Items Similar to The Pond, Godfrey's Pond, Batavia, New York, Stafford, American Landscape
Want more images or videos?
Request additional images or videos from the seller
1 of 9
Stuart E. ZillmanThe Pond, Godfrey's Pond, Batavia, New York, Stafford, American Landscapec. 1960s
c. 1960s
About the Item
Stuart E. Zillman (American, 20th Century)
Signed: Stuart E. Zillman (Lower, Right)
" The Pond ", c. 1960s (Possibly Godfrey's Pond)
Oil on Canvas Board
16" x 20"
Housed in a 1 1/2" Oak Frame
Overall Size: 18 1/4" x 22 1/4"
In very good original condition.
- Creator:Stuart E. Zillman (American)
- Creation Year:c. 1960s
- Dimensions:Height: 18.25 in (46.36 cm)Width: 22.25 in (56.52 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Grand Rapids, MI
- Reference Number:1stDibs: LU2380214207932
About the Seller
5.0
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
Established in 2016
1stDibs seller since 2023
29 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Grand Rapids, MI
- Return PolicyA return for this item may be initiated within 2 days of delivery.
More From This SellerView All
- Along The Creek, c. 1920s - 1930s, (Possibly) Tennessee Landscape, Antique RuralLocated in Grand Rapids, MIEdwin Wappler (American, 1887 - 1973) Signed: Edwin Wappler (Lower, Left) " Along the Creek ", c. 1920s-1930s (Possibly Tennessee) Oil on Canvas, Laid on Masonite 20" x 24" Hou...Category
Early 20th Century American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- Until Next Time, Pottstown, Pennsylvania Train Station, Lovers Say GoodbyeLocated in Grand Rapids, MIMarilyn H. Dwyer (American, 1931 - 2001) Signed: Marilyn H. Dwyer (Lower, Right) " Until Next Time ", 1966 " Pottstown Train Station " Dated: 4 - 30 - 66 (on Verso) Oil on Illust...Category
Mid-20th Century American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- Doctor Lake, Wisconsin Landscape, Burnett CountyBy George RaabLocated in Grand Rapids, MIGeorge Raab (American, 1866 - 1943) Signed: G. Raab 1912 (Lower, Right) " Doctor Lake ", 1912 Oil on Canvas 18" x 22" Housed in a 3" Period Carved Frame in the style of Newcomb ...Category
Early 20th Century American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- Summer Landscape, Impressionist Landscape Painting, Trees Along a PathLocated in Grand Rapids, MI" Summer Landscape ", c. 1900 - 1910 Oil on Canvas 13 1/2" x 18 1/4" Housed in a 1 1/2" Frame Overall Size: 16 1/2" x 21 1/8" Appears to be in very good condition.Category
Early 20th Century American Impressionist Landscape Paintings
MaterialsOil, Canvas
- Landscape Painting by Arvid Nyholm, Impressionist, Swedish American, ChicagoLocated in Grand Rapids, MIArvid Frederick Nyholm (Swedish-American, 1866-1937) Signed: A Nyholm (Lower, Right and Lower, Left) " Mother and Child in a Landscape ", circa 1910-1920 Oil on Canvas 25" x 30"...Category
1910s Impressionist Landscape Paintings
MaterialsCanvas, Oil
- River in France, circa 1920 Oil on Canvas by Louis Aston KnightBy Louis Aston KnightLocated in Grand Rapids, MILouis Aston Knight (French/American, 1873-1948) Signed: Aston Knight (Lower, Right) " River in France ", circa 1920 Oil on Canvas 21 3/4" x 18" Housed in a 3 1/2" Ornamented Fra...Category
Early 20th Century Impressionist Landscape Paintings
MaterialsCanvas, Oil
You May Also Like
- "Alley Fiends"By John R. GrabachLocated in Lambertville, NJJim’s of Lambertville is proud to offer this artwork by: John R. Grabach (1886 - 1981) John Grabach was a highly regarded New Jersey artist, teacher, and author of the classic text...Category
1930s American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- "Forest Strongholds"By John F. CarlsonLocated in Lambertville, NJSigned lower right. Complemented by a hand carved and gilt frame. Exhibited at the National Academy of Design, 1928Category
