Dina Litovsky

May, 2021, surrealist New York City street photography, limited edition

2021

During the height of New York City’s shelter-in-place order, Dina took to the streets of the East Village and surrounding neighborhoods after sunset, photographing the sudden absence...

During the height of New York City’s shelter-in-place order, Dina took to the streets of the East Village and surrounding neighborhoods after sunset, photographing the sudden absence...

During the height of New York City’s shelter-in-place order, Dina took to the streets of the East Village and surrounding neighborhoods after sunset, photographing the sudden absence...

During the height of New York City’s shelter-in-place order, Dina took to the streets of the East Village and surrounding neighborhoods after sunset, photographing the sudden absence...

During the height of New York City’s shelter-in-place order, Dina took to the streets of the East Village and surrounding neighborhoods after sunset, photographing the sudden absence...

Douglas Safranek hand-mixes his egg tempera paint - a medium resurrected from the altar pieces of the Middle Ages. Safranek’s still lifes are built from delicate layers of this quick...

UNTITLED #3, 2021 Archival Pigment Print, Framed; white frame with antireflective glass; larger size - framing options available) 30 x 46 cm Edition of 10 + 2 AP Series: Tree Huggers...

Burn to Shine, limited edition photograph, archival pigment, signed and numbered From Tom Chambers' series Animal Visions All my life I have held a fas...

I present unspoken stories which illustrate fleeting moments in time and which are intended to evoke a mood in the viewer. These mythical illustrations might address the fragility of...

I present unspoken stories which illustrate fleeting moments in time and which are intended to evoke a mood in the viewer. These mythical illustrations might address the fragility of...

"This work is a collaborative piece I produced with a traditional fan-making master. Each folding fan was carefully crafted, colored and arranged to complete the scene. Using the traditional motif of the fan, I tried to reinterpret the meaning of true-view landscape painting, through which painters of the Joseon Dynasty sought not to just describe the look of nature but to portray the essence of nature itself. Koreans traditionally painted landscapes onto fans and I, reversely, use the fans themselves to build a landscape, thus juxtaposing the relationship of fans and landscape. The woods made with paper fans overlapping like fish scales suggest a self-portrait of a gloomy psychology as well as an expression of various complex emotions such as inner fear and anguish that restrain me. Depicting a very fundamental human reverence and fear toward the sublime, dark, and ever changing nature of the night forests...

I present unspoken stories which illustrate fleeting moments in time and which are intended to evoke a mood in the viewer. These mythical illustrations might address the fragility of...