Emil GansoStill Life with Flowersc. 1935
c. 1935
About the Item
- Creator:Emil Ganso (1895 - 1941, German)
- Creation Year:c. 1935
- Dimensions:Height: 18 in (45.72 cm)Width: 15 in (38.1 cm)Depth: 1.75 in (4.45 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairlawn, OH
- Reference Number:
Emil Ganso
Emil Ganso was born in Halberstadt, Germany, in 1895 and came to the United States as a teenager. By 1914, Ganso was taking evening classes at the National Academy's School of Fine Arts while supporting himself as a baker. His work was soon identified by Erhard Weyhe who went on to show Ganso's work at the Weyhe Gallery. Ganso first exhibited at the Society of Independent Artists in 1921, as well as at the Salons of America from 1922–25. By 1925, Weyhe Gallery began to represent Ganso, which gave him the funds to spend his first summer in the art colony of Woodstock, New York in 1926. Weyhe Gallery continued to exhibit Ganso's work through the 1940s. In Woodstock, Ganso met George Ault, Doris Lee, Charles Rosen, Katherine Schmidt, Eugene Speicher, Alexander Brook, Louis Bouché, Konrad Cramer, Leon Kroll and George Bellows leading Ganso to settle in Woodstock and continue to benefit from Woodstock connections throughout his life. In 1927, the same year he settled in Woodstock, Ganso began to share a studio with Jules Pascin. Ganso printed Pascin's lithographs and prepared a paper for him in 1927–28 while Pascin was in America. In 1929, Ganso visited Pascin in Paris. Perhaps it was this Paris trip that sparked Ganso's interest in photography. By 1930, he was exploring photography as an art form, as well as an aid to his art compositions. Konrad Cramer, Yasuo Kuniyoshi, and Russell Lee were other Woodstock artists who joined Ganso in these photography pursuits. Ganso received a Guggenheim Fellowship in 1933, which he used to study and paint in Europe. In the 1930s, Ganso also kept a studio at 54 West 74th Street, an artists' building, where Walter Pach and Theresa Bernstein also had studios. Leonard Bocour who founded Bocour Artists Colors, which in the late 1940s developed Magna paints and the first acrylics credits Ganso, inspiring him to create artist paints and introduced him to the major artists of the 1930s, including Yasuo Kuniyoshi and Reginald Marsh. Ganso was the first artist Bocour visited while still in high school in 1930 and Ganso taught Bocour how to mix paints and grind his pigments. According to an oral history Bocour gave to the Archives of American Art, Ganso was the master theoretician and leading technical person in Woodstock who all the major artists came to for help with their color due to Ganso's library of German art books including Alexander Dorner's The Way Beyond "Art": The Work of Herbert Bayer which was not translated into English until 1947. In 1930, Ganso began to be invited to exhibit at the Corcoran Gallery of Art, Washington, DC (1930–35); the Art Institute of Chicago; the Wichita Art Museum, Kansas; the Pennsylvania Academy of the Fine Arts (1931–38); and the Whitney Museum of American Art (1927–41). Ganso also exhibited at both the 1939 New York World's Fair and the Golden Gate Exposition in San Francisco that same year. Ganso was awarded the “Pennell Memorial Medal” from the Pennsylvania Academy of the Fine Arts in 1938. As a result of the success of his art, Ganso was offered an artist-in-residence position in 1940 at the University of Iowa. It was there that he died in 1941. A retrospective exhibition for Emil Ganso was held at the University of Iowa Museum of Art both upon his death and in December 1979.
- ShippingRetrieving quote...Ships From: Fairlawn, OH
- Return PolicyA return for this item may be initiated within 10 days of delivery.
