Items Similar to Flamingos at Rio Lagartos by Cheryl Medow, 2017, Archival Pigment Print
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Cheryl MedowFlamingos at Rio Lagartos by Cheryl Medow, 2017, Archival Pigment Print2017
2017
About the Item
Flamingos at Rio Lagartos by Cheryl Medow is a 32 x 40 inch archival pigment print photograph. This photograph features 4 flamingos standing in a body of water, with a flock of flamingos flying in the sky. Flamingos at Rio Lagartos is from Cheryl Medow's series, Envisioning Habitat: An Altered Reality.
The paper size of this print is 37 x 44 inches, and the image size is 32 x 40 inches. This photograph is an edition of 5. The print is signed and numbered in pencil, and blind stamp on print margin by Cheryl Medow. It is also signed, titled, dated, and print type in pencil on print verso by Cheryl Medow.
This photograph is framed, the frame size is 41 x 47 3/4 x 2 inches.
This image is also available in the following sizes:
Paper size: 14.5 x 18 in., Image size: 10.4 in. x 13 in. , Edition of 25 $1700
Paper size: 21 x 24 in., Image size: 16 x 20 in. , Edition of 10, $2300
Paper size: 31 x 36 in., Image size: 24 x 30 in. , Edition of 6, $2900
Paper size: 37 x 44 in., Image size: 32 x 40 in., Edition of 5, $4600
Santa Barbara art photographer Cheryl Medow creates images that entice the viewer to enter her world, both real and imagined.
Cheryl Medow's background in the arts is diverse, but interconnected.
Medow studied ceramics at the famed Chouinard Institute and received a BA in Art from UCLA, concentrating on life drawing with charcoal and pastels. Continuing her art education, she studied printmaking at Hand Graphics in Santa Fe, New Mexico.
With a wealth of materials and techniques, Medow layers her photographs and weaves them together to create visual narratives.
There have been numerous articles written about her work. Avian Alchemy by Becca Cudmore was published by Audubon News/Culture on June 5, 2015, Proof. National Geographic - An Altered Reality by Becky Harlan along with National Geographics Sunday Stills, Sunday, July 12, 2015 and an article in Inspire Adobe Photoshop For The Birds by Alyssa Coppelman in August.
In 2016, Medow was included in the SLIDESHOW Night at the Annenberg Space for Photography in Century City, California. She received the Juror's Award at PhotoPlace Gallery in Middlebury Vermont for Great Blue Heron With Chicks Revisited and her print will be exhibited from March 23 through April 22 and White Ibis With Fish will be part of the Online Gallery Annex at PhotoPlace.
Medow was a finalist in the 89th Annual International Competition at The Print Center in Philadelphia given the Olcott Family Award. She is also a finalist at the LensCulture Earth Awards 2015.
In 2015, Medow's images were exhibited at The G2 Gallery in Venice, CA and at Flock: Birds On The Brink / Ganna Walksa Lotusland, curated by Nancy Gifford, Montecito, California . Medow was selected for the Members' 2015 Juried Exhibition at the Center for Photographic Arts in Carmel and had a solo exhibition at Cameraworks in Portland Oregon.
In 2014, Medow was selected as a Critical Mass finalist; awarded First Place at the Texas Photographic Society's TPS:23 Competition, juried by Juror Susan kae Grant and 2nd Place in TPS: 27 Members Only Competition juried by Jim Casper, Founder and Editor of LensCulture. She received First Place from International Photography Awards in the Digitally Enhanced Category.
In 2013, she received a Special Mention of the Juror, David C. Hirsch Fine Art category in the Julia Margaret Cameron Competition and was a finalist in the 5th Pollux Awards.
Since first exhibiting her work in 2006, Medow has received many accolades and her work is held in many private collections. Her work was first published in Nash Editions: Photography and the Art of Digital Printing (New Riders, 2007) as well as 100 Artists of the West Coast II (Schiffer Books, 2009) and the North American Nature Photographers Association's annual publication Expressions 2009.
