Items Similar to Portrait of a Young Boy Carrying a Fruit Basket, 18th Century Oil on Canvas
Want more images or videos?
Request additional images or videos from the seller
1 of 6
Portrait of a Young Boy Carrying a Fruit Basket, 18th Century Oil on Canvas
About the Item
Oil on canvas
Image size: 30 x 25 inches (76 x 63.5 cm)
Hand carved gilt frame
This is a charming 18th century portrait of a young boy, sporting a golden child's two-piece with a floppy white collar. The boy stands before a dark blank background holding a small basket that is full of different fruits. The fresh faced young sitter is pictured half length within an oval cartouche. There is lovely detail and brushwork in his facial features and vibrant colouring. He wears the traditional costume of aristocratic young gentlemen of the period, including a dramatic ice blue cloak that is wrapped around his hips.
Sir William Beechey
Sir William Beechey RA (12 December 1753 – 28 January 1839) was a leading English portraitist during the golden age of British painting.
Beechey was born at Burford, Oxfordshire, on 12 December 1753, the son of William Beechey, a solicitor, and his wife Hannah Read. Both parents died when he was still quite young, and he and his siblings were brought up by his uncle Samuel, a solicitor who lived in nearby Chipping Norton. The uncle was determined that the young Beechey should likewise follow a career in the law, and at an appropriate age he was entered as a clerk with a conveyancer near Stow-on-the-Wold. But as The Monthly Mirror later recorded in July 1798, he was "Early foredoomed his [uncle's] soul to cross/ And paint a picture where he should engross."
Beechey was admitted to the Royal Academy Schools in 1772, where he is thought to have studied under Johan Zoffany. He first exhibited at the Academy in 1776. His earliest surviving portraits are small-scale full-length and conversation pieces which are reminiscent of Zoffany. In 1782, he moved to Norwich, where he gained several commissions, including a portrait of Sir John Wodehouse and a series of civic portraits for St. Andrew's Hall, Norwich. By 1787, he had returned to London, and in 1789, he exhibited a celebrated portrait of John Douglas, Bishop of Carlisle (now in Lambeth Palace). Beechey’s career during this period is marked by a succession of adept and restrained portraits in the tradition of Sir Joshua Reynolds.
Beechey’s style perfectly suited the conventional taste of the royal family, and in 1793, he was commissioned to paint a full-length portrait of Queen Charlotte and subsequently named as her official portrait painter. That same year, he was elected as an associate member of the Royal Academy. Following his royal appointment, the number of royal commissions he undertook increased markedly, and in 1797 he exhibited six royal portraits. In 1798, he was elected a full member of the Royal Academy and painted George III and the Prince of Wales Reviewing Troops for that year’s academy’s exhibition. This enormous composition depicts King George III, the Prince of Wales and staff officers on horseback at an imagined cavalry review in Hyde Park. The king was reported to be delighted with the painting and rewarded Beechey with a knighthood Joseph Farington's Diaries give many accounts of Beechey's relations with the royal family during this period, including his temporary fall from favour in 1804, which Farington attributes to the vagaries of George III’s mental condition.
Beechey's portraits of the turn of the century are considered to be his most colourful and lively. They are closer to the flamboyant and free techniques employed by his younger rivals, John Hoppner and Sir Thomas Lawrence. Although capable of impetuousness and irascibility, Beechey was known for his generosity to students. In particular, he took a close interest in the career of the young John Constable.
Royal patronage resumed in around 1813, when Beechey was appointed portrait painter to Prince William Frederick, Duke of Gloucester, and culminated with his appointment in 1830 as principal portrait painter to King William IV. In 1836, Beechey retired to Hampstead and on 9-11 June that year, the contents of his studio along with his collection were sold at Christie’s.
- Attributed to:Sir William Beechey (1753 - 1839, British)
- Dimensions:Height: 30 in (76.2 cm)Width: 23 in (58.42 cm)
- More Editions & Sizes:1 of 1Price: $12,724
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU52414261892
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 2007
1stDibs seller since 2014
64 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Ships From: London, United Kingdom
- Return PolicyA return for this item may be initiated within 14 days of delivery.
