Adrian Parnell

Adrian Parnell, Modern British Artist, Still life of flowers

2020

Adrian Parnell (b.1952) Buttercups, Signed with initials, Inscribed with title and date verso Oil on board, 18 x 24 inches A delicate and subtly captured study of buttercups. Adri...

John Burman (born 1936) An arrangement in yellow, Signed, inscribed with title verso Acrylic on card, 12 x 12 inches ​John Reginald Burman is a largely self-taught artist with the exception of a year (part-time) at Valetta Art College, Malta. He has exhibited regularly at the the Ipswich Art Club, The New English Art Club, the Royal Watercolour Society and the Royal Society of Painters in Water...

A most attractive and striking image of daffodils placed against a darker background Howard J Morgan (1949-2020) Daffodils in a china jug Signed and S...

Alan Latter (born 1961) Varnish bottle Signed and dated 2021 Oil on board 13¾ x 10½ inches 14½ x 11¼ inches including the frame A charming still life capturing the artist's working...

Alan Latter (born 1961) Red Buttons, a Trompe l'oeil Signed and dated ‘2021’ verso Oil on board 11½ x 7¾ inches 12¼ x 8½ inches Born in Islington in 1961, Alan Latter's work is influenced by Bloomsbury Group artists Vanessa Bell and Duncan Grant and Fauvists Henri Matisse and Jean Puy. His paintings are inspired by his love of France which has come from his father, a Printer's Compositer and amateur painter who died in 1965 aged only 32. Given as a teenager his father's art equipment...

Frederick Cuming (born 1930) Yellow kettle and fruit, Signed, Oil on board, 15 x 19½ inches ​ Provenance: Private Collection A most appealing still life by one of the United Kingdom's foremost living artists. The wonderful array of colours in the fruit set off by the yellow kettle. Frederick Cuming NEAC, RA, DLitt Hon, RBA trained at Sidcup School of Art and then at the Royal College of Art, before being awarded the Abbey Travel Scholarship to visit Italy. He was elected an Associate Member of the Royal Academy in 1964 and a full member ten years later. Fred has exhibited widely and won many awards. His work features in many public and private collections including Monte Carlo Museum, Royal Academy of Arts, Department of the Environment, Guinness Collection, Lloyds of London...

Anemones in a terracotta jug is an original painting by Gabrielle Moulding. Painted from life in my garden studio. During this year in lockdown I have been painting flowers and I hav...

In his Landscape paintings, James Naughton finds a constantly engaging conversation, a dialogue between light, air, and the earth. The subject has been ...

"Look at your feet. You are standing in the sky. When we think of the sky, we tend to look up, but the sky actually begins at the earth" Diane Ackerman In his Landscape painting’s James finds a constantly engaging conversation, a dialogue between light, air, and the earth. The subject has been a fascination which has established his reputation and crucial in developing his painting philosophy. These works are not of specific topography or familiar sites, it is James’ intention that they are a culmination of his experiences, memories and imagination. “I think it’s the role of an artist to make something which goes beyond a technical representation of what they see. In the same way that fiction can brings the writer and subject together, I trust the physical process of painting to reveal something which is both unique to me and communicates something others can feel is true” James Naughton 2016 ADDITIONAL INFORMATION: Oil paint on board Total size of framed painting : 31.2 H x 31 W x 3 D cm  Sold framed SIZE OF IMAGE: Height: 14.5 cm  Width:14.2 cm  Depth: 1 cm ARTIST BIOGRAPHY: James has been a professional Artist since 1998. Producing oil paintings from Bolton studio(UK) he has created a unique vision of Landscape painting. He has established his reputation through a consistent determination to make art. Trusting instincts which result in emotive experiences for him and the viewer. His work emerges from three preoccupations, light, landscape and the nature of paint, these combine to result in paintings that link tradition and a modern visual experience. James values direct observation, as a traditional way to record the Landscape but is also drawn to communicating the interplay between what we see and our imagination, forging bonds between experience and mythology. His process does not normally involve preparation, sketching or photography, he finds that inviting the natural movement of oil paint to suggest the direction of a work, in an intuitive way, provides the most exciting challenge. James has exhibited widely in the UK and at numerous acclaimed international Art Fairs. Recently his personal interest in the art of Thomas Moran led to an ambitious Arts Council funded project and included a two week road trip in Yellowstone, National Park, The Teton Range and Green River(Wyoming USA) . The project culminated in an extensive exhibition in the public art gallery of his home town Bolton. This year James’ passion for the American Landscape will develop further as he has been awarded a four week residency at Teton Art...

"Look at your feet. You are standing in the sky. When we think of the sky, we tend to look up, but the sky actually begins at the earth" Diane Ackerman In his Landscape paintings, James Naughton...

In his Landscape paintings, James Naughton finds a constantly engaging conversation, a dialogue between light, air, and the earth. The subject has been ...

In his Landscape paintings, James Naughton finds a constantly engaging conversation, a dialogue between light, air, and the earth. The subject has been ...