- Still Life with Vase of FlowersBy Konrad CramerLocated in Fairlawn, OHStill Life with Vase of Flowers Oil on board with incised scraffito, c. 1929-1930 Unsigned by the artist Signed and inscribed verso: "Painting by my father, Aileen B. Cramer" verso, the artist's daughter Signed with the estate stamp verso Exhibited: Gerald Peters Gallery, Konrad Cramer and the Woodstock School, 2000. (label, see photo), Ny-00457-38-C H. V. Allison Galleries...Category
1920s American Modern Paintings
MaterialsOil
- Full BloomBy Robert HallowellLocated in Fairlawn, OHFull Bloom Oil on canvass, 28 x 21 1/2 inches Signed lower right: Robert Hallowell Provenance: Estate of the artist Marbella Gallery, New York Illustrated in Ma...Category
1930s American Impressionist Still-life Paintings
MaterialsOil
- Still Life with Peaches and GrapesBy D.M. RidleyLocated in Fairlawn, OHStill Life with Peaches and Grapes Oil on paper, 1890 Signed and dated lower right (see photo) Image size: 5 8 5/8 inches Frame size: 10 x 13 1/2 inches Housed in the original frame ...Category
1890s American Realist Still-life Paintings
MaterialsOil
- untitled (Peonies)By Frederick Carl GottwaldLocated in Fairlawn, OHUntitled (Peonies) Oil on artist's board, c. 1910-1920's Signed by the artist in ink lower center (see photo) Provenance: Joseph Erdelac, Private Collector, Cleveland, acquired from ...Category
Early 20th Century American Impressionist Still-life Paintings
MaterialsOil
- Before the Cock Crow Twice, Thou Shalt Deny Me ThriceBy William C. GrauerLocated in Fairlawn, OHSigned lower right William C. Grauer Exhibited at the Cleveland Museum of Art "37th May Show," 1955.Category
1950s Paintings
MaterialsOil, Board
- Still Life with Fruit and a PitcherBy Beni E. KoshLocated in Fairlawn, OHEstate stamp verso: Beni E Kosh Collection #436 Frame: 22-1/4 x 16-1/2 x 1-5/8"Category
Mid-20th Century Contemporary Still-life Paintings
MaterialsOil
- VASE WITH FLOWERS IN THE MIRROR Modernist Oil PaintingBy Joseph RaskinLocated in Surfside, FLJoseph Raskin painted still lifes throughout his career, often using them for formal and technical experimentation. Here, the artist renders a bouquet of a wide variety of flowers in...Category
1940s American Modern Still-life Paintings
MaterialsCanvas, Oil
- "Light Through Old Bottles" 2014 oil painting, academic study of light and formBy Maryann LucasLocated in Sag Harbor, NYMaryann Lucas lives and works in Sag Harbor. She is primarily self-taught but has also received instruction and support from wonderful and generous members of the East End artistic c...Category
21st Century and Contemporary American Modern Still-life Paintings
MaterialsPanel, Oil
- Charles McGee Oil Painting "Squares and Things" African-American 1967By Charles McGeeLocated in Detroit, MI"Squares and Things" painted by the eminent artist, Charles McGee, literally breaths his African American heritage and his extraordinary vibrant use of colors. Provenance is The Arwin Galleries on Grand River in Detroit, Michigan - label on verso. This early painting of McGee's shows his mastery in creating a painting in the style of the French Impressionist Edouard Manet, "Still Life with Melon and Peaches" located in the National Gallery of Art, Washington, DC, and in the style of Fauvist/Expressionist painter Henry Matisse, "Still Life with Blue Tablecloth", located in the Hermitage Museum, Saint Petersburg, Russia. McGee makes the well-known genre of still life his own creating an exciting marvelous work incorporating the homely quilt - the powerful symbol of the African American road to safety from slavery - as his main focus. Quilts symbolize warmth, comfort, and as shown by the collection of quilts gathered by the artists in Gee's Bend the designs on the quilts hung outdoors at locations along the Underground Railroad showed fugitives the road north and to safety. "Squares and Things" was first shown at The Arwin Galleries, Inc., Detroit, Michigan, one of the stops along the Underground Railroad. This piece is signed by the artist, Charles McGee, and is an extraordinary example of his early work before he moved into Abstract Expressionism and his