Board Nude Paintings

Simka Simkhovitch (Russian/American 1893 - 1949) This came with a small grouping from the artist's family, some were hand signed some were not. These were studies for larger paintings. Simka Simkhovitch (Симха Файбусович Симхович) (aka Simka Faibusovich Simkhovich) (Novozybkov, Russia May 21, 1885 O.S./June 2, 1885 N.S.—Greenwich, Connecticut February 25, 1949) was a Ukrainian-Russian Jewish artist and immigrant to the United States. He painted theater scenery in his early career and then had several showings in galleries in New York City. Winning Works Progress Administration (WPA) commissions in the 1930s, he completed murals for the post offices in Jackson, Mississippi and Beaufort, North Carolina. His works are in the permanent collections of the Dallas Museum of Art, the National Museum of American Art and the Whitney Museum of American Art. Born outside Kyiv (Petrograd Ukraine) into a Jewish family who owned a small department store. During a severe case of measles when he was seven, Simcha Simchovitch sketched the views outside his window and decided to become an artist, over his father's objections. Beginning in 1905, he studied at the Grekov Odessa Art School and upon completion of his studies in 1911 received a recommendation to be admitted to the Imperial Academy of Arts. Though he enrolled to begin classes in architecture, painting, and sculpture at the Imperial Academy, he was dropped from the school roster in December because of the quota on the number of Jewish students and drafted into the army. Simchovitch served as a private in the 175th Infantry Regiment Baturyn [ru] until his demobilization in 1912. Re-enrolling in the Imperial Academy, he audited classes. Simka Simkhovitch exhibited paintings and sculptures in 1918 as part of an exhibition of Jewish artists and in 1919 placed 1st in the competition "The Great Russian Revolution" with a painting called "Russian Revolution" which was hung in the State Museum of Revolution. In 1922, Simkha Simkhovitch exhibited at the International Book Fair in Florence (Italian: Fiera Internazionale del Libro di Firenze). In 1924, Simkhovitch came to the United States to make illustrations for Soviet textbooks and decided to immigrate instead. Initially he supported himself by doing commercial art and a few portrait commissions. In 1927, he was hired to paint a screen for a scene in the play "The Command to Love" by Fritz Gottwald and Rudolph Lothar which was playing at the Longacre Theatre on Broadway. Art dealers began clamoring for the screen and Simkhovitch began a career as a screen painter for the theater. Catching the attention of the screenwriter, Ernest Pascal, he worked as an illustrator for Pascal, who then introduced him to gallery owner, Marie Sterner. Simkhovitch's works appeared at the Marie Sterner Gallery beginning with a 1927 exhibit and were repeated the following year. Simkhovitch had an exhibit in 1929 at Sterner's on circus paintings. In 1931, he held a showing of works at the Helen Hackett Gallery, in New York City and later that same year he was one of the featured artists of a special exhibit in San Francisco at the California Palace of the Legion of Honor in Lincoln Park. The exhibit was coordinated by Marie Sterner and included four watercolors, including one titled "Nudes". He is of the generation of Russian Soviet artists such as Isaac Pailes, Serge Charchoune, Marc Chagall, Chana Orloff, Isaac Ilyich Levitan, and Ossip Zadkine. In 1936, Simkhovitch was selected to complete the mural for the WPA Post office project in Jackson, Mississippi. The mural was hung in the post office and courthouse in 1938 depicted a plantation theme. Painted on the wall behind the judge’s bench, “Pursuits of Life in Mississippi”, a depiction of black workers engaged in manual labor amid scenes of white professionals and socialites, was eventually covered over in later years during renovations due to its stereotypical African American imagery. Simka painted what he thought was typical of Jackson. His impression of pre-civil rights Mississippi was evidently Greek Revival column houses, weeping willow trees, working class families, and the oppression of African Americans. He painted African American men picking cotton, while a white man took account of the harvest and a white judge advised a white family, calling it Pursuits of Life in Mississippi. Though clearly endorsed by the government and initially generally well-received, the mural soon raised concerns with locals as the climate toward racial segregation began to change. The main concern was whether depictions that show African Americans in subjugated societal roles should be featured in a courtroom. The following year, his painting "Holiday" won praise at an exhibition in Lincoln, Nebraska. In 1940, Simkhovitch's second WPA post office project was completed when four murals, "The Cape Lookout Lighthouse and the Orville W. Mail Boat", "The Wreck of the Crissie Wright", "Sand Ponies" and "Canada Geese" were installed in Beaufort, North Carolina. The works were commissioned in 1938 and did not generate the controversy that the Jackson mural had. The main mural is "The Wreck of the Crissie Wright" and depicts a shipwreck which had occurred in Beaufort in 1866. "The Cape Lookout Lighthouse and the Orville W. Mail Boat" depicted the lighthouse built in 1859 and the mail boat that was running mail during the time which Simkhovitch was there. The boat ran mail for the area until 1957. "Sand Ponies" shows the wild horses common to the North Carolina barrier islands and "Canada Geese" showed the importance of hunting and fishing in the area. All four murals were restored in the 1990s by Elisabeth Speight, daughter of two other WPA muralists, Francis Speight...

