Mitchell Funk

Impressionist Magenta Trees Central Park

1970

Signed, dated, numbered lower right, recto 3/15, unframed, printed later, other sizes available Printed on Hahnemühle Fine Art paper Mitchell Funk is a "Color Photographer Pioneer"...

An uncanny juxtaposition of sleek design. The bold geometric forms of the Chrysler Building Spire are set against the equally sleek lines of a contempo...

In-camera Multiple Exposure of 3rd Avenue in Manhattan and car depot in Weehawken New Jersey. The viewer looks up at the buildings and down at the cars and yet they are seamlessly u...

An abstract view of the classic Las Vegas Neon signs on Fremont Street at sunset. Bold reds, pinks, and blues work with the dramatic Nevada sunset. Th...

Shipping should be around $100. Signed, dated, numbered lower right, recto 3/15, unframed, other sizes available. Mitchell Funk is a "Color Photographer Pioneer". He was color when c...

Robert Funk’s photographs of elaborate landscaping redefine what Street Art is. Hedge Fun is a series that celebrates the landscaping commissioned by well-heeled homeowners, high-e...

'Cicatrices (5)' Limited edition archival photograph. Unframed, hand signed and numbered _________________ Scars of birthing in the unfolding leaf pattern of the giant graceful Agav...

large scale monochromatic abstract observation of geometric architectural elements, from Raymond Meier's series Renderings Red Window (Renderings 05) by Ra...

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing freedom of look and intuition, seeking aesthetic challenges linked to the observation of the image in subjects such as: solitude, reflections of emptiness and behavior. Awarded by The Art of Intuitive Photography in NY for 4 times, Pico also find his work in the permanent collections of: The Rio Art Museum (MAR), Museum of Modern Art of Bahia (MAM-BA) and Museum of Photography of Fortaleza among other international collections. Having contact with a work of art has to be transformative. This photographic essay by Pico Garcez leads us to this, puts the gaze, sees and sees in constant dispute. The meaning is hidden and this leads us to be co-authors. In Pico's UNCONSCIOUS-NEST, work is not the aesthetics or the colors that speak the most, instead they fog our critical eye, trying to distract us in the central core of which it treats. It is an experience to observe these images. Pico puts us & leaves us in a void where our own inner solitude surfaces - Not having to share with. Where is life, if not ours? We are part of this work for empathy, and in that, Pico was generous - letting us in. UNCONSCIOUS-NEST is not a geographical place, instead it lives in us and everywhere. It shows what we've done for ourselves - it's a pool without a ledge. – “I can but I will not ... - I am here! I want to die and die where I've touched my heart...

Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing freedom of look and intuition, seeking aesthetic challenges linked to the observation of the image in subjects such as: solitude, reflections of emptiness and behavior. Awarded by The Art of Intuitive Photography in NY for 4 times, Pico also find his work in the permanent collections of: The Rio Art Museum (MAR), Museum of Modern Art of Bahia (MAM-BA) and Museum of Photography of Fortaleza among other international collections. Having contact with a work of art has to be transformative. This photographic essay by Pico Garcez leads us to this, puts the gaze, sees and sees in constant dispute. The meaning is hidden and this leads us to be co-authors. In Pico's UNCONSCIOUS-NEST, work is not the aesthetics or the colors that speak the most, instead they fog our critical eye, trying to distract us in the central core of which it treats. It is an experience to observe these images. Pico puts us & leaves us in a void where our own inner solitude surfaces - Not having to share with. Where is life, if not ours? We are part of this work for empathy, and in that, Pico was generous - letting us in. UNCONSCIOUS-NEST is not a geographical place, instead it lives in us and everywhere. It shows what we've done for ourselves - it's a pool without a ledge. – “I can but I will not ... - I am here! I want to die and die where I've touched my heart...

'Bay boys' Dubrovnik, Croatia 2014 Limited edition of 20.

'Ultramarine night' Klaipeda, Lithuania 2022 Limited edition of 20. Giclée pigment method print on Hahnemühle photo rag baryta 308 gsm fine art paper. Photograph is signed, stampe...