More From This SellerView All
- Portrait of Thomas Cooper Gotch, 19th Century Oil PaintingLocated in London, GBOil on canvas on board Image size: 7 x 5¼ inches (18 x 13.5 cm) Framed This portrait of Thomas Gotch is by his lifelong friend and confidante, Jane Ross, whom he met at Heatherley’s...Category
1880s English School Portrait Paintings
MaterialsCanvas, Oil
- Self Portrait, 20th Century Female Artist Oil PaintingLocated in London, GBOil on canvas Image size: 13 x 9 1/2 inches (33 x 24 cm) Hand made contemporary frame Provenance From the collection of Mrs Brigid AlexanderCategory
20th Century English School Portrait Paintings
MaterialsCanvas, Oil
- Portrait of a Peasant Girl, 19th Century English Oil PaintingLocated in London, GBOil on canvas Image size: 15 1/2 x 11 1/4 inches (39.5 x 28.75 cm) Original gilt frame This is a touching head and shoulders portrait of a young peasant girl. Wearing a headscarf, a...Category
19th Century English School Portrait Paintings
MaterialsCanvas, Oil
- Self Portrait, 20th Century Female Artist Oil PaintingBy Joan Fairfax Whiteside ARRC FMAALocated in London, GBOil on canvas Image size: 17 3/4 x 13 inches (45 x 33 cm) Contemporary hand made frame and oval mount The Artist Joan Fairfax Whiteside was a prodigious artist and illustrator. Bor...Category
Mid-20th Century English School Portrait Paintings
MaterialsCanvas, Oil
- Portrait of King Edward VI, Oil on panel with Gold Leaf, 18th Century EnglishLocated in London, GBOil on oak panel Image size: 25 1/2 x 19 inches (37.5 x 27 inches) 18th Century Auricular gilt frame Provenance New York private collection This portrait of the King Edward VI dep...Category
Early 18th Century English School Portrait Paintings
MaterialsGold Leaf
- Portrait of Ralph William GreyBy Bartholomew DandridgeLocated in London, GBProvenance By descent through the sitter's family to The Collection of R. W. Vivian-Neal of Poundisford Park, Somerset, from whom acquired by With Lane Fine Art, UK, where purchased by the present owners in 1996 Literature 'Poundisford Park, Somerset' in Country Life, 22 December 1934, ill. A.W. and C.M. Vivian-Neal, Poundisford Park, Somerset: A catalogue of pictures and furniture, Taunton 1939, cat. nos. 11 and 13 This is a three-quarter-length portrait of Ralph William Grey in a mole-coloured velvet coat and a long waistcoat of green satin, heavily embroidered in gold. Under his left right hand is a black chapeau bras. He has white doe-skin gauntlet gloves. Son of William and Ann Grey of Backworth: born 19 December 1707. He married Mary the daughter of William Rawstorne of Newall in 1741 and died 5 November 1786. He was educated at Eaton and Trinity College, Oxford. Within a year of his birth Mrs Grey died and, according to the Country Life article 'From that time forward all Mr Grey's faculties were concentrated on the well-being of his son. The possession of an heir gave zest to his efforts to build up the family fortune: he was successful in most of his ventures. Years later his interest in life was centred in the home of his daughter-in-law and grandchildren'. Grey's right hand is depicted in the present portrait resting on Locke's Essays and the Country Life article also records that there are constant references to John Locke...Category
Mid-18th Century English School Portrait Paintings
MaterialsOil
You May Also Like
- Studio Of Sir Peter Lely - Portrait Of Lady Francklin Of BedfordshireBy Sir Peter LelyLocated in Blackwater, GBPortrait Of Lady Francklin of Bedfordshire, 17th Century Studio of Sir Peter Lely (1618-1680) Fine 17th Century English portrait of Lady Fr...Category
17th Century English School Portrait Paintings
MaterialsCanvas, Oil
- A portrait of a black and white spaniel dog in a sumptuous interiorLocated in Bath, SomersetA black and white spaniel standing on a yellow silk damask covered day-bed in a sumptuous interior. Provenance: With Arthur Ackermann & Son Ltd., London. Anonymous sale; Christie's, South Kensington, 15 May 2007, lot 284 Private collection, London Samuel John Carter...Category
1870s English School Animal Paintings
MaterialsCanvas, Oil
- 19th century portrait of a spaniel dog in a landscape, a country house beyondBy Charles Bilger SpaldingLocated in Bath, SomersetA 19th century black and white spaniel standing in a landscape, with a country house in the distance. Signed C B Spalding, lower right. Oil on canvas in a giltwood frame. Charles B...Category
19th Century English School Animal Paintings
MaterialsCanvas, Oil
- Portrait of Young English aristocrat with Straw Hat. English School circa 1720Located in Firenze, ITPortrait of a young aristocratic girl - 18th century English style Oil on canvas. Silvered wood frame. Size with frame cm 85 x 72.5 Size without frame cm 74.5 x 62.5 At the hear...Category
1720s English School Portrait Paintings
MaterialsOil, Canvas, Wood
- Antique Late 19th Century English Oil on Canvas Painting Female Portrait 1900Located in Portland, ORAntique English oil on canvas portrait painting, circa 1900. A very handsome Impressionist portrait of a youthful lady in Edwardian dress. Oil on canvas, signed to the upper left "F ...Category
Early 1900s English School Portrait Paintings
MaterialsOil, Canvas
- Portrait Of A Gentleman & His Estate, Attributed to Arthur Devis, 18th CenturyBy Arthur DevisLocated in Blackwater, GBPortrait Of A Gentleman & His Estate, 18th Century attributed to Arthur DEVIS (1712-1787) One of a matching pair - the other is believed to be the brother Large 18th century Eng...Category
18th Century English School Portrait Paintings
MaterialsOil, Canvas
Recently Viewed
View AllMore Ways To Browse
A Fruit Piece
Antique Portrait 18th
Golden Frame Portrait
Fruit Basket
Fruit Baskets
Antique Fruit Art
Oil Canvas Fruit Painting
Golden Age Portrait
18th Century English Painting
18th Century English Portrait
English Portraits 18th
Antique 18th Century English Frames
English 18th Century Portrait Paintings
Antique Oval Portrait
Antique Fruit Paintings
Antique Fruit Painting
Antique Fruit Basket
English Painting Child