many sculptural works now located throughout Michigan. Several of these works are: "Noah's Ark: Genesis, 1984," on display at the Detroit Institute of Arts, his brilliant 2005 "Progression" a 45-foot wide aluminum sculpture at Beaumont Hospital, Royal Oak, Michigan, and his stunning 2016 "United We Stand" sculpture at the Charles H. Wright Museum of African American History . His genius can be seen in sculpture installments throughout the city of Detroit. . He was born into a family of sharecroppers. While helping his grandfather tend the land, "he observed firsthand the order and harmony that exists within nature." He had no formal schooling until moving to Detroit at age 10, where he found that "everything was on the move and it hasn’t slowed down yet." in 2017 he observed, "I learned something not being in school — because life is school . . .I learn something every time I move. Every time I go around a corner, something new is revealed to me.” McGee took advantage of the GI Bill to attend classes at the Society of Arts and Crafts, now the College for Creative Studies, Detroit, MI. Other College for Creative Studies (formerly Center for Creative Studies) faculty and graduates include Richard Jerzy, Harry Bertoia, Doug Chaing (currently director of Lucas Film), Stephen Dinehart (game maker, writer, designer connected with The David Lynch Foundation), Tyree Guyton (international artist), Herb Babcock, Jerome Feretti, Kevin Siembieda (writer, designer and publisher of role-playing games), Renee Radell, and Philip Pearlstein. After retiring from the Corps of Engineers, McGee spent 1968 studying art in Barcelona. Despite not knowing the language at the outset, he immersed himself in the culture and opened himself to a whole new range of experience that would play out in his artwork. "If you free yourself, you have this kind of opportunity to have those experiences, horizons, and new vistas." (per interview with Nick Sousanis author of a book on Charles McGee.) He returned to Detroit and curated "Seven Black Artists" at the Detroit Artists Market in 1969, which along with McGee himself, included Lester Johnson, Henri Umbaji King, Robert Murray, James Lee, Allie McGhee...Category
Late 20th Century American Modern Still-life Paintings
MaterialsOil, Masonite
- Richard Jerzy Watercolor "Red Chair" Interior with Flowers & ChairBy Richard JerzyLocated in Detroit, MI"Red Chair," though an interior scene, is arranged like a still-life with the furniture and objects slightly off-kilter in the creative manner of Marc Chagall's interiors, the Russian-French artist of Belarusian Jewish origin. These non-fixed objects lend a floating energetic atmosphere and the brilliant colors contribute to the liveliness of this warm inviting interior. Richard Jerzy was a well-known watercolor artist from the Detroit, Michigan area. His signature works were figures and still lives, and many famous Michigan families are collectors. "He was probably the most promising, successful, exciting artist in the state of Michigan," said Miriam Parel, a fellow artist and friend for more than 30 years. He grew up on Detroit's east side and developed an interest in painting as a teenager. He attended Detroit's Center (now College) for Creative Studies. Other well- known CCS faculty and graduates are Susan Aaron-Taylor, Harry Bertoia, Doug Chaing, Stephen Dinehart, Tyree Guyton...Category
Late 20th Century American Modern Interior Paintings
MaterialsOil, Board
- "Still Life with Fruits" Russian-American Modern Colorful Oil Painting on BoardBy Ben BennLocated in New York, NYA strong modernist oil painting depicted in 1927 by Russian-American painter Ben Benn. With a highly recognizable modern style, fast brush stroke and expressive use of color, shape, ...Category
1920s American Modern Still-life Paintings
MaterialsBoard, Oil
- Henry Ernst Schnakenberg, (Still Life with Scull)By Henry Ernst SchnakenbergLocated in New York, NYHenry Schnakenberg is mostly known for New York City scenes. This is clearly a departure. It is signed at the lower left and dated '4-53' on the r...Category
1950s American Modern Still-life Paintings
MaterialsOil