Thomas Edwin Mostyn

Lady in pink - British Edwardian art Impressionist portrait oil painting girl

circa 1910

Painted circa 1920 by the noted British Impressionist portrait painter Walter Ernest Webster, this lovely oil painting depicts a beautiful young woman in an impressionist palette. Si...

This gorgeous exhibited Scottish Impressionist portrait oil painting is by noted artist Robert McGregor. It was painted in 1918 and exhibited at the Royal Scottish Academy the same y...

A visually stunning original oil on panel titled Ciros Life. It was painted circa 1953 by Laurence Henry Irving and depicts a man of little means outside a London theatre doorway. Th...

A fine large oil painting by Scottish listed artist William Strang. This is a super evocative oil on canvas which depicts a family at "The Foot of the Statue". It was exhibited in 1904 in Bradford exhibition of fine arts lent by L W Hodson of Wolverhampton who was a patron of his work. This is a fine example of an early 20th century Scottish oil with good subject. It is a good size and signed. This wouldn't be out of place in Kelvingrove Gallery in Glasgow. Signed lower left. Provenance. Bradford Art Gallery 1904. Sotheby 19th June 2002 Guide price £20000-30000GBP. Condition. Oil on canvas. Image size 30 inches by 25 inches and in excellent condition. Housed in a fine period frame, 39 by 34 inches framed and in good condition. William Strang (1859-1921) was born at Dumbarton, the son of Peter Strang, builder, and educated at the Dumbarton Academy. He worked for fifteen months in the counting-house of a firm of shipbuilders before going to London in 1875 when he was sixteen. There he studied art under Alphonse Legros at the Slade School for six years. Strang became assistant master in the etching class, and had great success as an etcher. He was one of the original members of the Royal Society of Painter-Etchers, and his work was a part of their first exhibition in 1881. Some of his early plates were published in The Portfolio and other art magazines. He worked in many manners, etching, dry point, mezzotint, sand-ground mezzotint, and burin engraving. Lithography and wood-cutting were also used by him to create pictures. He cut a large wood engraving of a man ploughing, later published by the Art for Schools Association. A privately produced catalogue of his engraved work contained more than three hundred items. Amongst his earlier works were Tinkers, St. Jerome, A Woman Washing Her Feet, An Old Book-stall with a Man Lighting His Pipe from a Flare, and The Head of a Peasant Woman on sand-ground mezzotint. Later plates such as Hunger, The Bachelor's End and The Salvation Army were also important. Some of his best etchings were done as series—one of the earliest, illustrating poet William Nicholson's Ballad of Aken Drum, is remarkable for clear, delicate workmanship in the shadow tones, showing great skill and power over his materials, and for strong drawing. Another praised series was The Pilgrim's Progress, revealing austere sympathy with John Bunyan's teaching. Samuel Taylor Coleridge's Ancient Mariner and Strang's own Allegory of Death and The Plowman's Wife, have served him with suitable imaginative subjects. Some of Rudyard Kipling's stories were also illustrated by him, and his likeness of Kipling was one of his most successful portrait plates. Other etched portraits included those of Ernest Sichel and of J.B. Clark, with whom Strang collaborated in illustrating Baron Munchausen...

An original oil on canvas by the British listed artist Darsie Japp. It was painted circa 1930 and depicts two woman at a table having a drink. A very evocative inter war oil painting. Provenance. James Bourlet Framers. Sotheby 12.11.86. Condition. Oil on canvas, 28 inches by 22 inches unframed and in excellent condition. Housed in a gallery frame, 36 inches by 30 inches framed in good condition. Darsie Japp (1888-1973) was born in Liverpool and attended St John's College of the University of Oxford. After he graduated he worked in the offices of his father's shipping company in the City of London between 1904 and 1907. Whilst working in the City Japp studied at the night school of the Lambeth School of Art under Philip Connard. Japp studied at the Slade School of Art between 1908 and 1909, where he became friends with his fellow student Stanley Spencer and would often visit him in his home at Cookham in Berkshire. Japp specialised in landscape and figure paintings and exhibited with the New English Art Club of which he became a member in 1919. At the start of the First World War Japp joined the British Army and, eventually, became a Major in the Royal Field Artillery commanding an artillery battery in Macedonia, for which he was awarded the Military Cross...

