Fernando Natalici

Girl With A Gun Patti Astor East Village, 1977 (Amos Poe The Foreigner)

printed later

Leni Sinclair John Lennon & Yoko Ono photograph Detroit, 1972: Photographed by legendary Detroit photographer Leni Sinclair, 2016's Kresge Foundation's Eminent Artist of the year (See The Guardian UK Photo Section, Jan. 28, 2016). Archival Inkjet Print. 11x14 inches. Hand signed, titled & dated in ink on the lower margins. Very good overall condition. Obtained directly from artist. Dealer is a primary representative of Leni Sinclair. About Leni Sinclair: A recognized leader of the 1960s-70s counter cultural movement in Detroit and a trusted documenter of the rock n’ roll scene of that same era, Leni Sinclair is known for her vivid photographs which captured faithfully the raw drama that unfolded before her lens. But she may be best known for capturing the raucous rock n’ roll scene of that era, including photographs of such rock legends as Jimi Hendrix and Janis Joplin, and jazz icons such as Miles Davis and Sun Ra. Focusing her lens on musicians and fellow activists from nightclubs to festivals to street demonstrations, Sinclair captured a pivotal era in American history when art and politics intertwined. Some of her photos – including shots of jazz saxophonist John Coltrane and of Nigeria’s rebel music star Fela Kuti – are among the most widely known of their subjects. What seems, at first glance, to be candid scenes featuring musicians, activists, party goers and demonstrators, read together as a more powerful story: that of an American society where art and politics were inextricably intertwined. Of recent notoriety Sinclair was exhibited at Detroit’s MOCAD (Museum of Contemporary Art Detroit) as part of her first major U.S. solo museum exhibition, “Moto City Underground”. The 80-year-old artist, author and social justice organizer still lives in Detroit, where she married politically active poet and jazz critic John Sinclair...

"Basquiat knew funk, jazz and what was up. How many people were equally versed in Miles Davis and Funkadelic, Charlie Parker and Bootsy Collins, Thelonious Monk and the JBs?" (Glenn O'Brien, 'Gray Matters...

RUN DMC at KIT KAT CLUB, New York City circa 1995 by heralded NY underground photographer Fernando Natalici. Notes Natalici: "I was taking pictures of DMC backstage prior to the show for the club and asked RUN if I could go on the stage for 2 minutes and get some shots showing the audience reaction, he said: right side, during “Walk This Way'... and the rest is history." Archival inkjet print. Dimensions: 20 x 16 inches Excellent overall condition. Hand-signed & numbered on the reverse from a limited edition of 20. Obtained directly from artist. About Fernando Natalici New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art scene of the mid/late 70's and early 80's. Natalici’s portfolio includes sought after images of a young Patti Smith, Blondie, Talking Heads, Keith Haring, The Ramones and more. As an Art Director, Fernando has played a key role in creating memorable visuals for historic NY venues such as CBGB's, The Mudd Club, Area and Danceteria. Fernando’s art design featured in the Jeffrey Deitch curated show “Area” at The Hole Gallery NYC in 2013, with his film stills from "Unmade Beds" & "The Foreigner"- two of the most significant underground films of the 1970’s New York Punk scene, exhibited at The Museum of The Moving Image in 2015. Recent Publications & Exhibits Jim Jarmusch: Music, Words & Noise (2015) Another Magazine (London, 2014) Black Book (2014) Curbed NY (2014) Photography Now (2013) The Museum of The Moving Image (New York, 2015) The Hole Gallery NYC (New York, 2014) The Chelsea Hotel (New York 2013) New York University Tisch School of The Arts (2013) _ Run-DMC was an American hip hop group from Hollis, Queens, New York, founded in 1981 by Joseph Simmons, Darryl McDaniels, and Jason Mizell. Run-DMC is widely acknowledged as one of the most influential acts in the history of hip hop culture and one of the most famous hip-hop acts of the 1980s. Along with LL Cool J, The Beastie Boys, and Public Enemy, the group pioneered new school hip-hop music. Run-DMC was the first group in the genre to have a gold album (Run–D.M.C., 1984) and be nominated for a Grammy Award. They were the first to earn a platinum record...

"Schnitzel Please!" This timeless, charming photo of a town favorite Dresden Dog, was captured by New York based photographer Fernando Natalici in Germany in 1999. Archival Inkjet ...

Sunday Coffee, New York, NY 1996 photographed by downtown New York art scene photographer, Fernando Natalici. Archival Inkjet Print, 13 x 19 inches including borders. Hand signed o...