20th Century American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- "Solebury Valley"By William Langson LathropLocated in Lambertville, NJSigned lower right. Complemented by a period frame. William L. Lathrop (1859-1938) Deemed “Father of the New Hope Art Colony”, William Langson Lathrop was born in Warren, Illinois. He was largely self-taught, having only studied briefly with William Merritt Chase in 1887, at the Art Students League. Lathrop first moved east in the early 1880s, and took a job at the Photoengraving Company in New York City. While there, he befriended a fellow employee, Henry B. Snell. The two men became lifelong friends and ultimately, both would be considered central figures among the New Hope Art Colony. Lathrop's early years as an artist were ones of continuing struggle. His efforts to break through in the New York art scene seemed futile, so he scraped enough money together to travel to Europe with Henry Snell in1888. There he met and married an English girl, Annie Burt. Upon returning to New York, he tried his hand at etching, making tools from old saw blades...Category
1910s American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- Winter MoonlightBy George William SotterLocated in Lambertville, NJsigned lower rightCategory
1910s American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- "The Canal"By Edward Willis RedfieldLocated in Lambertville, NJJim’s of Lambertville is proud to offer this artwork. Signed lower left. Complemented by a hand carved and gilt frame. Illustrated in "Edward Redfield: Just Values and Fine Seeing" by Constance Kimmerle and the Pennsylvania Academy of the Fine Arts's Exhibition of Paintings by Edward Redfield (April 17 to May 16, 1909) brochure Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a young child. Determined to be an artist from an early age, he studied at the Spring Garden Institute and the Franklin Institute before entering the Pennsylvania Academy from 1887 to 1889, where he studied under Thomas Anshutz, James Kelly, and Thomas Hovenden. Along with his friend and fellow artist, Robert Henri, he traveled abroad in 1889 and studied at the Academie Julian in Paris under William Bouguereau and Tony Robert-Fleury. While in France, Redfield met Elise Deligant, the daughter of an innkeeper, and married in London in 1893. Upon his return to the United States, Redfield and his wife settled in Glenside, Pennsylvania. He remained there until 1898, at which time he moved his family to Center Bridge, a town several miles north of New Hope along the Delaware River. Redfield painted prolifically in the 1890s but it was not until the beginning of the twentieth century that he would develop the bold impressionist style that defined his career. As Redfield’s international reputation spread, many young artists gravitated to New Hope as he was a great inspiration and an iconic role model. Edward Redfield remained in Center Bridge throughout his long life, fathering his six children there. Around 1905 and 1906, Redfield’s style was coming into its own, employing thick vigorous brush strokes tightly woven and layered with a multitude of colors. These large plein-air canvases define the essence of Pennsylvania Impressionism. By 1907, Redfield had perfected his craft and, from this point forward, was creating some of his finest work. Redfield would once again return to France where he painted a small but important body of work between 1907 and 1908. While there, he received an Honorable Mention from the Paris Salon for one of these canvases. In 1910 he was awarded a Gold Medal at the prestigious Buenos Aires Exposition and at the Panama-Pacific Exposition of 1915 in San Francisco, an entire gallery was dedicated for twenty-one of his paintings. Since Redfield painted for Exhibition with the intent to win medals, his best effort often went into his larger paintings. Although he also painted many fine smaller pictures, virtually all of his works were of major award-winning canvas sizes of 38x50 or 50x56 inches. If one were to assign a period of Redfield’s work that was representative of his “best period”, it would have to be from 1907 to 1925. Although he was capable of creating masterpieces though the late 1940s, his style fully matured by 1907 and most work from then through the early twenties was of consistently high quality. In the later 1920s and through the 1930s and 1940s, he was like most other great artists, creating some paintings that were superb examples and others that were of more ordinary quality. Redfield earned an international reputation at a young age, known for accurately recording nature with his canvases and painting virtually all of his work outdoors; Redfield was one of a rare breed. He was regarded as the pioneer of impressionist winter landscape painting in America, having few if any equals. Redfield spent summers in Maine, first at Boothbay Harbor and beginning in the 1920s, on Monhegan Island. There he painted colorful marine and coastal scenes as well as the island’s landscape and fishing shacks. He remained active painting and making Windsor style furniture...Category