This stunning Italian 17th century Old Master religious oil painting is by Baroque artist Giuseppe Bartolomeo Chari. Painted circa 1684 it is a large and vibrant oil painting of the Madonna and child. To their left is Saint Catherine and to their right four putti or cherubs look upon a sleeping Jesus. The detail in all the figures faces and hair and the colouring is just superb, especially the Madonna's sumptuous blue robe. A really fabulous 17th century religious work with previous full attribution and excellent provenance which was once attributed to Carlo Maratta (1625-1713). Provenance. With Vangelisti, Lucca, Italy, 1966, from whom acquired by the family of the previous owner, and thence by descent. Red seal stamp verso Christies April 15th 1912 Christies March 23 1956 Condition. Oil on Canvas. Image size 44 x 54 inches unframed and in good condition. Frame. Housed in an original Carlo Maratta frame, 62 inches by 52 inches framed and in good condition. Giuseppe Bartolomeo Chiari (1654-1727), also known simply as Giuseppe Chiari, was an Italian painter of the late-Baroque period, active mostly in Rome. Born in Rome, he was one of the main assistants, along with Giuseppe Passeri and Andrea Procaccini, in the studio of an elder Carlo Maratta. His father had opposed the career, but his mother, on the recommendation of a painter named Carlo Antonio Gagliani. By the age of 22, he had frescoed the lateral lunettes (Birth of Virgin and Adoration of Magi...

Bert Lahr shined in the role of The Cowardly Lion in the Wizard of OZ. Here he is depicted in his comedian's costume which he wears while staring in Jea...

‘Jeune Fille en Blanc’ by Jacques-Émile Blanche (1861-1942). The painting – which depicts one of the artist’s favourite models Wanda Zielinska – is signed and dated 1896. It is lis...

There is no one alive that can paint and draw like Dean Cornwell. How can that be? They do not train artist the way they did. He was Normal Rockwell's ...

MALCHIK Evgeni Samsonov was born in 1926 in the city of Irkutsk, Siberia. Samsonov worked in the genre of “theme” painting and was a leading Social Realist, recognized for his superb painterly handling of anatomy. He made his artistic debut in 1951 and until his passing in 1988, participated in more than forty monumental art exhibitions in Russia and abroad. Evgeni Samsonov’s paintings can be seen at the museums of Russia. The artist’s works are included in private collections in Japan, France, Italy, England, Germany and Sweden. Since 1995, the Pushkin Gallery...

Louise Abbéma 1853–1927 Louise Abbéma (30 October 1853[1] – 10 July 1927) was a French painter, sculptor, and designer of the Belle Époque. Abbéma was born in Étampes, Essonne Born into a wealthy aristocratic Parisian family with close ties to the city’s artistic community, She began painting in her early teens, and studied under such notables of the period as Charles Joshua Chaplin, Jean-Jacques Henner and Carolus-Duran. Portraits of actors and actresses at the Comédie Française dominated her early works until she made a name for herself at the Salon of 1876 with her portrayal of the “Divine Sarah.” Abbéma ultimately executed multiple portraits and received recognition for her work at age 23 a bronze medallion of Sarah Bernhardt, with whom she was a close friend and possibly lover. Like most women artists of the time, Abbéma focused mainly on portraiture and genre scenes (images of everyday life). Her high-society portraits executed with a light touch and rapid brushstrokes reveal the academic and Impressionist influences that shaped her style. Her sitters included French diplomats and other notable members of society. Abbéma developed a variety of techniques using oil paints, pastel, and watercolor, and worked on various supports, including fans. Abbéma received commissions for panels and murals which adorned the Paris Town Hall, the Paris Opera House, numerous theatres including the Theatre Sarah Bernhardt, and the "Palace of the Colonial Governor" at Dakar, Senegal. Abbéma solidified her international reputation after exhibiting works, including two wall murals (on canvas), at the Women’s Building at the 1893 World’s Columbian Exposition in Chicago. A bust of Sarah Bernhardt sculpted by Abbéma was also exhibited at the exposition. Abbéma specialized in oil portraits and watercolors, and many of her works showed the influence from Chinese and Japanese painters, as well as contemporary masters such as Édouard Manet. She frequently depicted flowers in her works. Among her best-known works are The Seasons, April Morning, Place de la Concorde, Among the Flowers, Winter, and portraits of actress Jeanne Samary, Emperor Dom Pedro...

At Doug's Place by Lu Haskew Oil 12x10" image size Plein Air artists sit by a river discussing on break from the day of painting. ABOUT THE ARTIST: Lu considered it a must to work...