- Creator:Cheryl Medow (1944, American)
- Creation Year:2017
- Dimensions:Height: 37 in (93.98 cm)Width: 44 in (111.76 cm)Depth: 0.07 in (1.78 mm)
- More Editions & Sizes:Paper size: 14.5 x 18 in., Image size: 10.4 in. x 13 in. , Edition of 25Price: $1,700Paper size: 21 x 24 in., Image size: 16 x 20 in. , Edition of 10Price: $2,300Paper size: 31 x 36 in., Image size: 24 x 30 in. , Edition of 6Price: $2,900
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Dallas, TX
- Reference Number:1stDibs: LU2158539762
Cheryl Medow
California artist Cheryl Medow creates images that entice the viewer to enter the natural world and envision her wild birds, in imaginary and real environments. Using classical and contemporary tools, Medow layers her photographs, weaving them together to create visual narratives. Cheryl Medow’s background in the arts is diverse. Medow studied ceramics at the famed Chouinard Institute and received a BA in Art from UCLA, concentrating on life drawing with charcoal and pastels. Continuing her art education, she studied printmaking at Hand Graphics in Santa Fe, New Mexico and digital printmaking with Mac Holbert and John Paul Caponigro in Santa Barbara. With this classical training in the arts and her new found twenty-first century tools, including digital photography and Photoshop, Medow found her calling: traveling around the world searching for birds to photograph and creating new images in her studio. Both worlds engage and enhance her curiosity about birds and puts her into the creative flow of life. Since first exhibiting her work in 2006, Medow has received many accolades and her work is held in many private collections. There have been numerous articles written about her work including Proof.National Geographic - An Altered Reality by Becky Harlan and Inspire Adobe Photoshop For The Birds by Alyssa Coppelman. Medow was a featured artist in the August 2017 publication of LensWork #131. In 2019, Medow had her first showing at AIPAD at Pier #94, NYC. Ten prints from her series were displayed at the Peggy Notebaert Nature Museum in Chicago, Illinois. And, CFPA Center for Photographic Arts in Carmel exhibited Crowned Crane Calling in the November International Juried Exhibition juried by Paula Tognarelli from the Griffin Museum. In 2018, many of Medow's prints from her Envisioning Habitat An Altered Reality series were on view at the Wildling Museum in Solvang, California. Medow's image Grey Crowned Cranes won the Best Of Show award in the Altered Reality category in NANPA's Showcase 2018 along Two Snowys which received the Judges' Choice Award. Both and more were featured in NANPA's publication Expressions 2018. The jurors were George Lepp, Roy Toft and Darrel Gulin. She received both a Gold and Portfolio Awards in San Francisco Bay International Photo Show and Night Heron In Tucson was exhibited at the ACCI Gallery, in Berkeley, California, during the San Francisco Bay Month of Photography in September of 2018. The Texas Photographic Society featured Burrowing Owls at the ArtWorks Gallery in Austin, Texas and received Honorable Mention from the juror, Roy Flukinger. Six prints were featured in Currents 2017 at the Ogden Museum in New Orleans juried by Richard McCabe in conjunction with PhotoNola. Tri-Colored Heron And A Skimmer is now part of the Ogden Museum of Southern Art permanent collection. Over the years, many of her images have been displayed in galleries across the US. Medow hopes that by embracing her hyper-real bird images, her audience will also create more space for birds living on our planet and be mindful of the fragility and beauty of life itself.
About the Seller
4.9
Recognized Seller
These prestigious sellers are industry leaders and represent the highest echelon for item quality and design.
Gold Seller
These expertly vetted sellers are highly rated and consistently exceed customer expectations.
