Emilio Longoni

Alpine lake

1910

Domenico Bresolin (Padua 1813 - Venice 1890), Riva d'Arno in Florence Oil on canvas applied to cardboard 26 x 40 cm. INFO: to get more information Publications D. Ritter, Venedig...

Bruno Croatto (Trieste 1875 - Rome 1948), View of Siena (1941) Oil painting on panel 50 x 60 cm signed, located Siena and dated 1941.

Giovanni Calamia Lombardo (Palermo 1849 - 1894) The plain of Palermo as seen from Mt. Pellegrino. Oil painting on panel 26 x 44 cm signed lower left.

Giuseppe Canella (Verona 1788 - Firenze 1847), Bacino San Marco Dipinto ad olio su tavola di cm 14 x 20 firmato in basso a sinistra.

Federico Del Campo (Lima 1837 - Venice 1923), The Toy Seller (1877) Oil painting on panel 22 x 37 cm signed Campo on the left, on the back is an old label from Williams and sons ga...

Raffaello Sernesi (Florence 1838 - Bolzano 1866), The Tempietto of Villa Floridiana at Vomero, Naples (1862) Oil painting on panel 12 x 19 cm, on the back is a label with the work'...

Dmitry Alexandrovich Kustanovich (Belarusian, 29.3.1970) Lively Urbane Landscape on a rainy day in Minsk , Belarus • Oils on canvas, mounted on to fiberboard, ca. 27 x 35 cm • Fram...

Beautiful Pointillist depiction of an iconic Venice canal with gondolas by an unknown artist (Italian, 20th Century). Signed indistinctly lower right. Description on verso with indis...

Alison Groom Wivenhoe Afternoon Original Textured Landscape Painting Oil on Textured Acrylic Medium on Board Board Size H 50 cm x W 50cm x D 2.2cm Framed Size H 60cm x W 60cm x D 3.2...

A beautiful pointillist oil painting dated 1900 and signed Ford. Housed in a very unique and oddly complementary frame this work stands out in a crowd.

Norrsken (Aurora Borealis) is a vibrant painting in a pointillistic style with short brushstrokes, created by the artist Helmer Hertzhoff around 1940s. Hertzhoff, born in 1873 and pa...

Oil on board, signed on verso Image size: 31 1/2 x 25 inches (80 x 64 cm) Framed This is a wonderful work of Pointillism, a technique of painting where small, distinct dots of colour are applied in patterns to form an image. This techniques relies on the ability of the eye and mind of the viewer to blend the colour spots into a fuller range of tones. The practice of Pointillism lies in sharp contrast to the traditional methods of blending pigments on a palette. Georges Seurat and Paul Signac developed the technique in 1886, branching from Impressionism. The term 'Pointillism' was coined by art critics in the late 1880s to ridicule the works of these artists, but is now used without its earlier pejorative connotations. The Artist Kenneth Walch Born Wimbledon 1927. After school he moved to Australia in the early 1950’s and won a place at the National Gallery Art School in Melbourne where he studied under Murray Griffin until 1953 when he returned to England. He then enrolled at St Martins School of Art where his principal tutor was the Colourist, Fredrick Gore. Gore introduced him to English post...