Mille Et Une Nuits, lithograph by Henri Matisse

1950

Artist: Antoni Tapies, Spanish (1923 - 2012) Title: The Letter "A" Year: 1976 Medium: Lithograph, signed in the plate Size: 22 x 29.5 in. (55.88 x 74.93 cm)

Dreamfields (Purple) Sybil Kleinrock, American Date: circa 1978 Lithograph, signed and numbered in pencil Edition of 150 Size: 21.5 x 29 in. (54.61 x 73.66 cm)

Artist: Lamar Briggs, American (1935 - ) Title: Spirit Coasas VIII Year: 1976 Medium: Lithograph on Arches Paper, signed and numbered in pencil Edition: 200 Paper Size: 29 x 21 inches

A lithograph from the Marina Picasso Estate Collection after the Pablo Picasso painting “Claude et Paloma”. The original painting was completed in 1950. In the 1970’s after Picasso’s...

Gene Davis’s captivating Color Field compositions of vertical lines and evolving color is demonstrated in this print. Alternating from blue to yellow and then red, the vertical strip...

A lithograph by Jim Dine depicting a figure standing in the center of the composition. Although they are faceless, they are ornately decorated in a long dress made of rainbow strings...

Klänge (Sounds) is one of the first examples of an artist’s book and contains both poems and woodcuts by Kandinksy. Of the 25 hors-texte illustrations, 12 are in color and 13 are in...

A very good impression of this color lithograph. Edition of 2000. Published by "L'Estampe Moderne," Paris, with the blind stamp (Lugt 2790, lower right).

Maurice de Vlaminck (French 1876 - 1958), "Place de L'Eglise ( A Lithograph from Notre Pain Quotidien)" Abstract/ Post-Impressionist Lithograph, 17 x 20, Late 20th Century, 1963 Colors: Black and White Maurice was three years old when his family moved from Paris to Vésinet. He first pursued the same musical career as his parents, who were both musicians, leaving his home as a trained double-bass player in 1892 to move to Chatou near Versailles. After absolving his military service in Vitré Maurice Vlaminck worked as a musician until he accidentally met André Derain in 1900. It was Derain who kindled Vlaminck's artistic ambitions. He decided to become a painter and rented an old hut in which he and Derain shared a studio. A crucial turning point in Vlaminck's artistic development was a visit to a van Gogh...

Maurice de Vlaminck (French 1876 - 1958), "Le Petit Pont" ( A Lithograph from Notre Pain Quotidien)" Abstract/ Post-Impressionist Lithograph, 17 x 20, Late 20th Century, 1963 Colors: Black and White Maurice was three years old when his family moved from Paris to Vésinet. He first pursued the same musical career as his parents, who were both musicians, leaving his home as a trained double-bass player in 1892 to move to Chatou near Versailles. After absolving his military service in Vitré Maurice Vlaminck worked as a musician until he accidentally met André Derain in 1900. It was Derain who kindled Vlaminck's artistic ambitions. He decided to become a painter and rented an old hut in which he and Derain shared a studio. A crucial turning point in Vlaminck's artistic development was a visit to a van Gogh exhibition...

Maurice de Vlaminck (French 1876 - 1958), "Le Bassin" ( A Lithograph from Notre Pain Quotidien)" Abstract/ Post-Impressionist Lithograph, 17 x 20, Late 20th Century, 1963 Colors: Black and White Maurice was three years old when his family moved from Paris to Vésinet. He first pursued the same musical career as his parents, who were both musicians, leaving his home as a trained double-bass player in 1892 to move to Chatou near Versailles. After absolving his military service in Vitré Maurice Vlaminck worked as a musician until he accidentally met André Derain in 1900. It was Derain who kindled Vlaminck's artistic ambitions. He decided to become a painter and rented an old hut in which he and Derain shared a studio. A crucial turning point in Vlaminck's artistic development was a visit to a van Gogh...

Composition from Derriere Le Miroir is a splendid lithograph realized after George Braque in 1964 The artwork is from Derriere Le Miroir. La Fondation Marguerite et Aimè Maeght, n.148. Printed by Ateliers de Maeght, Paris, 1964 Special issue of the magazine, published on the occasion of the inauguration of the Marguerite et Aimé Maeght Foundation...