Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 14

Henry H. Parker
19th Century landscape oil painting of a logging cart on a country track

1895

About the Item

Henry H Parker British, (1858-1930) At Ewhurst near Guildford, Surrey Oil on canvas, signed & dated (18)95, further transcribed verso Image size: 23.25 inches x 35.25 inches Size including frame: 30.25 inches x 42.25 inches An atmospheric landscape painting of a logging cart and horses on a country track by Henry Parker. A figure and a dog are depicted leading a logging cart and team of horses past a village church as dusk falls. Henry Parker was born in the St Pancras area of London on 27 June, 1860 and was christened Henry Deacon Hillier (or Hillyer) Parker. His parents were Thomas, a draughtsman and lithographer and Lucy Parker. The family lived in Gillies Street, St Pancras. He studied at the St Martin’s School of Art and initially started his working life as an Illustrator for the Illustrated London News. However, by the age of 23 he had become known as a landscape painter. He married Charlotte Eliza Wilson in June, 1888 and together they had six children. His son Frederick became a draughtsman. He spent most of his adult life in Tottenham living at Elmer Road and later 13 Somerset Road. He died in London on 12 June, 1930. Parker mainly painted rustic views of the South East of England, in Surrey, Sussex and Kent as well as views of the Thames. He also painted in Worcestershire and Wales. As well as signing his paintings Henry H Parker, he also painted under the pseudonyms of H D Hillier and possibly HD Hillyer. It is believed he used a pseudonym because of contractual obligations to a London gallery. In addition to being known as Henry Hillier Parker, he is also sometimes referred to as Henry Hillingford Parker. His style, with its quick and impressionistic brush strokes has often been compared to B. W. Leader. Like many of his contemporaries, he concentrated on painting "pure" landscapes, a genre that he mastered early in his career. His landscapes are lush and tranquil, frequently featuring figures in a cornfield, on a boat or walking down a country path. The scenes are often sunny and bright and the waters are calm and soothing. Parker is one of the few top calibre artists who does not appear to have exhibited in England, although his works appear frequently on the market and are as popular today as they were in his lifetime. Examples of his work are held by the Hartlepool Museum, Haworth Art Gallery, Middlesbrough Institute of Modern Art, University of Oxford and the Williamson Art Gallery. A number of Museums and art galleries across the world also have his paintings on display including St. James’s Museum, Montreal, Auckland Museum and the Melbourne Gallery. Presentation: The work is housed in a new, English made gilt frame which is in excellent condition. Condition: As with all of our original antique oil paintings, this work is offered in ready to hang gallery condition, having been professionally cleaned, restored and revarnished. © Benton Fine Art
  • Creator:
    Henry H. Parker (1858 - 1930, British)
  • Creation Year:
    1895
  • Dimensions:
    Height: 30.25 in (76.84 cm)Width: 42.25 in (107.32 cm)Depth: 3 in (7.62 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    Nr Broadway, GB
  • Reference Number:
    1stDibs: LU156210384942
More From This SellerView All
  • 19th Century landscape genre oil painting of ploughmen with horses & a dog
    By George Cole
    Located in Nr Broadway, Worcestershire
    George Cole British, (1810-1883) Waiting for a Treat Oil on canvas, signed & dated 1857 Image size: 19.5 inches x 29.5 inches Size including frame: 26.25 inches x 36.25 inches A cha...
    Category

    19th Century Victorian Animal Paintings

    Materials

    Canvas, Oil

  • 19th Century landscape animal oil painting of cattle & sheep by a river
    By Thomas Sidney Cooper
    Located in Nr Broadway, Worcestershire
    Thomas Sidney Cooper British, (1803-1902) Canterbury Meadows Oil on canvas, signed & dated ‘T. Sidney Cooper RA/1894 Image size: 14.75 inches x 24.75 i...
    Category

    19th Century Victorian Animal Paintings

    Materials

    Oil, Canvas

  • 19th Century landscape oil painting of horses near a barn with figures & a dog
    By Thomas Blinks
    Located in Nr Broadway, Worcestershire
    Thomas Blinks British, (1853-1910) Midday Rest Oil on canvas, signed & dated (18)87 Image size: 11.5 inches x 17.5 inches Size including frame: 20.25 inches x 26.25 inches Thomas Blinks was born in Maidstone, Kent on 29 October 1853 to Richard Blinks and Eleanor Poile. His father was a master butcher in Ticehurst and the family lived above the shop, which is still operates as a butchers today. Thomas initially worked for his father but his talent for art soon took him in another direction. He married Louisa Anne Winterbottom on 11 April 1874, at Rye, Sussex and together they had 3 children. They lived in Hawkhurst, Kent before moving to Hackney, London in 1878. Whilst largely self- taught, Blinks would have learnt basic anatomy from working with his father, but he also spent time at Tattersalls canine and horse auctions...
    Category