An original cubist pointillist nude signed illegibly and dates 1962. The artist uses sporadic texture and vibrant color to create a captivating scene.

A Mid-20th Century charming oil painting depicting a seated nude woman in a whimsical interior scene, Ducaire was known for her charming intimate figurative scenes portraying female ...

This is a wonderful example of Louis Bouché's charming Nude portraits. The artist was truly a master of capturing the energy of the times, and character o...

Sunil Das - Making Love Series I - 9 x 7 inches (unframed size) Pen and Ink on Paper Pasted on Board Shipment without frame . Sunil Das (1939-2015) was a Master Modern Indian Artist...

Mid Century Modern Mother and Baby Playing Figurative - Nude Wonderful small scale ink and acrylic paint of a mother and baby by Dorothea Stevenson Casady (American, 1910 - 2006). Signed lower left corner. Presented in gilt-toned and velvet filet mid-century frame. Image size: 6"H x 8.25"W Frame: 9.5"H x 11.25"W x 2.25"D (velvet liner has age toning) Casady was a painter and muralist and served as Chairman, Oklahoma City University Art Department, 1939-1943; an Art instructor, Classen High School; Education: University of Oklahoma, B.F.A., 1931; M.F.A., Norman, OK; studied with Emil Bisttram, Taos School of Art and Nan Sheets; Foundation des Etats Unis, Paris, Fance, 1935-1936; New York School of Industrial Arts; studied fresco and egg tempera under Professor Leugi Arcangeti, Florence, Italy, 1937; Oklahoma City University; Julian Academy Paris, France, 1936 Memberships: Oklahoma State Artists Association; Kappa Pi, art fraternity; Delta Delta Delta...

Dave Seeley's (US based) "Gabrellia #3 S~Curve" is an original, handmade oil painting that depicts a nude female model standing in a contrapposto stance. About the artist: My sub...

Dave Seeley's (US based) "Erica #1" is an original, handmade oil painting that depicts a reclining nude model on a black couch with a white sheet.

Dave Seeley's "Audrey #1" is an original, handmade oil painting that depicts a nude female model reclining on blue velvet fabric as she turns her face away from the viewer.

Mid Century figurative painting of a pensive sitting nude figure with moody, mid-century color palette in the background. Attributed to Elmer S. Albritton, unsigned (American, 1922-...

Free Study - Wrestler, 2021 acrylic on cardboard 119 H x 79 W cm 46 27/32 H x 31 7/64 W cm The series of painted cardboards by Alexandru Rădvan is about our moments of 'respiro' ab...

Dave Seeley's (US based) "Gabrellia #2 Wrapt" is an original, handmade oil painting that depicts a female model, in a white dress, reclining.

