Reinhard Görner
Boschereccia Palazzo, Hercolani, Bologna
2022

Name: Boschereccia Palazzo, Hercolani, Bologna
Brand: Reinhard Görner
Price: 9000 USD
Availability: InStock

About the Item

Boschereccia Palazzo Hercolani, Bologna, Italy 2022 50 x 62.5 inches ed. of 10 $6,000 60 x 75 inches ed. of 7 $9,000 70 x 87.5 inches ed. of 5 $11,000 signed and numbered on label, verso Reinhard Görner records cultural and industrial heritage through his series of photographs depicting contemporary and historical architecture, landscapes, parks, and plants. Best known for his photographs of libraries and reading rooms from around the world—in works such as George Peabody Library II, Baltimore (2017) and Riggs Library I, Washington DC (2017)—Görner captures the atmosphere of absolute silence and concentration the spaces embody while also revealing their almost cathedral-like sense of grandeur. Görner’s images have a vivid sense of depth and dimension that convey an impression of intimacy, as in Isaac Newton, Cambridge (2017), or monumentality via his precise and skilful use of framing and perspective. History of Biblioteca Marucelliana The library was founded in the the mid-18th century on Via Camillo Cavour # 43, in Florence, region of Tuscany, Italy, and opened to the public on September 18, 1752. It was willed by Abbot Francesco Marucelli, (died in Rome, 1703), as a library of general knowledge open to a wide audience, as indicated by the inscription on the facade: "Marucellorum Bibliotheca publicae maxime pauperum utilitati". The core of the collection derives from the library of Abbot Francesco. Funded by the income of various abbeys in Tuscany, Francesco lived in Rome, where he was sometimes consulted as an expert in the Canon Law. His only publication, was a bibliographic compendium in fifteen volumes, Mare Magnum, of the contents of his library and or his acquaintance. The building was commissioned by the grandson of the founder, Alessandro Marucelli (died 1751). Also a bibliophile himself, Alessandro expanded the entries in Mare Magnum to 24 volumes, and fulfilled his grandfather's will by selecting the site for the library on Via Condotti. He also donated his own books and appointed Angelo Maria Bandini as first librarian, a post he held for the fifty years. Alessandro died before the construction was complete. The original collection numbered about 6000 manuscripts, in all disciplines. Bandini established the first alphabetic catalogues of the works, by author and by title. Mare Magnum was expanded to 111 volumes. Bandini concurrently served as the librarian for the Biblioteca Laurenziana in Florence. In 1776, the suppression of the Jesuits, brought their large collections into the library, consisting of more than one hundred and fifty works, including a dozen manuscripts.[clarification needed] In 1783, Bandini brought into the collection the drawings and prints of Francesco di Ruberto, also those of the Marucelli family. He purchased the manuscript collection of Anton Francesco Gori, and obtained the library of the naturalist Antonio Cocchi and a portion of the library of the antiquarian Filippo Stosch. The second librarian, Francesco Del Furia (1777-1856), held the post for the next fifty years. In the second half of the nineteenth century and the first of the next century by collections from the Martelli and Bonamici families and the correspondence of Nencioni, as well as many other documents and manuscripts. The 19th century suppressions of convents also enlarged their collections, including most of their sixteenth-century incunabula. The late nineteenth-century English novelist George Gissing used the library on a number of occasions in early January 1889. In 1910, a law demanded that nearly all printed public works from Florence and nearby provinces also be deposited in the Marucelliana.

Creator:

Reinhard Görner (1950, German)

Creation Year:

2022

Dimensions:

Height: 60 in (152.4 cm)Width: 75 in (190.5 cm)

Medium:

C Print,Lambda

Movement & Style:

Conceptual

Period:

2010-

Framing:

Framing Options Available

Condition:

Gallery Location:

Los Angeles, CA

Reference Number:

1stDibs: LU14811476412

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Reinhard Görner

Libraries are both shelters and places of escape. It is this feeling that German photographer Reinhard Görner has been exploring for many years, in search of the most beautiful and solemn reading rooms around the world. Intimate libraries nestled in the heart of secluded abbeys or grandiose halls of prestigious universities, for the German artist, these rooms are an inexhaustible reservoir of inspiration. Let yourself be transported through architectures, styles and eras in this portrait of Reinhard Görner, a self-taught artist with a multifaceted and contagious passion. As an architectural photographer, Reinhard worked for many years for architects before deciding to focus on his passion. His goal is to explore how the great masters of architecture have created spaces that breathe beauty and silence by playing with shadows, light, proportions, rhythms. He quickly discovered that libraries have always been and still are wonderful playgrounds for architects, allowing them to focus on the question of form and emptiness: "I see myself as an ambassador trying to convey the spirit of these builders with my photographic means". The artist photographed and fell in love with his first library in 2005, as he was working with architect Sir Norman Foster and captured the philological library of Berlin’s Frei Universität. Since then, the cathedral-like atmosphere of New York’s Rose main reading room made a long-lasting impact on the artist and he started to intensify his documentation of libraries across the world. Görner’s photographs seek to convey the impact architecture has on our awareness of life : the libraries he captures open spaces, tell stories and refer to a time when one’s sense of aestethics and sense of space were identical. Görner’s photos refer to the vastness great architecture has been celebrating throughout history, bringing to mind historical periods where beauty and tranquility meet. His work pays a tribute to the Becher art school. Like other disciples’ – Andreas Gursky, Thomas Ruff and Candida Höfer – Görner’s work is strictly conceptual, combined with a fine technical approach. All their works demonstrate the same fascination for typology and record the heritage of the western cultural and industrial past.