Cheryl Medow

Grey Crowned Cranes

2014

Edition of 10 Signed and numbered in pencil, and blind stamp on print margin. Signed, titled, dated and print type in pencil on print verso. Paper size: 25 x 20 in., Image size: 20 x...

Edition of 10 Signed and numbered in pencil, and blind stamp on print margin Signed, titled, dated, and print type in pencil on print verso. Paper size: 21 x 24 in., Image size: 16 x...

Ed of 3 Archival pigment print Image size: 44 x 66 in. Signed, titled, dated, and numbered. Series: Standing Together: Photographs of Inez Milholland’s Final Campaign For Woman’s Suf...

Edition of 15 Signed, titled, and dated. Bill Kennedy is an American photographer and printmaker. His photographs are glimpses of a traditional American landscape. The most well kn...

Edition of 15 Signed, titled and dated.

Bronte, Texas by Peter Brown depicts an empty theater found in a West Texas town. The theater is painted white with accents of bright red and yellow. "Texas" is painted above the doors of the theater, and a large yellow star rests in between two windows. Bronte, Texas by Peter Brown is listed as a 20 x 24 inch archival pigment print, available in an edition of 25. This photograph is signed and dated by Peter Brown. This photograph is published in Peter Brown's book, West of Last Chance in 2008. This photograph is also available in additional sizes, limited to a single edition of 25 prints. Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art. His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...

Photographer Mitchell Funk revisits many popular tourist locations and shoots them in a way that perhaps millions of tourists never imagined. In "Billionaires Row from Central Park Reservoir...

The Flatiron is New York's Architectural masterpiece and is depicted in this dramatic photograph as a towering presence as it's rendered in hard light against a surreal sky. Signed ...

A dramatic seascape with golden seas complemented by an equally golden sky is depicted with a child seen from the back gazing out into infinity. The viewer can read into it what he/...

In 1984 Life Magazine was in full stride. Their photo editors sent photographers on location to document stories visually. At the US Army Munitions Depot, Edgemont, South Dakota, Mit...

While on assignment in 1980 for a Life Magazine story on drought in Texas, Mitchell Funk encountered this vast landscape near Wichita Falls. A windmill with a wood fence and barn...

Pioneering SciFi photographer Mitchell Funk experiments with altered realms of reality by juxtaposing two landscapes of unnatural color to form a never-before-seen original vision. A single silhouetted figure looks out on a day-glow yellow sea leading to a dreamscape of trees. The yellow of water is picked up in the trees to unify the different perspectives. Published Popular Photography Magazine, February 1976...