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Soren Emil Carlsen Emil Carlsen American Impressionist landscape oil Painting Salmagundi Clubcirca 1900
circa 1900
About the Item
Yellow Landscape/Wood Interior/Birch Forest
3 different titles on 3 labels
DESCRIPTION
Yellow Landscape oil /panel
bears Florence G. Carlsen Estate stamp on Brett Mitchell Collection label
image 20 x 24
CONDITION
Framed 34 1/2 x 30 1/2
Minor deposits of surface dirt and dust: horizontal cracking to the panel along the length of the right edge, with some cracks extending into the foreground in the lower right corner; Localized areas of stable craquelures throughout, most noticeable in the white impasto paint of the largest tree trunk. Under UV light, certain pigments fluoresce orange but are original to the artwork.
From Wikipedia, the free encyclopedia
Soren Emil Carlsen (October 19, 1853 – January 2, 1932, New York City, U.S.[2]) was an American Impressionist painter who emigrated to the United States from Denmark.[3] He became known for his still lifes. Later in his career, Carlsen expanded his range of subjects to include landscapes and seascapes as well.[4]
During his long career, he won many of the most important honors in American art and was elected to membership in the National Academy of Design. For more than forty years he was also a respected teacher in Chicago, San Francisco and New York.
Critical responses
Professor William Gerdts wrote extensively of Carlsen and his aesthetic sensibility in his book on American still life painting "Painters of the Humble Truth" and he describes the objects in the paintings as
... often lacking in traditional beauty, What makes the paintings beautiful is Carlsen's sensitivity in arrangement - large shapes are juxtaposed with small flat forms and tall ones, their outlines are often united in refined harmonious curves. and are placed backward and forward on their limited support surface to allow for "breathing room," for slow movement in space.[23]
The art historian Richard Boyle also noted Carlsen's craftsmanship, in his book American Impressionism, states:
Carlesen's special concern was still life, and his paintings are beautifully crafted and delicate of surface, reminiscent of Whistler and especially Dewing. Carlsen was concerned with "ideal beauty" as well as the beauty inherent in the subject, in texture and color; as in Dewing's works, the placement of the objects on his canvas is extremely important ...[24]
The art writer Arthur Edwin Bye featured Carlsen most prominently in his survey of American Still life painting in 1921 and wrote of him:
Emil Carlsen is unquestionably the most accomplished master of still-life painting in America today. ... It is evident that Carlsen has lifted his art to a height it has never reached before."[25]
In American Impressionism, William Gerdts wrote about Carlsen's transition from still life artist to landscape painter:
Carlsen was attracted to the beauties of the rolling hills and interpreted them in soft, pastel tones. Carlsen's landscape mode, however, is more completely of this century, and it developed in the more decorative, somewhat naturalistic manner that characterized later Impressionism.[26]
The art collector Duncan Phillips wrote of Carlsen that his ocean scenes had "a certain trance-like mood."
Additional reading is available on Wikipedia.
SELLERS STATEMENT
I have been in the art business as an artist and dealer since the early 80's. Almost 40 years now. I primarily concentrate on my own art. My art is derived in a variety of ways. I'm a responder. I respond to light, color, design, etc. and I love painting both outdoors on location and in the studio under a controlled environment. I try to convey an idea, mood or just simply a beautiful setting. I'm inspired by a wide variety of subject matter and styles of painting and do not adhere to just one way.
My paintings have won numerous awards over the years and have been collected both nationally and internationally. They can be found in three museum collections, the White House Collection and many private collections.
I try to photograph each piece as close to the original as I can possibly make it in a general sense trying to convey the colors and light quality. Not all colors reproduce as accurately as others. If when you receive the painting and you feel it is significantly different then what the photos show, please let me know and we can try to work that out.
- Creator:Soren Emil Carlsen (1853-1932, American)
- Creation Year:circa 1900
- Dimensions:Height: 34.5 in (87.63 cm)Width: 30.5 in (77.47 cm)Depth: 1.63 in (4.15 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:In ready to hang condition.
- Gallery Location:Chesterfield, NJ
- Reference Number:1stDibs: LU1254112490302
Soren Emil Carlsen
Born Soren Emil Carlsen in Copenhagen around 1853, Carlsen first began his studies at the Royal Danish Academy as a teenager. Yet he was not to remain long there, leaving in 1872, at nineteen years old for America where he settled in Chicago, working for an illustration house to support himself. By 1875 he had saved enough money to travel to both Paris and Copenhagen to paint and study, staying for six months before returning to America, this time to New York. By this time he had already developed a unique love affair with the still life. In New York he befriended fellow painters such as John Francis Murphy; yet the city could not contain him and after only a year he relocated to Boston, making friends with the likes of Childe Hassam with whom he maintained a life-long friendship. Carlsen remained quite poor throughout his time in Boston where he spent the next eight years. Yet his abilities were developing quite rapidly in still life painting, in a style which scholars refer to as “kitchen still lifes.” that often included fish or birds paired with pots and pans suggesting the presence of a cook outside the frame and introducing a human element to still life subjects. This style very much echoed the work of the Dutch and Spanish Masters of still life, particularly that of Jean Simeon Chardin and, to a lesser degree, Johannes Vermeer. The similarity is not coincidental, as Carlsen spoke and wrote often of the influence of these artists on his own work, and yet he was already beginning to develop the eye for color, light and composition that today we regard as the undeniable Carlsen style. In 1884 Carlsen moved again to Paris, staying for two years. Here, as always he kept a low profile, preferring the mediation of working in the studio to the more social and recreational gathering places of artists and expatriates. In 1887 Carlsen moved to San Francisco, working for the directorship of the San Francisco Art Association School, and in 1891 moved back to New York where he lived until 1901. It is during this period, in the last decade of the nineteenth century that could be regarded as the most formative in terms of the development of the techniques that produced the paintings for which he is most celebrated today.
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