Early 1900s American Impressionist Landscape Paintings
MaterialsCanvas, Oil
- "In Port"By Edward Willis RedfieldLocated in Lambertville, NJJim’s of Lambertville is proud to offer this artwork by: Edward Willis Redfield (1869 - 1965) Edward W. Redfield was born in Bridgeville, Delaware, moving to Philadelphia as a young child. Determined to be an artist from an early age, he studied at the Spring Garden Institute and the Franklin Institute before entering the Pennsylvania Academy from 1887 to 1889, where he studied under Thomas Anshutz, James Kelly, and Thomas Hovenden. Along with his friend and fellow artist, Robert Henri, he traveled abroad in 1889 and studied at the Academie Julian in Paris under William Bouguereau and Tony Robert-Fleury. While in France, Redfield met Elise Deligant, the daughter of an innkeeper, and married in London in 1893. Upon his return to the United States, Redfield and his wife settled in Glenside, Pennsylvania. He remained there until 1898, at which time he moved his family to Center Bridge, a town several miles north of New Hope along the Delaware River. Redfield painted prolifically in the 1890s but it was not until the beginning of the twentieth century that he would develop the bold impressionist style that defined his career. As Redfield’s international reputation spread, many young artists gravitated to New Hope as he was a great inspiration and an iconic role model. Edward Redfield remained in Center Bridge throughout his long life, fathering his six children there. Around 1905 and 1906, Redfield’s style was coming into its own, employing thick vigorous brush strokes tightly woven and layered with a multitude of colors. These large plein-air canvases define the essence of Pennsylvania Impressionism. By 1907, Redfield had perfected his craft and, from this point forward, was creating some of his finest work. Redfield would once again return to France where he painted a small but important body of work between 1907 and 1908. While there, he received an Honorable Mention from the Paris Salon for one of these canvases. In 1910 he was awarded a Gold Medal at the prestigious Buenos Aires Exposition and at the Panama-Pacific Exposition of 1915 in San Francisco, an entire gallery was dedicated for twenty-one of his paintings. Since Redfield painted for Exhibition with the intent to win medals, his best effort often went into his larger paintings. Although he also painted many fine smaller pictures, virtually all of his works were of major award-winning canvas sizes of 38x50 or 50x56 inches. If one were to assign a period of Redfield’s work that was representative of his “best period”, it would have to be from 1907 to 1925. Although he was capable of creating masterpieces though the late 1940s, his style fully matured by 1907 and most work from then through the early twenties was of consistently high quality. In the later 1920s and through the 1930s and 1940s, he was like most other great artists, creating some paintings that were superb examples and others that were of more ordinary quality. Redfield earned an international reputation at a young age, known for accurately recording nature with his canvases and painting virtually all of his work outdoors; Redfield was one of a rare breed. He was regarded as the pioneer of impressionist winter landscape painting in America, having few if any equals. Redfield spent summers in Maine, first at Boothbay Harbor and beginning in the 1920s, on Monhegan Island. There he painted colorful marine and coastal scenes as well as the island’s landscape and fishing shacks. He remained active painting and making Windsor style furniture...Category
Early 1900s American Impressionist Landscape Paintings
MaterialsCanvas, Oil
Recently Viewed
View AllMore Ways To Browse
Vintage Ponds
Sign Board Oak
20th Century Oil Paintings Pond
Mid Century Stuart Painting
Stafford Vintage
Edward Dayes
Santa Cruz Landscape Painting
Vintage Frame Gold Painting
Wyoming Painting
Cambridge Oil
John Lake
Northern California Landscape Painting
Oil Painting Nj
Winter Scene Oil On Canvas
Frederick Brown
Large Oil Paintings Western
New York Cityscape Oil
Signed Postcards