Susan AurinkoStreet Smart, Prague2019
2019
About the Item
- Creator:Susan Aurinko (American)
- Creation Year:2019
- Dimensions:Height: 20 in (50.8 cm)Width: 16 in (40.64 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Chicago, IL
- Reference Number:1stDibs: LU38836269501
Susan Aurinko
Susan Aurinko is an American photographer and curator, who has shown her work in solo exhibitions in France, Italy, India and the US. Her book exhibition about India, titled STILL POINT INDIA, which opened in February 2013, at Kriti Gallery, in Varanasi, toured India’s largest cities and is now available as a book. In 2007, the proposed cover image for the book, STILL POINT INDIA won both a Jury and a Public Choice award from Px3, in Paris. Aurinko’s work appears on several book covers, including The Stranger Among Us, Ariel, Scar Tissue and Slut Lullabies and four of her photographs are included in the Museum of Contemporary Photography’s permanent collection. Also, many of her images hang in private collections in France, Italy, India, Monaco, the UK and across the US.
- ShippingRetrieving quote...Ships From: Chicago, IL
- Return PolicyA return for this item may be initiated within 2 days of delivery.
- Frank Sinatra - Me and My ShadowBy Nancy Sinatra Sr.Located in Chicago, ILPortrait of Frank Sinatra circa 1939. Taken at their apartment on Garden St, Hoboken, NJ. Photo by Nancy Sinatra Senior. This striking photo is one of the family’s favorites. This is...Category
1930s Contemporary Black and White Photography
MaterialsRag Paper, Archival Ink, Giclée
- Frank Sinatra - Live at The SandsLocated in Chicago, ILLive at The Sands – Frank Sinatra circa mid 1950s. Performing at the Copa Room, Sands Hotel. Las Vegas, NV. Giclee 300gsm smooth archival rag paper and archival ink Each fine print...Category
21st Century and Contemporary Contemporary Black and White Photography
MaterialsRag Paper, Archival Ink, Giclée
- Frank Sinatra Heading Home - Estate StampedLocated in Chicago, ILHeading Home – Frank Sinatra circa 1953 getting into his Cadillac. Hollywood, CA. Giclee 300gsm smooth archival rag paper and archival ink Each fine print is numbered and embossed ...Category
21st Century and Contemporary Contemporary Black and White Photography
MaterialsRag Paper, Archival Ink, Giclée
- Frank Sinatra - Relaxing on Tour - Estate StampedLocated in Chicago, ILRelaxing on Tour – Frank Sinatra circa April 1962 at a stop on his 30 stop World Tour for Children. They stopped in Honolulu, HI on the way to the first concerts in Japan. This was f...Category
21st Century and Contemporary Contemporary Black and White Photography
MaterialsRag Paper, Archival Ink, Giclée
- Frank Sinatra Driving HomeLocated in Chicago, ILDriving Home – Frank Sinatra circa 1950 driving his Cadillac. Hollywood, CA. From Sinatra Family Archive Giclee 300gsm smooth archival rag paper and archival ink Each fine print i...Category
21st Century and Contemporary Contemporary Black and White Photography
MaterialsArchival Ink, Rag Paper, Giclée
- Frank Sinatra - Shoot Me Shooting YouBy Nancy Sinatra Sr.Located in Chicago, ILShoot me Shooting you – Frank Sinatra at home in Toluca Lake, CA. Circa mid-1940s. Sinatra always had a camera and was often experimenting with them, here Nancy Sinatra Senior catche...Category
21st Century and Contemporary Contemporary Black and White Photography
MaterialsArchival Ink, Rag Paper, Giclée
- Gondola, Canal Grande, Venice, black and white fine art cityscape photographyBy Gerald BerghammerLocated in Vienna, ViennaBlack and white fine art long exposure cityscape - landscape photography. Gondola on the Canal Grande at sunrise Venice, Italy. Archival pigment ink print, edition of 7. Signed, titl...Category
2010s Contemporary Black and White Photography
MaterialsArchival Paper, Giclée, Digital Pigment, Photographic Film, Black and Wh...