Mid century figurative landscape of a nude female figure with tree at El Capitan, Yosemite, California by Margaret Wherry Ziegler (American, 1909-1989). Signed "M. Ziegler" lower right. Displayed in a rustic new silver gilt frame. Image, 24"H x 12"W. Margaret Wherry Ziegler was born in Cincinnati, Ohio on November 27, 1909. At a young age she traveled with her parents to the Philippines, Japan, India, Italy, Greece, and Europe. She studied art at the Cincinnati Art Academy, Minneapolis Art Institute, the University of the Philippines, and the California College of Arts and Crafts. While in Japan she studied Japanese brush painting...

Oil on board

Dave Seeley's "Elemental Fire Starter" is an exquisite example of nude figure oil painting artistry, masterfully rendered on canvas mounted on...

"Sarah #3 The Matador" is an oil painting on canvas on board, created in 2022 by Dave Seeley, a distinguished artist based in the United States. The artwork, with dimensions of 36 by...

Dave Seeley's (US based) "Sarah #2 Hear Me Roar" is an original, handmade oil painting that depicts a nude female model, with a full body tattoo, reclining on dark fabric

Red Dirt & Sea, 2022 acrylic on cardboard 119 H x 79 W cm 46 27/32 H x 31 7/64 W cm The series of painted cardboards by Alexandru Rădvan is about our moments of 'respiro' about the...

'Woman with Blue Eyes', oil on board, by Peter Robert Keil (1985). A topless redhead gazes out to the viewer with her intense blue eyes. A mysterious blue hand sneaks into view from ...

Oil on board

Nude Figure Study, Standing Female Figure with Sage Green Figure study of a nude model in studio by Los Gatos, California artist M.Z. Murphy (American, 20th century), c.1990. The f...

Painting, around 1910, oil on cardboard. Romantic love scene in the forest. Signed, Gaston Bussiere. With beautiful (original) Art Deco frame. Frame has minimal damage in places. Dimensions with frame 67cm x 86cm This painting is offered here for the first time exclusively on 1stdibs! From private, German estate. Gaston Bussière (April 24, 1862 in Cuisery – October 29, 1928 or 1929 in Saulieu) was a French Symbolist painter and illustrator. Bussière studied at l'Académie des Beaux-Arts in Lyon before entering the école des beaux-arts de Paris where he studied under Alexandre Cabanel and Pierre Puvis de Chavannes. In 1884, he won the Marie Bashkirtseff...

Prakash Karmakar - Untitled - 29 x 19 inches ( unframed size ) Pastel on Board Inclusive of shipment in roll form. This Painting of a Blatantly Nude and Somewhat Sensous Woman wra...

Signed and titled oil on board nude circa 1905 by Belgian neo-impressionist painter Georges Lemmen. The work titled 'Reverie' depicts a red-haired lady who is kneeling down and resti...

Lillian Delevoryas Untitled (Nude & Interior), 1969 Oil on board 19 3/4 x 15 1/2 in. Framed: 24 1/2 x 20 1/2 x 1 1/4 in. Signed and dated lower righ...

Giampaolo Talani (1955-2018) The "mad scientist" of the art world, Talani created art out of virtually everything he touched. After completing his training at the Florence Academy of...

Giampaolo Talani (1955-2018) The "mad scientist" of the art world, Talani created art out of virtually everything he touched. After completing his training at the Florence Academy of...

Giampaolo Talani (1955-2018) The "mad scientist" of the art world, Talani created art out of virtually everything he touched. After completing his training at the Florence Academy of...

Giampaolo Talani (1955-2018) The "mad scientist" of the art world, Talani created art out of virtually everything he touched. After completing his training at the Florence Academy of...

Giampaolo Talani (1955-2018) The "mad scientist" of the art world, Talani created art out of virtually everything he touched. After completing his training at the Florence Academy of...

Bill Shields "Nude with Ball" 1990's Acrylic paint on board Site measures 10.5"x8.5 wood frame float mount on linen 15.5"x13" Unsigned came from artist's estate William Stephens Shi...

"Nude with Cat" by R. Walker is a charming portrait of a woman and cat posed by a window.

