Items Similar to Officer's Wives Club - Contemporary, 21st Century, Polaroid, Figurative
Want more images or videos?
Request additional images or videos from the seller
1 of 9
Stefanie SchneiderOfficer's Wives Club - Contemporary, 21st Century, Polaroid, Figurative1999
1999
About the Item
Officer's Wives Club (29 Palms, CA), diptych - 1999
Edition of 23/25,
40x40cm each, installed 40x87cm, including gap.
2 Analog C-Prints, hand-printed by the artist, based on the 2 Polaroids.
Signed on back with Certificate.
Artist inventory number: 316.
Mounted on Aluminum with matte UV-Protection.
29 PALMS, CA is a film / art piece that explores and chronicles the dreams and fantasies of a group of individuals who live in a trailer community in the Californian desert. The world depicted in the film is inspired by the photographs of German artist Stefanie Schneider in that it combines the notions of reality and fantasy and
explores the resonance of both within a desert landscape and a transient culture. The characters portrayed in the film, (an actress, a singer, a DJ, a motel owner and his wife, a US army soldier, a mystic, a princess, a recluse, a movie ticket seller, two hitchhikers, a doctor, and so on), are to be played by both actors and non-actors. The story is constructed through the interpretation of real-life communications (i.e. phone calls, emails, conversations) that have taken place as the individuals depicted in the story try to make sense of events that have occurred in real life. In this sense, the story is, in part, a biography and social commentary, and the characters are the exaggerated alter egos of the individuals who play them. The structure of the plot is fairly simple. An actress working as a telemarketer is inspired by a singer who is new to town and is featured on the local radio station. The radio station runs a program for lonely hearts and a charismatic DJ uses the show to reveal the hopes and dreams of the town's “hottest women”. One night a panicked German female caller captivates the community with a painful story about a sexy “Smoke Jumper” (a mysterious and super real alpha male). Everybody in town is listening to the program and nobody is quite sure what to say. Life in general continues and we witness and explore the various interactions. The actress meets the singer and they become famous. The US Army soldier dies on his way to battle. The foreign princess discovers that the jewels she has come to sell are fake. The motel owner‘s wife has an affair with the pool boys and so on. All the while the community is united by their loyalty to the “Lonely Hearts” radio show and through the disturbing revelations of the German woman and the details of her sordid affair. The stories she tells are explored through the imaginations of the listeners and through the memories of the teller. The smoke jumper becomes a pervasive figure who in some way affects the lives of all those who listen to the story. He seduces women, is linked to a local thievery, a rape and a possible death. The story comes to conclusion when this chaotic character quits town leaving in his wake a trail of destruction and despair. What is left is a void, a space for transformation as the wounded community rediscovers itself in its quest to make sense of what has happened. A defining feature of the project is the use of still images and the use of voice-over. Characters talk to us / themselves / you about their ambitions, memories, hopes, fears, and dreams. The project is to be shot using a mix of super 8 film stock and Polaroid images.
- Creator:Stefanie Schneider (1968, German)
- Creation Year:1999
- Dimensions:Height: 15.75 in (40 cm)Width: 34.26 in (87 cm)Depth: 0.12 in (3 mm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Morongo Valley, CA
- Reference Number:
Stefanie Schneider
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018, 2019.
About the Seller
4.9
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1996
1stDibs seller since 2017
955 sales on 1stDibs
Typical response time: 4 hours
- ShippingRetrieving quote...Ships From: Cuxhaven, Germany
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- White Trash Beautiful I - 29 Palms, CA featuring Radha MitchellBy Stefanie SchneiderLocated in Morongo Valley, CAWhite Trash Beautiful I (29 Palms, CA) featuring Radha Mitchell - 1999 128x125cm, Edition 3/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based o...Category
Early 2000s Contemporary Color Photography
MaterialsArchival Paper, Photographic Paper, C Print, Color, Polaroid
- Accident II - with Ewan McGregor and Ryan Gosling, Polaroid, 21st Century, ColorBy Stefanie SchneiderLocated in Morongo Valley, CAA piece of art from the movie 'Stay' by Stefanie Schneider Stefanie created the art for both main actors Naomi Watts and Ryan Gosling in the movie 'Stay' directed by Marc Forster. S...Category
Early 2000s Contemporary Figurative Photography
MaterialsC Print, Color, Polaroid, Archival Paper, Photographic Paper
- Daisy in front of Trailer (Till Death do Us Part ) 48x47cm, + Soundtrack LPBy Stefanie SchneiderLocated in Morongo Valley, CADaisy in front of Trailer (Till Death do Us Part) - 2005 Edition 4/5, 48 x 47 cm. Analog C-Print, printed on Fuji Crystal Archive Paper, hand-printed by the artist, based on the Polaroid. Artist inventory 9250. Signature label and certificate. Not mounted. This Edition comes with the vinyl soundtrack of "Till Death Do Us Part" (directed by Stefanie Schneider), music by Daisy McCrackin. Stefanie Schneider’s Till Death Do Us Part or “There is Only the Desert for You.” BY DREW HAMMOND Stefanie Schneider’s Till Death to Us Part is a love narrative that comprises three elements: 1. A montage of still images shot and elaborated by means of her signature technique of using Polaroid formats with outdated and degraded film stock in natural light, with the resulting images rephotographed (by other means) enlarged and printed in such a way as to generate further distortions of the image. 