Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 7

Emma Richardson Cherry
"MAGNOLIAS" FLOWER BOUQUET STILL LIFE LAVENDAR

20th Century

About the Item

Emma Richardson Cherry (1859 - 1954) Houston Artist Size: 20 x 16 Frame: 22.5 x 18.5 Medium: Oil on Board "Magnolias" Biography Emma Richardson Cherry (1859 - 1954) Emma Richardson Cherry, known as the "Dean of Houston Art," is credited with introducing many Houstonians to fine art. Emma Richardson was born in Aurora, Illinois in 1860. She was recognized as an artist by the age of 18. She met her husband, Dillon Brooke Cherry, while teaching art in Nebraska. Mrs. Cherry studied in New York, Paris, and Italy before moving to Houston in 1892. Cherry began teaching art in her home, and continued to do so for half a century. Cherry organized the Houston Public School Art League* in 1900 with four other art advocates: Mrs. Robert S. Lovett, Miss Lydia Adkisson, Miss Roberta Lavender and Miss Cara Redwood. The group would obtain examples of fine art masterpieces and bring them to the schools. One attempt was not favorably received- a replica plaster of Paris nude Venus de Milo was offered to Central High School; the School Board thought it would corrupt students morals and refused to accept it. The League gave the statue to the public library instead (today it can be seen on the second floor of the Julia Ideson Building). According to one newspaper account, parents would warn their children: "You may go down to the library, my dears, but don't go near that Venus." (Houston Post 4-12-1953) The independent spirit was recognized in a 1923 Houston Chroniclearticle: "Mrs. Cherry's work has always been characterized by an independent spirit and forward-looking attitude." In 1913, the group she had organized shortened their name to the Houston Art League*, setting its sights on raising money to open a fine arts museum in the city. The Museum of Fine Arts, Houston opened in 1924. Emma Richardson Cherry was the first woman to have a solo exhibit at the museum. Cherry worked in oil, watercolors, pastels, pencil and charcoal, and considered herself a modernist, but she painted a number of traditional portraits while living in Houston. She is known for her paintings of flowers, and in 1937 did a study of oleanders to be presented to President Franklin Roosevelt during his visit to Galveston. Her four most popular works are of the Texas Republic Capitol, the Sam Houston home, and of the Robert E. Lee and Jefferson Davis homes. Mrs. Cherry continued to paint in her Houston home until a few weeks before her death at the age of 93 in 1954. Emma Richardson Cherry was a painter in oil, watercolor, and pastel of portraits, figures, landscapes, and wildflowers as well as works with western themes. She also painted murals and was an art teacher. Her subject matter was wide ranging with views of Texas, often with bluebonnets, California, and Colorado including Pikes Peak and Mount Evans. Cherry was born on February 28, 1859 in Aurora, Illinois, and her father, Perkins Richardson, was an architect. Her mother was Frances Ann Mostow Richardson. Emma spent her childhood in Aurora, and then attended the Art Institute of Chicago* before enrolling in the Art Student League* in New York City from 1882-1883. There her teachers included William Merritt Chase, George de Forest Brush, Henry Bainbridge McCarter, Rhoda Holmes Nicholls, and Kenyon Cox. Following this period, she studied in Paris at the Academies Julian*, Delecluse* and Merson. Her teachers were Andre Lhote, Luc-Olivier Merson, and Jules Lefebvre. In Italy she took lessons from Zanetti-Zilla, and she also toured in Spain and Belgium. Returning to the United States, Richardson took a teaching job at the University of Nebraska in Lincoln and also taught a summer session of the Metropolitan Museum of Art* in New York. In 1887, she married Dillon Brooke Cherry, a Lincoln, Nebraska man who was in an oil broker. The couple moved to Denver, Colorado in 1888, and in 1893, she helped organize the Denver Art Club, where she exhibited in 1894 and 1895. About 1893, the couple moved to Houston, Texas, which became her permanent home. Her residence, now operated by the Harris County Heritage Society, was formerly the home of William Marsh Rice, whose money was key in the establishment of Rice University. For a few years after her move to Texas, she kept her ties to Colorado, and an undated clipping from the Denver Public Library described her work exhibited at the 1894-95 Denver Art Club. "Mrs. Cherry of Texas contributes an artistic galaxy of three water colors and three oils, a fine painting of a basket of lilies being among the number. She also has an excellent painting in oil of a corner of a studio, showing the various bric-a-brac promiscuously strewn around." (Samuels 93) In Texas, she worked as a painter and arts promoter, helping to found in 1900 the Houston Public School Art League, the predecessor to The Museum of Fine Arts. She was director of the Elisabet Ney Museum in Austin, and worked to organize the San Antonio Art League. Emma Richardson Cherry exhibited extensively during her career. Her shows included the Western Art Association, Omaha; the Art Institute of Chicago; World's Columbian Exposition, Chicago; Denver Artist's Club; Fort Worth Art Museum; Southern States Art League; Houston Art League; Texas Wild Flower Competitive Exhibition; Texas State Fair and Paris Salon. The artist died the 29th of October 1954 in Houston. It was said at the time of her death in 1954 that she, at age 94, was the oldest living member of the New York Art Students League.
  • Creator:
    Emma Richardson Cherry (1859 - 1954)
  • Creation Year:
    20th Century
  • Dimensions:
    Height: 22.5 in (57.15 cm)Width: 18.5 in (46.99 cm)Depth: 2 in (5.08 cm)
  • More Editions & Sizes:
    Image Size: 20 X 16Price: $2,130
  • Medium:
  • Period:
  • Framing:
    Frame Included
    Framing Options Available
  • Condition:
    Please visit my storefront for more vintage and mid-century artwork.
  • Gallery Location:
    San Antonio, TX
  • Reference Number:
    1stDibs: LU76938511952
More From This SellerView All
  • "Brass Plate with Eggs"
    By Martha Simkins
    Located in San Antonio, TX
    Martha Simkins (1869-1969) Dallas, Denton Artist Image Size: 24 x 20 Frame Size: 29 x 25 Medium: Oil Unsigned from her estate through her nephew “Brass Plate with Eggs...
    Category

