Norman Parkinson

New York, New York, Go Magazine

c. 1960-65, printed later

Ed. of 21, estate-stamped. Includes black frame with white mat. Norman Parkinson was the preeminent fashion photographer in Great Britain from the late 1930s until his death in 1990...

Ed. 33/50, hand-signed and numbered by Terry O'Neill. Includes black frame with white mat. Terry O’Neill CBE is one of the world’s most collected photographers with work hanging in ...

Ed. 25/50, unframed print. Hand-signed and numbered by Terry O'Neill. Terry O’Neill CBE is one of the world’s most collected photographers with work hanging in national art gallerie...

AP from an Ed. of 20, includes black frame. Garry Winogrand is widely considered to be one of the most renowned street photographers of the 20th century, known, in particular, for h...

Signed in pencil on verso, includes thick decorative black frame with white mat. Garry Winogrand is widely considered to be one of the most renowned street photographers of the 20t...

Ed. of 5, includes black frame with white mat. "Seaweed Man" was taken during a scheduled fashion shoot. The model spontaneously placed seaweed across his face, creating an unexpected mysterious scene. Vincent Ricardel...

Gelatin silver print (Edition of 50) Signed, titled, dated, and numbered in pencil, verso This artwork is offered by ClampArt, located in New York City.

ALBERT WATSON (*1942, Scotland) Monkey with Gun, New York City 1992 Vintage Silver Gelatin Print, Unique Image 36 x 28 cm (14 1/8 x 11 in.) Sheet 61 x 50.8 cm (24 x 20 in.) Frame 62 ...

Robert Stivers. Hands, 2001. Unique gelatin silver print.

Robert Stivers. Dancer, 2006. unique one-of-a-kind gelatin silver print.

A camera is a window through which a photographer interacts with the world, and it's up to the operator to decide whether his camera will be a barrier or a mirror between he and his subjects. In the 1970s, Michael Abramson chose the latter path when he brought his camera to Pepper's Hideout on Chicago's South Side. Following in the footsteps of his acknowledged influence Gyula Halász, a Hungarian photographer better known as Brassaï who became the pre-eminent chronicler of the Paris nightlife he loved so much, Abramson initiated himself into the nightlife of Chicago's predominantly black neighbourhoods. He was very much a part of the scene he documented on film, drinking, laughing, and dancing with his subjects into small hours and becoming as much a part of the atmosphere as the locals who frequented the same nightspots he did. - Joe Tangari (Numero Group, 2009) This series won Abramson a grant from the National Endowment for the Arts in 1978 and launched his career as a photojournalist. Eventually the project resulted in a hardbound book, Light: On the South Side, including the Grammy and Mojo nominated album, featuring Chicago blues...

Mikael Siirilä Helsinki, Finland, 2017 Handmade silver gelatin print. The fibre-based photograph is tea-toned, stamped, signed and numbered in pencil o...