2. Dated Super 8 film footage without a sound track and developed by the artist. 3. Recorded off-screen narration of texts written by the actors or photographic subjects, and selected by the artist. At the outset, this method presupposes a tension between still and moving image; between the conventions about the juxtaposition of such images in a moving image presentation; and, and a further tension between the work’s juxtaposition of sound and image, and the conventional relationship between sound and image that occurs in the majority of films. But Till Death Do Us Part also conduces to an implied synthesis of still and moving image by the manner in which the artist edits or cuts the work. First, she imposes a rigorous criterion of selection, whether to render a section as a still or moving image. The predominance of still images is neither an arbitrary residue of her background as a still photographer—in fact she has years of background in film projects; nor is it a capricious reaction against moving picture convention that demands more moving images than stills. Instead, the number of still images has a direct thematic relation to the fabric of the love story in the following sense. Stills, by definition, have a very different relationship to time than do moving images. The unedited moving shot occurs in real-time, and the edited moving shot, despite its artificial rendering of time, all too often affords the viewer an even greater illusion of experiencing reality as it unfolds. It is self-evident that moving images overtly mimic the temporal dynamic of reality. Frozen in time—at least overtly—still photographic images pose a radical tension with real time. This tension is all the more heightened by their “real” content, by the recording aspect of their constitution. But precisely because they seem to suspend time, they more naturally evoke a sense of the past and of its inherent nostalgia. In this way, they are often more readily evocative of other states of experience of the real, if we properly include in the real our own experience of the past through memory, and its inherent emotions. This attribute of stills is the real criterion of their selection in Til Death...Category
Early 2000s Contemporary Color Photography
MaterialsArchival Paper, Photographic Paper, C Print, Color, Polaroid
- Sunset II (Till Death do us Part) - Polaroid, Contemporary, 21st Century, WomenBy Stefanie SchneiderLocated in Morongo Valley, CASunset II (Till Death do us Part) 90x112cm, Edition 1/5, 2005 Analog C-Print print, hand-printed by the artist, based on a Polaroid. Signed on verso Artist Inventory No. 9495.01. ...Category
Early 2000s Contemporary Color Photography
MaterialsMetal
- Sunset (Till Death do us Part) - Polaroid, Contemporary, 21st Century, WomenBy Stefanie SchneiderLocated in Morongo Valley, CASunset (Till Death do us Part) 90x112cm, Edition 1/5, 2005 Analog C-Print, hand-printed by the artist, based on a Polaroid. Artist Inventory No. 9493.01. Mounted on Aluminum with...Category
Early 2000s Contemporary Color Photography
MaterialsMetal
- Boy with Silver Mask - Stay, 128x125cm, analog, not mountedBy Stefanie SchneiderLocated in Morongo Valley, CABoy with Silver Mask (Stay), 2006, 128x125cm, Edition of 1/5, analog C-Print, hand-printed by the artist, based on a Polaroid, not mounted, signature label and certificate, artist ...Category
Early 2000s Contemporary Figurative Photography
MaterialsColor, Polaroid, Archival Paper, Photographic Paper, C Print
You May Also Like
- Tyler Shields - Legs in the Gold Room, Photography 2024, Printed AfterBy Tyler ShieldsLocated in Greenwich, CTSeries: Indulgence Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 18" x 18" 30" x 30" 45" x 45" 60" x 60" 70" x 70" Editions of 3 + 2 Artist Proofs ...Category
2010s Contemporary Figurative Photography
MaterialsLuster, Paper, Archival Paper, Photographic Paper, C Print, Archival Pig...
- Tyler Shields - High heels (This is not a reflection), 2024, Printed AfterBy Tyler ShieldsLocated in Greenwich, CTSeries: Indulgence Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 18" x 18" 30" x 30" 45" x 45" 60" x 60" 70" x 70" Editions of 3 + 2 Artist Proofs ...Category
2010s Contemporary Figurative Photography
MaterialsLuster, Paper, Archival Paper, Photographic Paper, C Print, Digital, Arc...
- Tyler Shields - Strawberry, Photography 2024, Printed AfterBy Tyler ShieldsLocated in Greenwich, CTSeries: Indulgence Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 18" x 18" 30" x 30" 45" x 45" 60" x 60" Editions of 3 + 2 Artist Proofs Tyler Shi...Category
2010s Contemporary Figurative Photography
MaterialsLuster, Paper, Archival Paper, Photographic Paper, C Print, Digital, Arc...
- Tyler Shields - Pills, Photography 2014, Printed AfterBy Tyler ShieldsLocated in Greenwich, CTSeries: Mouths Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 20" x 30" 30" x 40" 40" x 60" 48" x 72" 63" x 84" Editions of 3 + 2 Artist Proofs Tyl...Category
2010s Contemporary Color Photography
MaterialsLuster, Archival Paper, Photographic Paper, C Print, Digital, Archival P...
- Tyler Shields - Odysseus, Photography 2015, Printed AfterBy Tyler ShieldsLocated in Greenwich, CTSeries: Sirens Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 20" x 30" 40" x 60" 48" x 72" 63" x 84" Editions of 3 + 2 Artist Proof The idea behi...Category
2010s Contemporary Color Photography
MaterialsLuster, Archival Paper, Photographic Paper, C Print, Digital, Archival P...
- Tyler Shields - Picnic, Photography 2018, Printed AfterBy Tyler ShieldsLocated in Greenwich, CTSeries: Suspense Chromogenic Print on Kodak Endura Luster Paper All available sizes and editions: 20" x 30" 30" x 40" 40" x 60" 48" x 72" 63" x 84" Editions of 3 + 2 Artist Proofs T...Category
2010s Contemporary Color Photography
MaterialsLuster, Digital Pigment, Archival Pigment, Digital, C Print, Photographi...
