François Bonvin

Realist French pair of Still Lifes 19th Century by Bonvin

1866

Flight into Egypt, Cusco School XVII Century. Oil on convex panel. The panel is carved on the frame, making everything one single piece of wood.

Signed low-right.

A portrait of courtier and politician John Poyntz, after Hans Holbein, circa 1644 - 1674. This painting is based on a drawing by Hans Holbein, part of the drawings collection of the ...

Giacomo used to paint with his brother Giulio, identifying their works with the monogram «I I». The strong influence of his father, Francesco, is undeniable in all his works, althoug...

Together with his son Pietro Neri, Andrea Scacciati was active at the Medici court and is well known for his still lifes with flowers. His works display both Roman and northern influ...

Signed and dated lower right 'Claude Flight 1923'. Exhibited: Paterson’s Gallery, ‘5th Exhibition of Pictures and Sculpture by the “Seven and Five” Society ( ‘ A Street in Jerusale...

Still Life is a superb original oil painting on panel, realized by the Italian artist Vincenzino Volò, best-known as Vincenzino dei Fiori (Rémondans, 1620-Milan, 1671) around 1640-1660. Original Title: Natura morta di fiori entro vasi biansati (Still life of Bouquet in two-handled vases). On the back of the panel, two labels are glued "da Milano", "A Piacenza", ("from Milan" "to Piacenza"). The labels indicate a transfer of the artwork, perhaps in the first half of the twentieth century, from Piacenza to Milan. While instead the style and technique make us understand the artwork was commissioned or created in the Milan of Federico Borromeo, archbishop of Milan from1595 to 1630. The author of the painting can be identified in the person of Vincenzo Volò, a talented artist who fell into oblivion, recently rediscovered and appreciated. Founder of the Vincenzini family, he was born in Franche-Comté in 1620 (in the past its birth was erroneously fixed to 1606). In the mid-forties of the seventeenth century he arrived to Milan, and held a leading artistic role: he was the founder of a family workshop that imposed his style and strongly influenced Milanese collecting with his still lifes and influenced generations and generations of painters. Vincenzino also was the first painter of still life to work on the Bella Island for Vitaliano VI Borromeo and collaborated with well-known figure painters such as Francesco Cairo, Scaramuccia, Nuvolone and Fumagalli. As regards the style, the archaic tendency of Lombard painting of still life from the early decades of the seventeenth century is clearly evident, looking at primitivism and the happy schematization of the composition of the artwork. The dating of this artwork could be fixed around the first half of the seventeenth century because it is confirmed by the type of support, a wooden panel, always used by Vincenzino. As for the subject, Volò generally painted bouquets of flowers in two-handled vases placed on transversal planes seen from the front. It is possible to compare this work with other Dei Fiori's artworks: the pair of Flower Vases...

Rein Pol Cello 93 x 120 cm ( Frame is included 107 x 134 cm) Oil on wood panel, 1987 Looking at Rein Pol's work, it is first and foremost striking that the artist's subjects are very diverse. However, he was mainly known for his paintings 'with trains'. If you look further, you will see that Rein Pol has many sources of inspiration about which he can tell 'stories in paint'. On the website of the Classical Academy in Groningen there is a beautiful teacher portrait of Rein Pol, the first part of this text comes from that site: The fact that Rein Pol made paintings with trains in them gave him the stigma of being a train painter. The 'Blue Angel' is just one of many, often autobiographical, subjects in his paintings. This also applies to nature, landscape, persons and objects from his immediate environment, in which transience is an underlying theme. “As a child I was always drawing. The profession of art teacher appealed to me. It never occurred to me that I could become a painter.' At the Minerva Academy, teachers such as Ger Siks and Matthijs Röling impressed him. Their influence is still noticeable in his paintings: the atmospheric of Röling and the alienating of Siks. After the academy Rein briefly taught at a secondary school. "Not an unqualified success! So when I was asked to come and teach at Minerva, I seized the opportunity with both hands. I have learned a lot myself from teaching academy students.' A violin on fire, a train soaring to heaven, Romance at its best! The passion is in the details, the feathers of a dead bird, the drops on a misty mirror. And that passion is what Romanticism is all about. Rein Pol has been working professionally as a painter since 1976. He always has a keen eye for the expressiveness of the apparently insignificant detail. Every theme that Pol paints is depicted in a clear, harmonious composition with great attention to light, texture, spatial and color effects. The paintings are not intended as an exact copy of the reality around us, but as a representation of our own reality! Hans van Seventer previously wrote: “The subjects of Rein Pol's paintings move between the ordinary and the absurd. He paints musical instruments as well as a bottle containing the fetus of a pig. Sometimes the smell of manure rises from his landscapes, then again a Groningen bum toils along the steep banks of a Norwegian fjord. His self-portraits form a collection in themselves: in the mirror of the bathroom, in a glass display case surrounded by 'gohst of the past', or simply with a jar of pickles as a sign of his dignity”. With his work Pol is counted among the Northern Figuratives. Rein Pol exhibits a lot in the Netherlands. Abroad he exhibited in Germany, Norway, Poland, Switzerland and Indonesia. With the so-called Zwiggelte Group in France, the United States, Canada and Australia. Much of the painter's work is included in private collections. His paintings are also in the possession of, among others, the Drents Museum in Assen, the Smallingerland Museum in Drachten, the Free University of Amsterdam, the ING Collection and the Philips Collection...

Henk Boon Composition in Blue and Green Oil on canvas on wood 100 x 120 cm Frame included 107 x 127 cm The still-life paintings of Dutch painter Henk Boon ...

Cornelis le Mair (Netherlands, Eindhoven, July 3rd 1944) is a Dutch painter. This Classic painter is famous because of his 17th century paintings. You can see him in his house on o...

Cornelis le Mair (Netherlands, Eindhoven, July 3rd 1944) is a Dutch painter. This Classic painter is famous because of his 17th century paintings. You can see him in his house on o...

Cornelis le Mair (Netherlands, Eindhoven, July 3rd 1944) is a Dutch painter. This Classic painter is famous because of his 17th century paintings. You can see him in his house on o...