    19th Century Victorian Landscape Paintings

    Materials

    Oil, Canvas

  • 19th Century Highland landscape oil painting of sheep near Loch Awe
    Located in Nr Broadway, Worcestershire
    William Watson Jnr British, (1847-1921) On the Mountains, Loch Awe Oil on canvas, signed & dated 1892, further inscribed verso Image size: 12.5 inches x 18.5 inches Size including frame: 18.5 inches x 24.5 inches A wonderful painting of Highland sheep resting near Loch Awe by William Watson Jnr. Loch Awe is located in Argyll and Bute in the Scottish Highlands and this scene is taken from the mountain side overlooking the loch. William Watson was born in Islington in 1847, the son of the London miniature painter William John Watson (1810-1871) and his wife Caroline (née Butcher). His brothers Charles Watson (1837-1900) and Robert Watson (1855-1921) were also artists. His father seems to have travelled around and after spending time in Brighton, the family moved to Bransford Road in Worcester during the early part of the 1860’s. As well as being taught by his father, Watson received his early training in the studio of Sir Francis Grant PRA (1803-1878). He later became a pupil of Sir Edwin Henry Landseer RA (1802-1873) and Rosa Bonheur (1822–1899). Both Landseer and Bonheur had a great influence on his work and he began specialising in scenes of cattle and sheep. By 1866 he had become a full time artist and began exhibiting at the Royal Society of British Artists. Perhaps to take advantage of the inspiring scenery, Watson moved to Birkenhead, Cheshire where in 1871 he met and married Eleanor Davies who was from Caernarvonshire. Four of their children Sidney Watson (1881-1931), Caroline Ellen...
    Category

    19th Century Victorian Animal Paintings

    Materials

    Canvas, Oil

  • 19th Century exhibition size landscape oil painting of Sheep on a cliff
    By Charles Jones (b.1836)
    Located in Nr Broadway, Worcestershire
    Charles Jones British, (1836-1892) Sheep Resting Oil on canvas, signed with monogram & dated 1877, further inscribed verso Image size: 35 inches x 59 inches Size including frame: 47 inches x 71 inches Exhibition Size Painting A fantastic exhibition sized landscape painting of sheep on a cliff top by the coast by Charles ‘Sheep’ Jones. At the time he produced this painting, Jones was living at Heathercroft, Balham Hill in London. Given the size and quality of the work it was most likely an exhibition piece. The topography and landscape suggest that this is the Dorset coast, one of his favourite places to paint. Charles Jones was an animal painter who was born in Stepney, London in 1836. He was the son of the artist Samuel John Egbert Jones (1797-1861) and Dinah Jones. He lived with his parents and 9 siblings in Mile End and was a pupil of his father. In September 1859, he married Frances Rosalinda Downe, who was born in America. His son Arthur Bertram Loud (1863-1930) also became an artist. They lived at 12 Hayes Place, Lisson Grove from where he made his debut in London at the Royal Academy in 1861. He also exhibited at the British Institution, Suffolk Street, New Watercolour Society, Royal Institute of Oil Painters and the Royal Institute of Painters in Watercolours. By 1867, he had become a successful artist and they had moved to 7 Paragon Place, Brixton Hill. From 1874 he lived at Heathercroft, Balham Hill where he spent the rest of his life. Jones became well known for specialising in paintings of sheep, cattle and deer in landscape settings. He spent his time travelling around visiting areas such as Devon, Dorset, Kent, Sussex and the Highlands. However, it is for his skilful painting of sheep that he is perhaps best known, and for which earned him the nickname of ‘Sheep’ Jones. As well as the major London galleries, he also exhibited provincially at various locations including: the Royal Cambrian Academy where he was elected a member in 1886, the Glasgow Institute of Fine Arts, Manchester City Art Gallery, Royal Hibernian Academy, Royal Society of British Artists, Birmingham and the Walker Art Gallery, Liverpool. Some of the smaller more intimate galleries he exhibited at were Arthur Tooth & Sons and Thomas...
    Category

    19th Century Victorian Animal Paintings

    Materials

    Canvas, Oil

  • 19th Century sporting oil painting of a hunting meet
    By Edward Benjamin Herberte
    Located in Nr Broadway, Worcestershire
    Edward Benjamin Herberte British, (1830-1896) The Meet Oil on canvas, signed & dated 1890, embossed makers mark to stretcher Image size: 15.5 inches x 23.5 inches Size including fra...
    Category

    19th Century Victorian Animal Paintings

    Materials

    Oil, Canvas

You May Also Like

Recently Viewed

View All