Jean-Michel Basquiat Photograph by Nick Taylor of Gray: This rare Basquiat photograph was taken from Nicholas Taylor’s well-documented portfolio exploring his friendship with Jean-Michel Basquiat - a friendship which began when both collaborated on the historic New York No Wave band, “GRAY” in the late 1970s; before the two briefly lived together in the East Village. Selections from Taylor's portfolio were most notably exhibited as part of the Basquiat retrospective at London's Barbican in 2017 and have been featured in numerous noteworthy publications on Basquiat. "Basquiat knew funk, jazz and what was up. How many people were equally versed in Miles Davis and Funkadelic, Charlie Parker and Bootsy Collins, Thelonious Monk and the JBs?" (Glenn O'Brien, 'Gray Matters,' GQ, 2011) Archival Inkjet Print. 11 x 14 inches (including borders). Edition of 50. Arrives signed, titled and numbered by Taylor on the reverse. Excellent overall condition. Provided directly by artist. Lot 180 Gallery NY is an authorized dealer rep of Nick Taylor. Related exhibitions featuring this work: Basquiat: Boom for Real; Barbican London; September 2017-January 2018. Museum of the City of New York (NY, New Music: 1980-1986): 2021. Montreal Museum of Fine Arts (Seeing Loud: Basquiat and Music): 2022. Nicholas Taylor (American, b. 1953) is a renowned photographer and musician. Taylor moved to New York in 1977 to pursue a career as a photographer and it was through the vibrant New York art scene that he came to know the young artist, Jean-Michel Basquiat. It was, in fact, his intimate portfolio of photographs documenting his friendship with Basquiat that rocketed Taylor to fame. The two would collaborate in the No Wave band “Gray” before Taylor launched a successful career as a DJ famous for track-looping (named "DJ High Priest" by Basquiat). His track “Suicide Mode” would later be used in the soundtrack for Julian Schnabel’s 1996 film “Basquiat." Exhibitions: Basquiat: Boom For Real at the Barbican Centre, London (9/21/17- Present) Literature/Catalog Raisonne: Basquiat: Boom For Real (Eleanor Nairne/Dieter Buchart) Jean-Michel Basquiat: King For A Decade (Taka Kawachi) Jean-Michel Basquiat: 1981, Studio of The Street (Diego Cortez) For further history on Basquiat & his group Gray, please see: "Gray Matters," by Glenn O'Brien (GQ magazine, 4/21/11) "We formed a band: Jean-Michel Basquiat and the New York noise underground," The New Statesman, 9/29/17 "Bowie, Bach and Bebop: How Music Powered Basquiat" (New York Times 9/22/17) Glenn O'Brien, "Gray Matters," GQ Magazine April, 2011: "Gray’s approach to music was having heard music, to approach instruments and sound systems the way one would pick up a strange machine and try to intuit its operation and function. Since Basquiat didn’t know guitar technique, it seemed like a good idea to play one with a steel file. Michael Holman discovered that you could achieve a very nice effect by pulling masking tape off the skin of a snare drum... And then there was the clarinet that Basquiat liked to walk around with, that was as much a scepter and wand as wind instrument. This utterly charming 27-track album is chock full of the road not taken, which sounds so right just now. It is refreshingly stripped of flagrant virtuosity but it is conceived brilliantly, played perfectly, and arranged impeccably... If a wine can have notes of chocolate, leather, licorice, and tobacco, then this record can have notes of William DeVaughn, Willie Hutch, Marcel Duchamp, Larry Coryell, the Modernaires, Sergio Mendez...

Artist: Robert Silvers, American (1968 - ) Title: One Dollar Bill Year: 2010 Medium: Digital Photomosaic on Fuji Crystal Archive mounted on aluminum Edition: 10 Size: 27 x 63 in. (68...

Hand signed, dated and numbered by the artist. Published by Hatje Cantz Verlag, Berlin. Image: 21.75 x 15.75 in. Sheet: 23.875 x 17.875 in. Frame: 32.5 x 26.5 in. Artwork is in exce...

Artist: Sally Davies (1956) Title: Lexington, Kentucky, Jim Gray Collection Year: 2022 Medium: Inkjet print on archival paper Edition: 12, plus proofs Size: 1...

Artist: Sally Davies (1956) Title: Karaoke (New York City) Year: 2022 Medium: Inkjet print on archival paper Edition: 23, plus proofs Size: 17 x 22 inches Condition: Excellent Inscri...

Artist: Sally Davies (1956) Title: West 54th Street (New York City) Year: 2022 Medium: Inkjet print on archival paper Edition: 12, plus proofs Size: 17 x 17 inches Condition: Excelle...

Artist: Sally Davies (1956) Title: Delancey Street, F (New York City) Year: 2022 Medium: Inkjet print on archival paper Edition: 12, plus proofs Size: 17 x 17 inches Condition: Excel...