Aleardo Villa

Signed Aleardo Villa Male Moustache Portrait 1890 circa oil canvas

1890 circa

The painting (oil on canvas, 44.5 x 35 cm; with wood frame 64 x 54,5 cm) represents a moment on deception. It's signed Maccari on the bottom left, and it's dated 1956 and titled "ins...

Oil on canvas, 62 x 51 cm (without the frame) Even if on the background there is an attribution to “Francesco Gessi pupil of Guido Reni” by the bolognese art historian Guido Zucchini (dated 1945), recent studies are tending to add it to the corpus of Girolamo Negri called Il Boccia (Bologna 1648-1718) due to lots of similarities with his style (the pale and warm palette chosen, the profile) The painting represents a lady on profile wearing a brown turban, a yellow clock...

Dipinto di scuola toscana della seconda metà del XVII secolo raffigurante un ritratto maschile di tre quarti, immerso nell'eleganza e nella maestosità proprie dell'epoca. La figura è...

The painting is a portrait of an unknown lady, here depicted with a with an absorbed look. The intense red lipstick, matching with the the dress-allusion to fire and passion-creates ...

The artist of this painting is unknown, but it is a direct derivation of "The Stagecoach of the Grand Duke" by Raffaello Sorbi, now held in a private collection in Milan, as we can s...

Michele Gordigiani was a florentine artist, he started as sculptor under L. Bartolini but then he preferred painting studies, following at first the school founded by L. Mussini and ...

keywords; surrealism, portrait, oil painting, earth tones, figurative painting, strangeness, contemporary surrealistic, unsettling, contemporary figurative painting, dreams, symbolic...

Male portrait from the Art Nouveau era. An enigmatic and magnetic image of the man, on whose face there is just a hint of a smile. Technique: oil on canvas. Relined. In good conditio...

Nymph with Child Feeding Swallows Richir Herman Brussels 1866 – 1942 Belgian Painter Signature: Attributed to Richir Herman Dimensions: Image size 140 x 235 cm, frame size 145 x 240 cm Medium: Oil on canvas Biography: Richir Herman Jean Joseph was born in Ixelles (Brussels), on November 4, 1866. He was a Belgian painter of portraits, still lifes, genre paintings, nudes and landscapes. He made decorative paintings to fit into private homes. Richir mainly painted portraits. His clients usually belonged to the higher circles. He portrayed amongst others King Albert and Queen Elisabeth, Cardinal Mercier and Countess d’Oultremont. Less known are the landscape paintings he made Limburg and Kempen, where he regularly stayed with befriended artist Emile Van Doren (1865 – 1949). Herman Richir first studied at the Sint-Joost-ten-Node Academy with Gustave Biot and Charles Hermans, continued his education at the Royal Academy of Fine Arts in Brussels (1884-1889) with the master teacher and artist Jean-Francois Portaels (1818 – 1895). In 1886, during his studies, he won second Prize of Rome for Painting. Richir lived in Schaarbeek. In 1900 he became a teacher of drawing and in 1905 first teacher of painting after nature at the Brussels Academy. He was director there several times 1906-1907, 1910, 1911, 1915-1919, 1925-1927. He was retired in 1927. His pupils included Albert Alleman (1892 – 1933), Éliane de Meuse (1899 – 1993), Paul Hagemans (1884 – 1959), Maurice...

Frans Van Holder Ixelles 1881 – 1919 Geneva Belgian Painter 'Portrait of a Young Woman in White – The Artist’s Wife' Signature: Signed top left and dated 1906 Medium: Oil on canvas Dimensions: diameter: image size 96 cm, frame size 120,50 cm Biography: Van Holder Frans, born in Brussels in 1881, emerged as a prominent post-Impressionist painter during the Belle Epoque and Art Nouveau era. Initially a painter-decorator in his father’s workshop, he contributed to the adornment of Brussels’ bourgeoisie interiors, setting the stage for his alignment with the Art Nouveau movement. Van Holder studied under Alfred Cluysenaar at the Saint-Gilles Academy. His artistic evolution embraced Impressionist principles, influenced by luminosity proponents like Manet and Pissarro. After formal training at the Sint-Gillis Academy and travels through Spain, Italy, and Switzerland, Van Holder returned to Brussels in 1905, joining the esteemed ‘Pour l’Art’ association. Rejecting theoretical constraints, he prioritized harmony in his art, viewing color as a musical composition requiring rhythm and balance. Van Holder’s mastery extended to intimate post-impressionist portraits, notably capturing the Brussels aristocracy like the Wolfers family...

Abbéma Louise Étampes 1853 – 1927 Paris French Painter 'Lady in Paris on a Winter Day' Signature: Signed lower middle right Medium: Oil on canvas Dimensions: Image size 100 x 120 cm, frame size 112 x 132 cm Biography: Louise Abbéma, a prominent French artist of the Belle Époque, was born on October 30, 1853, in Étampes, Essonne, France. She hailed from a wealthy Parisian family with strong connections to the local artistic community. Her family’s artistic ties ran deep, as her great-grandmother was the renowned actress Louise Contat. From a young age, Abbéma exhibited a talent for painting and began her artistic journey in her early teens. She received formal training under the guidance of notable artists of her time, such as Charles Joshua Chaplin, Jean-Jacques Henner, and Carolus-Duran. Her talent and dedication bore fruit when, at the age of 23, she painted a portrait of the legendary actress Sarah Bernhardt, who became both a lifelong friend and, speculatively, a romantic partner. Abbéma’s artistic endeavors extended far beyond portraiture. She lent her creative touch to the embellishment of various iconic Parisian landmarks. Her panels and murals graced the Paris Town Hall, the Paris Opera House, numerous theaters (including the aptly named “Théâtre Sarah Bernhardt”), and even the “Palace of the Colonial Governor” in Dakar, Senegal. Her unique style combined academic and impressionistic elements, characterized by the use of light and rapid brushstrokes. Recognition continued to find Abbéma, and she became a regular exhibitor at the prestigious Paris Salon, earning an honorable mention for her work in 1881. She also had the distinction of having her art displayed at the Women’s Building during the 1893 World Columbian Exposition in Chicago. Moreover, a bust of Abbéma sculpted by Sarah Bernhardt was showcased at the exposition. Abbéma’s artistic repertoire was diverse, encompassing oil portraits and watercolors. Her work often bore the influence of Chinese and Japanese painters, as well as contemporary masters like Édouard Manet. Flowers were a recurring motif in her creations. Some of her most celebrated works include “The Seasons,” “April Morning,” “Place de la Concorde,” “Among the Flowers,” “Winter,” and portraits of prominent individuals such as actress Jeanne Samary, Emperor Dom Pedro II...

Henri BOUCHÉ-LECLERCQ (1878-1946) Portrait of the painter Louis Degallaix (1877-1951), 1910 Oil on canvas Signed, dated “1910” and dedicated “à mon ami Degallaix” lower right 55 x 4...