Jerry Schatzberg

Wall Street

1958

From creator of poetic images to compelling storyteller, Jerry Schatzberg has, over the past three decades, excelled in both the realms of photography and filmmaking. Published in Vo...

A Cadillac with Florida plates parked outside the Carlton Hotel, Cannes, France, circa 1955. Estate stamped and hand numbered edition of 150 with certificate of authenticity from th...

Chancellery Graffiti, 1945 Silver gelatin print 30 x 30 inches Edition of 150 1945: Graffiti on the wall of Hitler’s chancellery shortly after his death. The men are Life photographers Hank...

Waiters carrying half bottles of champagne set off on the annual waiters' race from Soho Square to Greek Street, in London's Soho, 1955 Estate stamped and hand numbered edition of 1...

Sex Pistols, Luxembourg, 1977 Silver gelatin print 40 x 50 inches Signed and numbered edition of 75 (L-R) Johnny Rotten, Sid Vicious, Steve Jones and Paul...

Andy Warhol and John Lennon, NYC, 1972 Silver gelatin print 40 x 50 inches Signed and numbered edition of 75 John Lennon and Andy Warhol talking at The Record Plant, NYC. April 13, ...

Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlie...

Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlier series of drawings Nenad made of N...

Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlie...

Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlier series of drawings Nenad made of Notto wearing parts of the deconstructed wedding dress during his figure drawing study in Michael Markowitz’s 23rd Street studio in San Francisco. The hoop skirt serves as an augmentation device, a skeletal extension meant to alter the visual perception of the human form. To realize the full associative power of the hoop, Amodaj created a counter-shape to the hoop, a white sphere (the Ball) made from plaster strips, to match the cloth texture and placed it in a dynamic relationship with his model. Notto improvised the poses from Nenad’s drawings in constant slow motion. The whole project was done in two 3-hour sessions with no rehearsals and no replays. The minimalistic setting, uniform lighting, and central vantage point shift perception from a trivial reality to a metaphysical one. The intent was to induce the spectator to spontaneously alternate between the three aspects: the human form, the symbolic function of the skirt, and the geometry of the cone and sphere. The spontaneity of dynamic poses and the imperfections of a handheld camera balance this sparse imagery. The exhibition presents a selection of 15 photographs from a project collection of over a hundred. Most of the series are gelatin-silver prints from a 35 mm film, with a few exceptions for large-scale digital color prints. Amodaj was influenced by the work of Bernd and Hilla Becher's typologies of industrial buildings and František Drtikol’s nudes. In the spirit of Becher’s “typologies,” Amodaj’s Hoop and Ball series of photographs explores endless mutations of the hoop skirt architecture, a clothing item with a curios geometric form that can be classified as a “flexible cone.” It is a form that appears both in nature and in artifice: flowers, bells, horns, nuclear power plants...

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...

Each year, Robin Rice celebrates a Salon style exhibition to showcase her gallery artists and invite new ones. With Robin’s extensive experience as a gallery curator, all Robin Rice...