paddocks, port scenes, sailors, etc. Grau Sala was essentially a Mediterranean painter, son of post-impressionism and enriched with French painting of the last fifty years. Mediterranean because his work has the color and light of that land.
He understood and assimilated impressionist painting very well, and for that reason he was never subject to the modules of a formulist realism, nor the sexigencias of the forms. In Paris he found the best environment to give us a fruitful and intense work, because he could use the expressive potential of French art to enrich it.
All this made him a very esteemed artist everywhere where his work was known. He was also very often required to illustrate books and publications in Paris. Also his posters were very successful. He painted a large number of subjects, but perhaps the theme of horse racing is where you can see in a very clear way the joyful and optimistic life that was lived at that time. In this fabric there is an explosion of juicy and vivid colors full of ingenuity and simplicity in its composition. Only a teacher could turn the complicated into something simple and beautiful. Before this work we feel a deep emotion, the emotion of before starting a horse race. Joy and nervousness at the same time. Especially since it is a direct emotion. There are no intermediaries between our eyes and what the work intends to tell us. This is precisely what seduces and catches us of this painting. His works can be found in the Museums of the Villa de Paris, L'Ile de France Museum, at the Château de Sceaux, Honfleur Museum, La Rochelle Museum, Barcelona Museum, Tossa de Mar Museum, Philadelphia Museum, Museum of Buenos Aires, etc. EXHIBITION
Museo de Arte Moderno, Madrid
Galería Muller, Buenos Aires
Dindley Gallery, New York
Outdoor and Autumn Halls, Paris
Galería Charpentier, París
Monique de Groote, París
Sala Parés, Barcelona
Sala Rovira, Barcelona
Sala Syra, Barcelona
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