Eugène Lawrence Vail

"Soir de Novembre, Dordrecht, " Eugene Vail, Dutch Landscape with Boats, Cloudy

Herman N. Hyneman (1849 - 1907) Elegant Lady in Winter, Trinity Church, New York City Oil on canvas 22 x 15 inches Signed lower right Provenance: Freemans, 2005, Lot 76 Herman N. Hyneman was a noted American portrait and figure painter with ties to both Philadelphia and New York. He was born July 27,1849 to Leon and Adeline Hyneman in Philadelphia. ("Who Was Who in American Art" lists his birth date as either 1849 or 1859, but we have confirmed that the birth date is 1849). Virtually nothing is known about his early years, but given the fact that the family resided in a wealthy section of Philadelphia and the fact that he traveled to Paris to study in the studio of Leon Bonnat when he was but 20 years old, it is presumed that the family was financially comfortable if not well to do. Hyneman exhibited at the Paris Salon in 1879 and 1881, which was quite an accomplishment given his tender age. He returned to the United States in 1882 and after a year in Philadelphia, he established a studio at 58 West 57th Street, New York, NY, where he painted portraits to support himself and scenes of beautiful fair-skinned women walking in the snow to exhibit at major exhibitions throughout the United States. Hyneman exhibited at the the Brooklyn Art Association in 1882, 1883 and 1884 and at the Pennsylvania Academy of Fine Arts in 1883 and 1888. Beginning in 1882 and continuing up until 1905, he exhibited regularly at the National Academy of Design. Despite the fact that he exhibited fourteen paintings at the National Academy over a span of three different decades, he was never elected as a member. In the 1880's his paintings sold for between $100 and $1500, which were substantial sums for that period. Hyneman also exhibited at the Salmagundi Club and the Philadelphia Art Club and was a member of each organization. He won a medal at the American Art Society in 1904 and also exhibited at the Chicago Art Institute. A handwritten label on one of his paintings indicates that he also exhibited in Budapest, Hungary. In 1892, Hyneman married the noted artist Juliet Jolley (aka Jolly), who had previously modeled for him. Thereafter, they shared a studio and on at least one occasion exhibited together. The February 5, 1896 edition of the "New York Times" reported on a "pleasant studio reception" at 58 West 57th Street where the paintings of both Herman and Juliet were shown to members of New York Society including Mr. And Mrs. Edwin Blashfield. At least one of Hyneman's Painting " A Sensation on Wall Street" which depicted a lovely young woman in fur coat with Muff in front of the Stock Exchange, was made into a post card and reproductions of his paintings are known to exist, although not plentiful. At least one etching is known, "Desdemona," which was reproduced in a book by Frederic Stokes. Herman Hyneman...

Henry Charles Hannig (1883 - 1948) The Green Parasol Oil on canvas mounted on board 6 x 7 3/4 inches Provenance: R.H. Love Galleries, Chicago, Illinois Private Collection, Lake Orion, Michigan Hannig, born in Hirschberg, Germany on 27 February 1883, came to America with his parents at the age of seven. He attended school in the southwest suburbs before the family settled in Chicago. Young Henry enrolled in the Chicago Academy of Fine Arts where Lawton Parker became his mentor. He made ends meet by working in industrial design and illustration. By 1908 he was a pupil in the School of the Art Institute of Chicago where students followed the traditional European drawing curriculum, beginning with the copying of master engravings and drawing after plaster casts, then concentrating on the nude figure. Students worked toward the goal of winning various academic prizes. One of Hannig's fellow students was Louis Ritman...

Marion Eldridge Washington Square Park, circa 1925-30 Signed lower right Oil on canvas 18 x 22 inches

Gerrit Beneker (1882 - 1934) Wellfleet, Cape Cod, Massachusetts, New England, 1926 Oil on canvas 20 x 16 inches Signed, titled, and dated lower left Provenance: Louis H. Barnett, Fort Worth, Texas In 1905, Gerrit Beneker began his art career as an illustrator. He married Flora Judd, his high school sweetheart from Grand Rapids and they moved to Brooklyn, NY. Gerrit's early passion was to create an art that would inspire and provide honor to the workingman. As such, he had no interest in painting portraits of pretty women, which were so often seen on the magazine covers of the day. Rather he wanted to seek out workingmen on the bridges, tunnels and skyscrapers of NYC, and paint them in their environments. He completed over 150 magazine covers, numerous ads including many for Ivory Soap...