Established in 1995
1stDibs seller since 2013
302 sales on 1stDibs
Typical response time: 1 hour
- ShippingRetrieving quote...Ships From: Dallas, TX
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Blue Gem, WashingtonBy Jeanine Michna-BalesLocated in Dallas, TXEd of 3 Archival pigment print Image size: 44 x 66 in. Signed, titled, dated, and numbered. Series: Standing Together: Photographs of Inez Milholland’s Final Campaign For Woman’s Suf...Category
2010s Contemporary Landscape Photography
MaterialsArchival Pigment
- Hutto, TexasBy Bill KennedyLocated in Dallas, TXEdition of 15 Signed, titled, and dated. Bill Kennedy is an American photographer and printmaker. His photographs are glimpses of a traditional American landscape. The most well kn...Category
Early 2000s Contemporary Landscape Photography
MaterialsArchival Pigment
- Jacksonville, TexasBy Bill KennedyLocated in Dallas, TXEdition of 15 Signed, titled, and dated. Bill Kennedy is an American photographer and printmaker. His photographs are glimpses of a traditional American landscape. The most well kn...Category
21st Century and Contemporary Contemporary Landscape Photography
MaterialsArchival Pigment
- Dumas, TexasBy Bill KennedyLocated in Dallas, TXEdition of 15 Signed, titled and dated.Category
21st Century and Contemporary Contemporary Landscape Photography
MaterialsArchival Pigment
- Burritos, Tahoka, Texas by Peter Brown, 2004, Archival Pigment PrintBy Peter BrownLocated in Dallas, TXBurritos, Tahoka, Texas by Peter Brown depicts a red brick building on a street corner, with "BURRITOS" painted in white above the white door. Edition of 25 Signed and numbered in black ink on print margin. Paper size: 20 x 24 in., Image size: 16 x 20 in. Series: Hometown Texas Available in additional sizes, limited to a single edition of 25 prints: 16 x 20 in. $2300 20 x 24 in. $2900 28 x 35 in. $4600 32 x 40 in. $5800 36 x 45 in. $6300 Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art. His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...Category
21st Century and Contemporary Contemporary Color Photography
MaterialsArchival Pigment
- Bronte, Texas by Peter Brown, 2003, Archival Pigment Print, PhotographyBy Peter BrownLocated in Dallas, TXBronte, Texas by Peter Brown depicts an empty theater found in a West Texas town. The theater is painted white with accents of bright red and yellow. "Texas" is painted above the doors of the theater, and a large yellow star rests in between two windows. Bronte, Texas by Peter Brown is listed as a 20 x 24 inch archival pigment print, available in an edition of 25. This photograph is signed and dated by Peter Brown. This photograph is published in Peter Brown's book, West of Last Chance in 2008. This photograph is also available in additional sizes, limited to a single edition of 25 prints. Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art. His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...Category
21st Century and Contemporary Contemporary Color Photography
MaterialsArchival Pigment
You May Also Like
- Triptych Turquoise - Underwater World in Nuances of Blue - Abstract SeascapesBy Paul-Émile RiouxLocated in Miami, FLArchival photo print under acrylic glass. Three prints, 3 x 48x48" (each) Signed & Numbered by the artist Edition of 3 Artist and photographer Paul-Émile Rioux lives in Montréal, C...Category
2010s Contemporary Color Photography
MaterialsPlexiglass, Archival Pigment
- Golden Gate Bridge ( 58 x 110" )By Frank SchottLocated in San Francisco, CAGOLDEN GATE by Frank Schott an epic scale photograph of iconic Golden Gate Bridge and San Francisco skyline in Northern California's atmospheric morning light 58 x 110 inches ( 147 ...Category
21st Century and Contemporary Contemporary Color Photography
MaterialsPhotographic Paper, Archival Pigment, Archival Paper, Giclée
- Gulls Over Cromer PierLocated in Norwich, GBLimited Edition large scale ( 44 x 35 inches ) 35mm photograph, taken in Norfolk. One of only three and only available in this size. David Koppel served his photographic apprenticesh...Category
21st Century and Contemporary Contemporary Color Photography
MaterialsGiclée, Archival Pigment
- Where World CollideLocated in Norwich, GBLimited Edition large scale ( 44 x 35 inches ) 35mm photograph, taken in Norfolk. One of only three and only available in this size. David Koppel served his photographic apprenticesh...Category
21st Century and Contemporary Contemporary Color Photography
MaterialsGiclée, Archival Pigment
- MundesleyLocated in Norwich, GBLimited Edition large scale ( 44 x 35 inches ) 35mm photograph, taken in Norfolk. One of only three and only available in this size. David Koppel served his photographic apprenticesh...Category
21st Century and Contemporary Contemporary Color Photography
MaterialsOrganic Material, Archival Pigment
- Towards The LightLocated in Norwich, GBLimited Edition large scale ( 44 x 35 inches ) 35mm photograph, taken in Norfolk. One of only three and only available in this size. David Koppel served his photographic apprenticesh...Category
21st Century and Contemporary Contemporary Color Photography
MaterialsGiclée, Archival Pigment
Recently Viewed
View AllRead More
Photographer to Know: Harold Edgerton
Edgerton captured motion like no other, yet he considered himself a scientist — not an artist.
These 9 Galleries Have Helped Turn the Lone Star State into a Thriving Art Hub
The Texas art scene is booming, thanks to trailblazing gallerists and their savvy collectors.