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Gina SodenWhite Villa by Gina Soden - Photography, interior of abandoned building, Italy2015
2015
About the Item
White Villa is a limited-edition photograph by British contemporary artist Gina Soden.
This photograph is sold unframed as a print only. It is available in 2 dimensions:
*80.2 × 80.2 cm (31.6 × 31.6 in), edition of 10 copies
*132 × 132 cm (52 × 52 in), edition of 3 copies
All prints are signed and numbered.
Contact us regarding framing options.
This photograph was taken inside a deserted Italian villa from the 18th century.
The photographic work of Gina Soden is incredibly poetic. She manages to give these unusual places a beauty they’ve either lost or never had to start with. With her pictorial treatment and a lyrically artistic approach the artist awakens a magic that inhabits these places and embellishes them, through her detailed compositions, with a triumphant aspect. The colours astonish, the light, almost divine, bedazzles and the haunting disorder of these places seems somehow to be appeased.
- Creator:Gina Soden (1985, British)
- Creation Year:2015
- Dimensions:Height: 31.58 in (80.2 cm)Width: 31.58 in (80.2 cm)
- More Editions & Sizes:132 × 132 cm (52 × 52 in), edition of 3 copies.Price: $5,070
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU803114132672
Gina Soden
Gina Soden, artist and photographer, is available at Wychwood Art. At the heart of Gina Soden’s photography is a preoccupation with abandoned structures and locations. Based in London, she travels widely to undisclosed sites throughout Europe and explores the boundaries of beauty, decay, nostalgia and neglect. The genesis of each piece is often the unique architectural character of each location, heightened by their painfully slow transformation after years of abandonment.
About the Seller
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- ShippingRetrieving quote...Ships From: Reading, United Kingdom
- Return PolicyA return for this item may be initiated within 14 days of delivery.
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