Andy Warhol

Pistol

1981

Andy Warhol began using the big-shot Polaroid camera in 1971 and continued using it religiously until his death in 1987. Despite the camera being discontinued in 1973, he continued t...

Robert Mapplethorpe (1946 - 1989) helped elevate photography to be considered fine art in the 1970s thanks to his uncompromising images rich in contrast, from beautiful to brutal and elegant to uninhibited. Mapplethorpe’s career was as glittering as it was controversial. Feted and vilified in equal measure, he ran a successful commercial studio (for portraiture and fashion photography) while simultaneously producing some of the most contentious (and beautiful!) images of the 20th century. His depictions of gay sexuality (including S&M and bondage) provoked a fierce backlash both at the time of their creation and well into the 1990s and beyond. This unique polaroid dates from when Mapplethorpe began to focus on pure photography, abandoning the collages of the first chapter of his career. It is also a foreshadowing of his curiosity and pursuit of New York's S&M scene. This unique polaroid features an opened bottle of Moët-Chandon with a sharp blade emerging from the neck. Typical of Mapplethorpe, there is his signature balance of formalist qualities, foreboding references, with a touch of sexuality and violence. Mapplethorpe's style is instantly recognizable: simple forms set against neutral backgrounds, a razor-sharp focus, and opulent, tonal gradations ranging from inky, velvety black to luminous silver-white. Although this is a unique polaroid, its sibling is in the permanent collection of the Museum of Modern Art, New York. We believe that our example is superior to the two; the label is mostly concealed which intensifies the shapes and composition. Robert Mapplethorpe mounted over fifty solo exhibitions during his lifetime, including numerous museum shows in the USA, Europe, and Japan. Since his death, his work has continued to be exhibited and acquired by major international art institutions. Questions about this artwork? Contact us. "Untitled" (Moet Blade) USA, 1972 Unique polaroid. Annotated 'PD 708' in pencil in an unknown hand on the verso. Original stamp from Mertens Framers. 4.5”H 3.4”W (image) 15"H 8"W (framed) Very good condition. Detailed condition report by request Provenance: Xavier Hufkens...

Arthur Felling, better known as Weegee (1899-1968) is America's premiere photojournalist and one of the last century's most influential photographers. He would become famous, beyond...

Innovative, provocative, inimitable - these are just a few of the words to describe America's boldest photographer. Arthur Fellig, better known as Weegee (1899-1968) was a ground-breaking, successful (and notorious) photojournalist. His images shot on the streets of New York City are iconic and influential. In the 1930s he became the first New York City press photographer to obtain permission to install a police radio in his car. This allowed him to follow the city's first responders and to document their duties; responding to fire, crime, debauchery and of course, murder. By the early 1940s Weegee was experiencing fatigue with crime reportage. Ironically, this was also the point when he finally began experiencing professional validation and acclaim, to the point of being a minor celebrity. Notably in 1941 he was included in The MoMA's seminal "50 Photographs by 50 Photographers" (curated by Edward Steichen). The museum would also acquire five Weegee photographs...

While many first associate Weegee (aka Arthur Fellig) with New York City crime scenes, perhaps a broader and more consistent theme is that of spectacle and/or urban entertainment. The origins of his nick-name and reputation date back to the 1930s when he became the first New York City press photographer to obtain permission to install a police radio in his car. Following the city's first responders and documenting their duties, Weegee had unprecedented access to New York’s fires, crimes, debaucheries and of course, murders. During the first decade of his career these unflinching urban tragedy or crime images paid Weegee's bills, but as he became more financially independent he was more inspired to pursue photographs on his own agenda. While his oeuvre is vast, Weegee was especially drawn to entertainment: nightlife, circuses, the theatre, showgirls, city thrills, the cinema etc. Some of Weegee's most dynamic and tender (and under-appreciated!) images are related to simply having fun (in a crowd). He was not confined to one neighbourhood or demographic. He captured action, faces and events from Coney Island to the Bowery and Greenwich Village, to Times Square and Harlem. In “A Trip To Mars,” Weegee depicts a multi-generational group crowding around a large telescope...

Weegee (1899-1968) was equally fascinated and inspired by cinema and all of its tangents, from Hollywood movie stars to ordinary civilians going to the movies. While Weegee is typically associated with crime/disaster images, the broad theme of "entertainment" is a major component of his oeuvre. An interesting and provocative sub-genre of his cinema-related work are his images of couples (often heavy-petting) in movie theatres. Recent scholarship has established that many of Weegee's supposed clandestine images were actually staged or arranged with friends or co-operative strangers. Nevertheless, Weegee created these photographs in the dark with an array of clever techniques including infrared film, filtered flashbulb and triangular prism lens. Employed in shots such as this one, the prism lens would allow the artist to “see around corners,” useful at times when his subjects were in compromising locations. These images of kissing couples, Weegee wrote in 1959, were “his best seller, year in and year out.” "Sailor and GIrl at the Movies...

Rare Vintage Silver Gelatin and Polaroid Photograph Prints in Polaroid Photo Album. These measure 10 x 8 4.25 x 3.25. it is a folder titled on it Custom Print by Polaroid the album i...

Caddy Tailfin Archival pigment print on canvas 60 x 96 inches Edition of 10 AMERICANA "From rural Montana to the Manhattan skyline at dawn, from a New Mexico cowboy...

"Hollywood Sign" is a photomosaic artwork by Destro. This image is made up of 100's of smaller images of Hollywood related imagery. Exhibition Poster from series "The ICONS" Destr...

"Brando" is a photomosaic artwork by Destro. Exhibition Poster from series "The ICONS" The first release in a series mosaic works called "Icons". Destro has created large prints w...

"Dr Dre The Chronic Cassette" is a photomosaic artwork by Destro. This image is made up of 100's of smaller images of Dr Dre imagery. Archival photographic paper Signed edition of...

"Natalia Makarova " is an gelatin print , silver bromide, numbered and signed photograph offered to " serge Lifar " by Max Waldman . Artist proof . Ser...