    1930s Impressionist Still-life Paintings

    Materials

    Oil

  • "Still Life with Oriental Statues" Artist Howard Hughes Senior VP of Huges Tool
    By F. W. Ayers
    Located in San Antonio, TX
    F. W. Ayers (Fred) "Still Life with Flowers and Asian Figurines, 1938 " (1884-1966) Houston Artist Image Size: 24 x 16 Frame Size: 26.5 x 18.5 Medium: oil Dated 1938 "Still Life with Flowers and Asian Figurines, 1938 " F.W. (Fred) Ayers. Vice President of Hughes International Tool Houston Texas Biography F. W. Ayers (Fred) (1884-1966) Background Ayers, Fred Wesley was born on November 13, 1884 in Wilmington, Delaware, United States. Son of Frank Marion and Annie Elizabeth (Perry) Ayers. Education Mechanical Engineering, Scranton (Pennsylvania) Corresponding School, 1910. Career Junior executive, plant manager, works manager Éleuthère Irénée duPont Company, Wilmington, Delaware, 1911-1921. Vice president Klaxon Horn Company division General Motors Corporation, Bloomfield, Pennsylvania, 1922-1926, works manager Pontiac Motor Car Company, 1926-1928. Management engineer Auto Car Company, Ardmore, Pennsylvania, 1929-1930. Construction engineering layout, tooling for automobile plant Brandt & Associate, Moscow, The Union of Soviet Socialist Republics, 1931-1932. Management, construction engineering budgetary control, cost systems, Birmingham, England, managing director Daimler Motor Car Company, Coventry, England, director Benton & Stone, Ltd., Birmingham, Chairman of the Board, director Samuel Booth & Sons, Ltd., Birmingham, 1932-1939. Senior vice president, general manager Hughes Tool Company, Houston, since 1943, also director. Director Trans World Airlines, Inc., Kansas City, Missouri, National Bank Commerce, Houston. Membership Mason.; Clubs: Petroleum, River Oaks...
    Category

    1930s Realist Still-life Paintings

    Materials

    Oil

  • "Still Life"
    By Rolla Taylor
    Located in San Antonio, TX
    Rolla Taylor (1872-1970) San Antonio Artist Image Size: 16 x 20 Frame Size: 20 x 24 Medium: oil Circa 1918 "Still Life" Biography Rolla Taylor (1872-1970) Taylor, originally...
    Category

    1910s Impressionist Still-life Paintings

    Materials

    Oil

  • "Mid Century Still Life" A burst of color. Beautiful painting
    By Joseph Polley Paine
    Located in San Antonio, TX
    Joseph "Joe" Polley Paine (1912 - 1996) San Antonio Artist Image Size: 30 x 18 Frame Size: 36 x 24 Medium: Oil 1957 Mid Century Still Life Joseph Paine (born 1912) Joseph P...
    Category