In this Monumental painting, Natasha Lelenco explores the mythological characters of the Bacchantes through a contemporary and uninhibited interpretation of Tiziano's Bacchanal of th...

Nudes Sunbathing On A Beach, 19th Century circle of PHILIP WILSON STEER (1860-1942) Large 19th Century English beach scene with nudes sunbathing, oil on canvas. Excellent quality a...

Alkyd-oil on Masonite, signed and dated (middle left), 61cm (diam.), (83cm diam. framed). (This work was kept by the artist for his personal collection. It remained in his collection...

Oil on cardboard by Nandor VAGH WEINMANN (1897-1978), France, 1930s. Naked back. With frame: 64x56 cm - 25.2x22 inches ; without frame: 46x38cm - 18.1x15 inches. 8F format. Signed "Nandor V. Weinmann" lower left. In its Montparnasse frame. Very good condition. Born October 3, 1897 in Budapest, Nándor is the older brother of Elemer and Maurice Vagh-Weinmann. He came to Paris to present his work in 1931. He died on December 12, 1978 near Montereau (Seine-et-Marne) following an automobile accident. He is the most colorful of the three “expressionist” brothers. Painter of figures, landscapes, especially open mountains, and bouquets in bright colors. He is also a religious painter and then finds the tragic condition. Born in BUDAPEST on October 3, 1897, Nandor Vagh Weinmann belongs to a profoundly artistic people. Living in the heart of Central Europe where they came from Asia a millennium ago, the Hungarians have preserved a strong ethnic individuality whose mark is their very synthetic, non-Indo-European language. Resistant to secular invasions, they have kept the virtues of a very ancient humanity that have become rare in our modern world, especially since their way of life has remained essentially rural until today. In the arts they know how to express a generous, extreme sensibility and by the poetic verb, by the musical rhythms and also by a popular art of a richness, an exceptional harmony. Until the age of thirty-four, during the decisive years of childhood and youth, Nandor Vagh Weinmann was intimately imbued with popular life and the soul of Hungary. From the capital where his father was a jeweler and had a family of ten children, Nandor was the fifth, he knew first of all the suburbs, the populated districts, the rigors in winter of the cold and the snow. A very mobile existence made him acquainted with all of Hungary, from the Danube to Transylvania, its infinite plains and its wild mountains, its immense villages with ample low houses, and its towns which are still immense villages. The painter is passionate about rustic works, harvest scenes, beautiful folk costumes. Coming into direct contact with the peasants, he learned to know their soul. These contacts gave the artist a direct feeling for popular life and soul, as Millet once understood the peasants of Barbizon and Normandy whose existence he shared. What fascinated Nandor Vagh Weinmann above all were the festivals which enlivened the dreary life of the countryside, the circuses, the merry-go-rounds, the gypsies unleashing orgies of music, light and color. In the party, and especially the Hungarian party, the whole soul of a people, all its energy, its need for movement, for intensity, is expressed in its pure state and realizes the primary and essential form of what is called beauty. And as if melted at the party, there is the infinite steppe where herds of horses and oxen circulate where terrible storms sometimes roar where the seasons unfold their grandiose splendours. The young Nandor Vagh Weinmann nourishes his sensitivity to his inexhaustible shows, both eternal and always new, a sensitivity which very early declared itself that of a painter. Since the age of fourteen he painted, and since then he never stopped doing it. Two of his brothers Maurice, two years his junior, who had a remarkable career similar to that of Nandor and later Elemer who became Maurice's pupil, also devoted themselves to painting, despite family obstacles. And the three brothers united by a common passion worked together in Hungary and later in France. Painting was so much in the blood of the family, as in the past among the Veroneses, the Breughels, the Lenains, the Van Loos and so many other artistic dynasties, that three sons of the Vagh Weinmanns became painters in their turn. One of these, Emeric, son of Nandor, today occupies an important place in the contemporary school. Nandor, at fifteen, was a pupil of the Academy of Fine Arts in Budapest where he worked diligently, then at that of Vienna. He painted many portraits, but also landscapes, compositions and, by his relentless work, managed to live from his brush, although married very young and having to overcome many hardships. He therefore knew the hardships and miseries of life. These strongly impregnated his vision as an artist and explain the thrill of humanity that runs through all his work. A particularly moving experience was reserved for him at the age of twenty. In the hospitals of Budapest he had to paint extraordinary cases, operations, frightful wounds, the deformations to which our poor body is subjected by traumas and physiological decompositions. In these circumstances, it is not a question of gratuitous art, of formal research but of immediate, authentic expressions of our flesh and our being. We know that Breughel Velázquez and Goya had been haunted by the sight of cripples and of madmen Géricault by that of corpses. But life is ultimately stronger than anything, and it is life that Nandor Vagh Weinmann has passionately observed and translated through all the places where he has always painted on nature. Nothing stopped him. It happened to him to paint, for example in front of the mill of Linselles by a weather so cold, that nobody could stay outside, and that he did not leave the place before having finished his work. Because he works constantly on the ground, under the sky, in the silence he loves. His reputation is established. He exhibited at the national fair in Budapest, in the big cities of Hungary Szeged, Szombathely, Veszprém, Kaposvar. In 1931, like all artists in the world, he came to France. But unlike the others, he did not settle in Paris. Because Nandor Vagh Weinmann does not belong to this group of cosmopolitans that we call the School of Paris. He settled in Toulouse, where he remained for a long time with his brothers, and traveled throughout France, eager for new ties, exhibiting in the most diverse cities, in Bordeaux, Marseille, Lyon, Agen, Bayonne, Dax, Tarbes, Grenoble, Nice, Cannes, Strasbourg, Mulhouse, Colmar, Lille. He even crossed borders. He was in Saint Sebastian, in Geneva, and once in Egypt in 1927 where he painted King Fouad...