Emile Albert Gruppe (1896 - 1978) View of Boats in Gloucester Harbor, Cape Ann, Massachusetts circa 1925 Oil on canvas 25 x 30 inches Signed lower right Emile Gruppe was an unusually prolific artist. He was at his easel almost every day and created thousands of paintings over a career that lasted 60 years. At his peak, he was completing almost 200 oil paintings a year. Yet he has never failed to find an audience for his depictions of New England in autumn and winter, or his harbor scenes of Rockport and Gloucester in Massachusetts. Gruppe was born in 1896 in Rochester, New York to an artistic family--his father, brother, sister and nephew were all artists. Emile spent his youth in Katwyk an Zee, a fishing village in Holland, where his father, Charles Gruppe, worked as both an artist and an art dealer. Emile lived in the Netherlands until he was 17, when the family returned permanently to the United States to avoid World War I. In New York City, Gruppe attended classes at the National Academy of Design and at the Art Students League, where he studied under Charles Chapman and George Bridgman. He also studied with John Carlson in Woodstock, New York, where he gained an appreciation for outdoor painting. Carlson “turned me into a painter,” he later said. Gruppe helped found the Rockport Art Association in 1921, but he is most closely linked to Gloucester where he lived from about 1940 until his death. He operated the Gloucester School of Painting from the 1940s into the 1970s and helped turn the Rocky Neck area of East Gloucester into a world-famous art colony. The school boasted an impressive faculty but Gruppe’s own exuberant plein-air demonstrations were often the highlight of the week. Gloucester, with its fleet of whimsically painted fishing vessels, crowded wharf buildings and shacks, and picturesque inhabitants, never ceased to fascinate Gruppe. He also helped popularize Rockport’s famous fishing shack known as Motif #1, sometimes called “the most often-painted building in America.” By the 1940s, Gruppe was one of the most prominent of the Cape Ann artists...

George Gardner Symons Winter Scene: Canal Near New Hope, Pennsylvania Signed lower left Oil on canvas 30 x 38 inches Provenance: Galleries Maurice Sternberg, Chicago, Illinois Private Collection Sotheby Parke Bernet, New York, American 19th & 20th Century Paintings, 1976, Lot 121 Christie's New York, American Art, June 5, 1997, Lot 66 The Honorable Serena Perretti, Short Hills, New Jersey (acquired directly from the above) Estate of the above, 2023 A landscape and marine artist, George Symons was one of America's more noted plein-air painters who combined styles of impressionism and realism. His works are cited for their energy and simplicity, and he often did panoramic views. He was born in Chicago, Illinois in 1861, with the name of George Gardner Simon, but he changed his last name to Symons when he returned from study in England because of concern about anti-semitism. Not much is known about his early life. He first studied at the Chicago Art Institute where he became a close, life-long friend of William Wendt. They painted together in California and then in Cornwall, England in 1898. He also studied in Paris, and Munich and London, and joining a colony of artists at St. Ives, adopted the plein-air techniques of Julius Olsson, Adrian Stokes, and Rudolph Hellwag. He worked in Chicago as a commercial artist, and about 1903 returned to California with Wendt and built a studio in Laguna Beach and became active in western art societies including the California Art Club. He returned often, but maintained his primary studio in Brooklyn, New York, and also did a lot of painting in Colerain, Massachusetts. Among the collections where his work can be found is the Brooklyn Institute of Arts and Sciences; the Art Institute of Chicago, and the Fleischer Museum in Scottsdale, Arizona. Associations he was a member of include the National Academy of Design, the National Arts Club, the Institute of Arts and Letters, the Lotos, Century, and Salmagundi Clubs. He was also a member of the Royal Society of British Artists and the Union Internationale des Beaux Arts et des Lettres. He painted entirely out-of-doors, frequently working in Arizona, doing desert landscape and the Grand Canyon views, which "were well received", but he is best known for his New England snow scenes, especially of the Berkshire Mountains...

A wonderful winter village landscape in Bucks County by painted by American artist Paul Bernard King (1867-1947). King was born in Buffalo, New York, and ...

"With shades of Pierre Bonnard’s Parisian street vistas and Edward Hopper’s New York shopfronts, American impressionist Cindy Shaoul’s oil paintings depict the much-loved locales and...

Jim’s of Lambertville is proud to offer this artwork by: Antonio Pietro Martino (1902 - 1988) Signed and dated lower right. Complemented by a period frame. Antonio Martino was ...

This abstracted, impressionistic landscape painting by Ken Elliott is made with oil paint on canvas. It captures a hill beneath a saturated pink sky, with varying shades of green and...

Serene depiction of Mont-Saint-Michel (St. Michael's Mount) by David Saccheri (American, b. 1959). The stunning beauty of this iconic and historical isl...

Vibrant miniature landscape by Kathleen Murray (American, (American, b. 1958). Signed "MURRAY" in the lower left corner, but it is very difficult to read due to the color. "#12 The Landing...