Marian Crostic

Poipu

2021

Edition 2/15 Archival pigment print “Water’s Edge” a collection of photos by Marian Crostic defines the power of the ocean and the land which borders it. ...

This image is printed in an edition of 3, but comes in smaller sizes. Each photograph is hand printed on Canson Baryta Paper and is signed and editioned by the artist. Sarah Hadley...

Each photograph is hand printed on Canson Baryta Paper and is signed and editioned by the artist. Sarah Hadley's narrative work focuses on memory, place and the subconscious. She re...

Each photograph is hand printed on Canson Baryta Paper and is signed and editioned by the artist. Sarah Hadley's narrative work focuses on memory, place and the subconscious. She re...

Each photograph is hand printed on Canson Baryta Paper and is signed and editioned by the artist. Framing options are available. Sarah Hadley's narrative work focuses on memory, place and the subconscious. She received degrees from Georgetown University and the Corcoran College of Art. Sarah Hadley was named one of the “jeunes talents” by Le Monde in 2014. She has had solo exhibitions at the Griffin Museum of Photography, the Loyola Museum of Art, Richard Levy Gallery...

Each photograph is hand printed on Canson Baryta Paper and is signed and editioned by the artist. Framing options are available. Sarah Hadley's narrative work focuses on memory, p...

Refinery, 2015 by Jill Peters Aerial photography Archival pigment print on heavyweight cotton rag paper Image size: 40 in. H x 60 in. W Edition 10 Print Unframed All sizes signed, t...

Beach 2, 2015 by Jill Peters Archival Pigment Print 40" x 60" Edition 1/10 Print Unframed All sizes signed, titled, dated, and numbered on artist label verso. Additional sizes are a...

Paddle Boarders, 2015 by Jill Peters Aerial photography Archival pigment print on heavyweight cotton rag paper Image size: 40 in. H x 60 in. W Edition 7/10 Print Unframed All sizes ...

Marine Stadium by Jill Peters Overall size: 48 in. H x 68 in. W 2015 Edition of 2 Archival Pigment Print Print Unframed All sizes signed, titled, dated, and numbered on artist label...

Yellow Ball, East Hampton, NY, Archival Pigment Print, $550, Ed. 1/5, 2016 Printed to Order *Photography: U Wash Truck, Death Valley and Mulford Lane, Amagansett 2012 have been fea...

Landscape I, 2015 by Jill Peters Aerial photography Archival pigment print on heavyweight cotton rag paper Image size: 48 in. H x 68 in. W Edition of 2 Print Unframed All sizes signed, titled, dated, and numbered on artist label verso All Prices are quoted as "initial price". Please note that prices and availability may change due to current sales. _____________________________ Jill Peters finds her inspiration in the quickly changing architectural landmarks of her youth, like the demolished Miami Herald building, an abandoned roller coaster or a neglected go-cart track. Shooting mostly from air, which allows her to find a new level of intrinsic beauty to otherwise overlooked structures, Peters has gone on to capture and document man’s wider imprint on nature. Whether it’s the graphic symmetry of urban architecture or the abstract choreography of the forms and hues of nature itself. Within this body of work, one can marvel at the worn wreckage of the past or the fragile resources of the present. Born in Miami and trained in NYC. Peters worked with prestigious photographers such as Patrick Demarchelier and shot editorials for Harper’s Bazaar, LIFE, Interview, Details, George, Vanity Fair and many more publications. Upon returning to live in Miami Beach in 2012, Peters happened to revisit the Miami Marine Stadium, a landmark she had frequented as a child, Long abandoned. Jill Peters finds her inspiration in the quickly changing architectural landmarks of her youth, like the demolished Miami Herald building, an abandoned roller coaster or a neglected go-cart track. Shooting mostly from air, which allows her to find a new level of intrinsic beauty to otherwise overlooked structures, Peters has gone on to capture and document man’s wider imprint on nature. Whether it’s the graphic symmetry of urban architecture or the abstract choreography of the forms and hues of nature itself. Within this body of work, one can marvel at the worn wreckage of the past or the fragile resources of the present. Jill was recognized in Photo Lucida’s Critical Mass Top 50...