Words fall short when art speaks for itself. A language all its own. "Inspiration was never something to seek out but to be awake for." Based in Southern California, Miriam contin...

ANGELA Size: 69 x 58 cm (including frame) Oil on Board A brilliantly executed mid-century modernist style figurative nude composition, painted in oil onto board. The focal point of...

Suchitra Bhosle's "Somewhere in Paris" is an original, hand made oil painting that depicts a feminine model in a translucent white shift reclining on a background of white. About th...

Yves Bady AL-Dahdah (Lebanese, 1942) Lady of the Vines • Oil or Acrylic on heavy fibre board ca. 46 x 38 cm x 0.5 cm • Signed and dated lower left (19)81 •...

Oil on board, signed (lower left), 44cm x 59cm, (70cm x 56cm framed). The picture is good condition and the work comes directly from the artist. Painter, draughtsman and teacher, b...

This incredibly striking portrait, painted in a fiery palette captures an intimate moment between the artist and sitter who were lovers. Philip Core (1951-1989) Portrait of Adrian Ffooks, 4th/7th regiment Signed and dated 1987 to the reverse Oil on board 30 x 17¾ inches without the frame 35 x 23 inches with the frame Provenance: Gifted as a wedding present to Kit Hesketh-Harvey by his future wife. The artist was a friend of the couple and they had introduced Core to FFooks. Kit Hesketh Harvey co-wrote the screenplay (with James Ivory) for E.M.Forster’s Maurice and he had called upon Ffooks, who was renowned for his horsemanship, to be a stunt double for the equestrian scenes in this iconic film. Philp Core grew up in New Orleans, the son of a well-to-do family. At just seven he won the Vieux Carré Open Artists Competition. He was sent to a military academy, and from 1963 to the Middlesex School in Concord, Massachusetts. He attended Harvard University, where he won a number of art and literature prizes. As a schoolboy he self-published a booklet of drawings Palm Fronde Alphabet. An interest in Aubrey Beardsley and fin de siècle artists and writers, led to him spending time in Paris working with Philippe Jullian on his book The Symbolists, before returning to Harvard to complete an honours thesis on Belgian symbolist Fernand Khnopff. He graduated in 1973. Under the pseudonym Féllippé Fecit, he produced a series of erotic drawings for the poet John Glassco for his book Squire Hardman, and in 1968 in the Japanese style for The Temple of Pederasty, a free adaption by Glassco of a work by Japanese expatriate writer Ken Sato. Of this time, George Melly...