    1950s Modern Still-life Paintings

    Materials

    Oil

  • "Still Life with Flowers and Fruit Bowl Howard Hughes VP Huges internation Tool
    By F. W. Ayers
    Located in San Antonio, TX
    F. W. Ayers (Fred) "Still Life with Flowers and Fruit Bowl, 1939" (1884-1966) Houston Artist Image Size: 30 x 24 Frame Size: 34.5 x 28.5 Medium: oil "Still Life with Flowers and Fruit Bowl, 1939" F.W. (Fred) Ayers. Vice President of Hughes International Tool Houston Texas Biography F. W. Ayers (Fred) (1884-1966) Background Ayers, Fred Wesley was born on November 13, 1884 in Wilmington, Delaware, United States. Son of Frank Marion and Annie Elizabeth (Perry) Ayers. Education Mechanical Engineering, Scranton (Pennsylvania) Corresponding School, 1910. Career Junior executive, plant manager, works manager Éleuthère Irénée duPont Company, Wilmington, Delaware, 1911-1921. Vice president Klaxon Horn Company division General Motors Corporation, Bloomfield, Pennsylvania, 1922-1926, works manager Pontiac Motor Car Company, 1926-1928. Management engineer Auto Car Company, Ardmore, Pennsylvania, 1929-1930. Construction engineering layout, tooling for automobile plant Brandt & Associate, Moscow, The Union of Soviet Socialist Republics, 1931-1932. Management, construction engineering budgetary control, cost systems, Birmingham, England, managing director Daimler Motor Car Company, Coventry, England, director Benton & Stone, Ltd., Birmingham, Chairman of the Board, director Samuel Booth & Sons, Ltd., Birmingham, 1932-1939. Senior vice president, general manager Hughes Tool Company, Houston, since 1943, also director. Director Trans World Airlines, Inc., Kansas City, Missouri, National Bank Commerce, Houston. Membership Mason.; Clubs: Petroleum, River Oaks...
    Category

    1930s Realist Still-life Paintings

    Materials

    Oil

  • "THE PITCHER" Mid Century Modern Texas Painting Oil
    By Michael Frary
    Located in San Antonio, TX
    Michael Frary "THE PITCHER" Mid Century Modern (1918 - 2005) Austin Artist Image Size: 20 x 16 Frame Size: 27 x 23 Medium: Oil Circa 1940s "The Pitcher" Biography Michael Frary (1...
    Category

    1940s American Modern Still-life Paintings

    Materials

    Oil

You May Also Like
  • Uniform Language "Camo" 52 paintings
    By Stephanie Peek
    Located in Burlingame, CA
    Stephanie Peek's "Uniform Language" Camo paintings showcasing an assortment of worldwide camouflage (both historic and contemporary) from countries around the world. The complete installation includes 52 original works that are each 10 x 10 inches. Can be hung in an assortment of ways. The artwork comes with a template for installation as shown below. The series started following 9/11 with the bombing of the World Trade Center in NY. and continues to today. Stephanie Peek's "Uniform Language" is a constellation of small painting on alabaster-coated wood panels featuring camouflage patterns of nations worldwide. Peek’s fascination with these patterns stems from her observation of nature (including her studies of flowers, for which the artist is well known), and compositions of shapes and color relationships. When hung in the configuration shown, the overall dimension is 77 inches tall x 132 inches wide. The artwork can hang in a variety of configurations. Each camp painting is 10 x 10 inches. Fascinated by how various countries use camouflage patterns to represent and to disguise themselves and their military equipment, the artist explores how countries see themselves in this pattern language that speaks of power and fear, while also considering each painting a prayer for peace. Artist's statement, Early in the 20th century, the United States military adapted the nature studies of American painter Abbot Thayer...
    Category

    21st Century and Contemporary Abstract Abstract Paintings

    Materials

    Alabaster

  • Oracle
    By Ben Weiner
    Located in Long Island City, NY
    Oracle by Ben Weiner, American (1980) Oil on Canvas, signed verso Size: 64 x 96 in. (162.56 x 243.84 cm)
    Category

    Early 2000s Contemporary Still-life Paintings

    Materials

    Canvas, Oil, Inkjet

  • "Cesta de flores", 17th Century Oil on Canvas, Still Flowers by Juan de Arellano
    By Juan de Arellano
    Located in Madrid, ES
    JUAN DE ARELLANO Spanish, 1614 - 1676 Cesta de Flores signed Juan de Arellano (lower lright) oil on canvas original period carved, gilt and polychrome...
    Category

    17th Century Old Masters Still-life Paintings

    Materials

    Canvas, Oil

  • Amédée Ozenfant - Nature morte, Tabagie, french, modern, still life, surreal
    By Amédée Ozenfant
    Located in London, GB
    signed ‘ozenfant’ (lower right) Provenance: Sale: Christie's London, 4 April 1989, lot 198 Dr. Arthur Brandt, New York (acquired at the above sale) Literature: P. & M. Guénégan, 'A...
    Category

    1960s Surrealist Still-life Paintings

    Materials

    Canvas, Oil

  • 'The Feast’ - Very Large Original Contemporary Abstract Mixed Media Painting
    By Steven H. Rehfeld
    Located in Carmel, CA
    "The Feast" by Steen Rehfeld emerges as a triumphant celebration of form, color, and texture in contemporary abstract art. Spanning an impressive 78"x144", this mixed media masterpie...
    Category

    21st Century and Contemporary Abstract Figurative Paintings

    Materials

    Oil, Canvas

  • Still Life with Flowers in a Vase
    By Martin Johnson Heade
    Located in New York, NY
    Oil on canvas
    Category

    19th Century Still-life Paintings

    Materials

    Oil

Recently Viewed

View All