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17th French Portrait of Louis XIV & his brother, c. 1645, attributed to Beaubruncirca 1645
circa 1645
About the Item
Rare double portrait depicting Louis XIV and his brother Philippe de France as children.
17th century French School, circa 1645, attributed to Charles and Henri Beaubrun.
Oil on canvas, dimensions: h. 48.03, w. 35.43 in.
Important 17th century carved and giltwood frame
Framed dimensions: h. 60.23, w. 48.42 in.
This rare portrait is part of a series of works illustrating the childhood of the two princes, mainly commissioned by Anne of Austria, the mother and regent, after the death of Louis XIII. Expressing her fierce desire to preserve her son's crown, she uses visual communication as a channel of sovereign expression. The portraits serve to strengthen the royal power weakened by the minority of the young Louis XIV
Promoting the image of Louis XIV, even as a child, by distributing his portraits helps to consolidate the durability of the monarchy and guarantee dynastic permanence. The presence of a second son, Philippe d'Anjou, further reinforces the solidity of the royal blood and must reassure the spectators of the painting: the existence of a second heir to the throne counterbalances the fragility of a monarchy whose future does not only holds for a child barely 7 years old. We are thus in the presence of an affirmation of continuity, stability and dynastic legitimacy.
Related works:
- A similar version of our portrait, Sotheby's, London, 31 October 1990, lot 158 (dimensions 52.75x38.6 in)
- Anne of Austria and her children, Palace of Versailles (MV 3369)
- Louis XIV and Philippe d'Orléans, circa 1642, Charles Beaubrun, Museo Sa Bassa Blanca, Majorca, Spain
- Anne of Austria and her sons, Charles Beaubrun, around 1646, National Museum of Stockholm
Charles Beaubrun (1604-1692), Henri Beaubrun (1603-1677)
Charles and Henri Beaubrun, inseparable in their lives, are also in the history of French painting. Charles's father, Mathieu de Beaubrun, page of Cardinal de Joyeuse, was sent to Rome to complete his education as an artist, the talent he passed on to his son. As for Henri, his father, also named Henri, was valet to the king's wardrobe, which earned the son a position as harquebus holder, Louis XIII, recognizing young Henri's passion for painting, took an interest in his education. Henri, gaining popularity as a court painter, associated his cousin Charles with new commissions from courtiers, and so they began to work together on the same works, so that it is difficult to distinguish the hand of each painter. The cousins ??then collaborated between 1630 and 1675, painted many official portraits and specialized in royal portraits, being appointed official painters of the Court during the reigns of Louis XIII and Louis XIV. In the middle of the century, they enjoyed great success with the ladies of the court and produced several series of female portraits of the great nobility.
In 1648, they participated in the foundation of the Royal Academy of Painting and Sculpture.
- Attributed to:Studio of Charles Beaubrun (1604 - 1692)
- Creation Year:circa 1645
- Dimensions:Height: 60.24 in (153.01 cm)Width: 48.43 in (123.02 cm)
- Medium:
- Movement & Style:
- Period:Mid-17th Century
- Condition:Professionnally cleaned and varnished by our art restorer, ready to be hanged on the wall.
- Gallery Location:PARIS, FR
- Reference Number:1stDibs: LU2433212396152
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