- Still Lives n. 3Located in Milano, MIThe “Still Live” photographs” are a manifesto of slowness, of the pleasure of observation, of recovery of reflection. Giangiacomo Rocco di Torrepadula takes an everyday object from his household, one that appears to no longer be useful because it is old, broken or only kept for its sentimental value. He places it in a space and makes use of his monorail camera. Before taking the shot, he studies the object calmly, engaging in an intimate dialogue with it until he finds a view that gives it a new life. It is hard to get it right the first time. All the various attempts are measured, calculated, slow. Speed does not belong to the monorail camera. Each attempt is well thought out, then developed in a darkroom and scanned using a special technique to bring out the image. It can take several days to get the right result. But these are days that have the pleasure of slowly rediscovering a past that you somehow manage to reclaim. Here, we are a long way away from the execution speed typical of digital and even further away from the frenetic exploitation of images on social media. The result is an image that erupts with its wealth of detail, which is especially explosive when printed in large format. The object becomes seductive, often turning into something else entirely, that may not be immediately perceptible. The perspective, the details, the light, all stimulate the observer to actively participate in this new vision. Far from being a nostalgic interpretation, the work leads the viewer to investigate the form, to pause, to observe the details, to get lost in the haziness, and in so doing, to regain possession of their time in a gesture of profound observation. In this hectic, busy, fast-paced world, nothing ever stops making sense...Category
2010s Contemporary Black and White Photography
MaterialsBlack and White, Inkjet
- Still Lives n. 5Located in Milano, MIThe “Still Live” photographs” are a manifesto of slowness, of the pleasure of observation, of recovery of reflection. Giangiacomo Rocco di Torrepadula takes an everyday object from his household, one that appears to no longer be useful because it is old, broken or only kept for its sentimental value. He places it in a space and makes use of his monorail camera. Before taking the shot, he studies the object calmly, engaging in an intimate dialogue with it until he finds a view that gives it a new life. It is hard to get it right the first time. All the various attempts are measured, calculated, slow. Speed does not belong to the monorail camera. Each attempt is well thought out, then developed in a darkroom and scanned using a special technique to bring out the image. It can take several days to get the right result. But these are days that have the pleasure of slowly rediscovering a past that you somehow manage to reclaim. Here, we are a long way away from the execution speed typical of digital and even further away from the frenetic exploitation of images on social media. The result is an image that erupts with its wealth of detail, which is especially explosive when printed in large format. The object becomes seductive, often turning into something else entirely, that may not be immediately perceptible. The perspective, the details, the light, all stimulate the observer to actively participate in this new vision. Far from being a nostalgic interpretation, the work leads the viewer to investigate the form, to pause, to observe the details, to get lost in the haziness, and in so doing, to regain possession of their time in a gesture of profound observation. In this hectic, busy, fast-paced world, nothing ever stops making sense...Category
2010s Contemporary Black and White Photography
MaterialsBlack and White, Inkjet
- Cages /New YorkLocated in Milano, MIThe iconic buildings of modern architecture are wonderful. No doubt. Every single line is designed to create a result of power, glory, and undisputed beauty. Are you sure? … By quest...Category
2010s Contemporary Black and White Photography
MaterialsBlack and White, Inkjet
- Still Lives n. 2Located in Milano, MIThe “Still Live” photographs” are a manifesto of slowness, of the pleasure of observation, of recovery of reflection. Giangiacomo Rocco di Torrepadula takes an everyday object from his household, one that appears to no longer be useful because it is old, broken or only kept for its sentimental value. He places it in a space and makes use of his monorail camera. Before taking the shot, he studies the object calmly, engaging in an intimate dialogue with it until he finds a view that gives it a new life. It is hard to get it right the first time. All the various attempts are measured, calculated, slow. Speed does not belong to the monorail camera. Each attempt is well thought out, then developed in a darkroom and scanned using a special technique to bring out the image. It can take several days to get the right result. But these are days that have the pleasure of slowly rediscovering a past that you somehow manage to reclaim. Here, we are a long way away from the execution speed typical of digital and even further away from the frenetic exploitation of images on social media. The result is an image that erupts with its wealth of detail, which is especially explosive when printed in large format. The object becomes seductive, often turning into something else entirely, that may not be immediately perceptible. The perspective, the details, the light, all stimulate the observer to actively participate in this new vision. Far from being a nostalgic interpretation, the work leads the viewer to investigate the form, to pause, to observe the details, to get lost in the haziness, and in so doing, to regain possession of their time in a gesture of profound observation. In this hectic, busy, fast-paced world, nothing ever stops making sense...Category
2010s Contemporary Black and White Photography
MaterialsBlack and White, Inkjet
- Still Lives n. 4Located in Milano, MIThe “Still Live” photographs” are a manifesto of slowness, of the pleasure of observation, of recovery of reflection. Giangiacomo Rocco di Torrepadula takes an everyday object from his household, one that appears to no longer be useful because it is old, broken or only kept for its sentimental value. He places it in a space and makes use of his monorail camera. Before taking the shot, he studies the object calmly, engaging in an intimate dialogue with it until he finds a view that gives it a new life. It is hard to get it right the first time. All the various attempts are measured, calculated, slow. Speed does not belong to the monorail camera. Each attempt is well thought out, then developed in a darkroom and scanned using a special technique to bring out the image. It can take several days to get the right result. But these are days that have the pleasure of slowly rediscovering a past that you somehow manage to reclaim. Here, we are a long way away from the execution speed typical of digital and even further away from the frenetic exploitation of images on social media. The result is an image that erupts with its wealth of detail, which is especially explosive when printed in large format. The object becomes seductive, often turning into something else entirely, that may not be immediately perceptible. The perspective, the details, the light, all stimulate the observer to actively participate in this new vision. Far from being a nostalgic interpretation, the work leads the viewer to investigate the form, to pause, to observe the details, to get lost in the haziness, and in so doing, to regain possession of their time in a gesture of profound observation. In this hectic, busy, fast-paced world, nothing ever stops making sense...Category
2010s Contemporary Black and White Photography
MaterialsBlack and White, Inkjet