This painting depicts a whimsical scene of a nude boy wearing an open shirt and sandals. The bright colors and quick brush strokes are what makes this painting so attractive and desi...

Shyness Cardboard, author`s technique, 31x28 cm

Giampaolo Talani (1955-2018) The "mad scientist" of the art world, Talani created art out of virtually everything he touched. After completing his training at the Florence Academy of...

Rasik Dugashanker Rabal (Indian, 1928 – 1980) Six standing women Acrylic on board Signed ‘RAVAL’ (upper right) 32 x 36 in. (81.5 x 91.5 cm.) This is a modernistic view of six nude I...

An incredibly striking and sensuous image of the flame like figure of Phoenix, painted on a large scale. A painting with enormous impact and style. William Crosbie (1915-1999) Phoe...

This magnificent oil painting by Modern British artist Roy Spencer draws inspiration from avant-garde French artists such as Matisse and Raoul Dufy. This artwork strikingly exemplifies the strong connection between their styles. The details of the work are: Roy Spencer (British, 1918 -2006) A day on...

"Spanish Gown" is possibly signed lower right. A painterly American Impressionist work beautifully captures a nude woman stepping from a golden gown. The painting is reminiscent of t...

Giampaolo Talani (1955-2018) The "mad scientist" of the art world, Talani created art out of virtually everything he touched. After completing his training at the Florence Academy of...

Signed lower right, 'Sue Gertz' for Suzanne Gertz (American, 1938-2003) and painted circa 1985. Suzanne Gertz first studied at the Art Institute of Chicago and, subsequently, at Bar...

Giampaolo Talani (1955-2018) The "mad scientist" of the art world, Talani created art out of virtually everything he touched. After completing his training at the Florence Academy of...

Giampaolo Talani (1955-2018) The "mad scientist" of the art world, Talani created art out of virtually everything he touched. After completing his training at the Florence Academy of...

'The Bather', oil on board, by Charles Kvapil (1934). The world of art has for centuries depicted bathers in one form or another. Kvapil's wonderfully allur...

The morning hour. Act. 1959. Oil on cardboard, 95x71 cm Alfejs Bromults (1913.3.IV - 1991.11.I) His first professional education was at National University at studies to R.Suta, J....

Shana Wilson's "Young Woman on Blue Chair" is a 16" x 20" (26.5x30.5 Framed) masterpiece that captures the essence of contentment and relaxation. The young nude woman, with brown hair and a tranquil expression, sits on a light blue chair against a backdrop of a warm, ochre-toned wall. Her posture, leaning to one side with one arm on the armrest and the other resting on her lap, exudes comfort. This framed artwork masterfully portrays a sense of calm and ease, inviting viewers to appreciate the serene moment it portrays. Wilson's attention to detail and use of color create a captivating and emotionally resonant composition. About the Artist: Over seven billion souls exist on this planet, each with a unique face and story. Shana transfers her visceral love for the human landscape to canvas, tenderly cradling its peaks and valleys, darkness and light, colors and neutrals, empty and full, hard edges and soft curves. Each brush stroke creates a controlled cacophony as it assembles the intricate jigsaw of the human face. An entire life’s journey is written on this human landscape; a journey that begs to be documented and treasured. Shana’s legacy project is to paint inspirational women from all walks of life, inclusive of all cultures and orientations. The subjects all have one thing in common; the ability to inspire and create social change. She pays tribute to them on canvas, painting a long overdue celebration of trail-blazing women. Visit any major gallery or museum in the world and it is teeming with paintings of nude women...

Geisha. 2003. cardboard, author's technique, 60x23 cm Ivars Zaikins (1942-2017) Zaikins Ivars - an artist. He was born in 1942. During of the Soviet Union period, he worked as an a...

Act. Double sided. cardboard, oil, 71x45 cm