Allan D'Arcangelo 1Red Bridge1979
1979
About the Item
- Creator:
- Creation Year:1979
- Dimensions:Height: 46 in (116.84 cm)Width: 35 in (88.9 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Wilton Manors, FL
- Reference Number:1stDibs: LU245214194392
Allan D'Arcangelo 1
Allan D'Arcangelo was an American artist and printmaker. D'Arcangelo was born in Buffalo on June 16, 1930, to Italian immigrant parents. After earning a degree in history from the University of Buffalo, he moved to Mexico City where he studied art. In 1958, he held his first one-man show. His style, loosely termed Hard Edge or Constructivist Art, was based on spatial relationships. A keen sense of perception, complemented by expert use of color tones and shadows, points up these relationships in forceful compositions. It has been said that, “D'Arcangelo has the ability to defy, yet document, spatial relationships at the same time”. The recipient of 15 awards and commissions, D'Arcangelo had frequent one-man shows, many of which were in prominent museums throughout America. His selected exhibitions include, “American Landscape Painting” at Museum of Modern Art, “American Art Since 1945” at Museum of Modern Art, “Popular Imagery” in Sarah Lawrence College and “The Popular Image” at The Institute for Contemporary Art, were among some of them. D'Arcangelo passed away on December 17, 1998 in New York City due to complications with leukemia.
- ShippingRetrieving quote...Ships From: Wilton Manors, FL
- Return PolicyA return for this item may be initiated within 7 days of delivery.
- MalachBy Jerome KaplanLocated in Wilton Manors, FLJerome Kaplan (1920-1997). Malach (Angel), 1952. Lithograph on wove paper. Image measures 15 x 19 inches; 23 x 28 inches in custom shadowbox frame with custom beveled linen matting. ...Category
Mid-20th Century Abstract Abstract Prints
MaterialsLithograph
- Still Life with WatermelonBy Alvar Sunol Munoz-RamosLocated in Wilton Manors, FLAlvar (b.1935). Still Life with Watermelon, ca. 1970. Lithograph on paper, image measures 16 x 24.5; 24.5 x 29 inches framed. Signed and numbered in pencil by artist, lower margin. E...Category
Mid-20th Century Still-life Prints
MaterialsLithograph
- 1956 Fernand Leger Mourlot Exhibition PosterBy Fernand LégerLocated in Wilton Manors, FL76 x 52 cm. Printed by Fernand Mourlot on rag paper watermarked "Mourlot." A condition. Not in Saphire. .Fernand Mourlot was born in Paris in 1895. He grew up in the family print shop but it wasn't until he took over in the early 1920s that he would change the fabric of printing forever. His influence fostered a resurgence of lithography, revealing it as a new avenue for expression and a new realm of possibilities for likes of Pablo Picasso, Henri Matisse, Marc Chagall, Joan Miró, Georges Braque, Fernand Léger, and Alberto Giacometti to enrich their own work as well as fine art in general. Fernand cultivated the lithograph as a painter's medium and the family studio on Rue Chabrol became a hub where he could invite artists to work directly on the stone, as if creating a poster. In 1937, the studio produced two posters (based on paintings by Matisse...Category
Mid-20th Century Cubist Abstract Prints
MaterialsPaper, Lithograph
- Recent Still Life RISD exhibition posterBy Jasper JohnsLocated in Wilton Manors, FLJasper Johns (b. 1930): Recent Still Life Lithograph in black on wove paper, 1966, signed and dated '2016' in ink. 34 1/2 x 19 3/4 in. (sheet), 36 1/2 x 21 1/2 in. (frame). Provenance: Property from the Collection of Tom Levine...Category
Mid-20th Century Abstract Abstract Prints
MaterialsPaper, Lithograph
- Information Lines (conceptual environmentalist Land Art lithograph)By Dennis A. OppenheimLocated in Wilton Manors, FLArtist: Dennis Oppenheim, American (1938 - 2011) Title: Information Lines, 1981. Medium: Lithograph, signed and numbered in pencil A/P 9/30. Artist's Proof. Size: 41.25 in. x 29.7...Category
1980s Conceptual Abstract Prints
MaterialsLithograph
- Jean Dubuffet 1970 Exhibition PosterBy Jean DubuffetLocated in Wilton Manors, FLJean DUBUFFET Two characters, 1970 Original lithograph poster for the exhibition "the logological cabinet" in 1970 at the Centre National d'Art Contemporain Dimensions: 69 x 48 cmCategory
1970s Abstract Abstract Prints
MaterialsLithograph
- Abstract Minimalist Color Silkscreen Print Richard Smith On The Bowery Pop ArtBy Richard SmithLocated in Surfside, FLRichard Smith On the Bowery, 1969 - 1971 silkscreen on Schoeller's Parole Paper, edition of 100 + 20 A.P. 25.5 x 25.5 inches, signed, numbered 21/100 Screenprint in color on wove paper Hand signed, published by Edition Domberger, Bonlanden, West Germany (with their blindstamp) Provenance: Collection of Tom Levine On the Bowery, 1971. The portfolio consists of nine screenprints in colors (one with mylar collage), on wove paper, by representative artists of the Pop Art period. Cy Twombly, Robert Ryman, Will Insley, Robert Indiana, Les Levine, John Willenbecher...Category
1960s Pop Art Abstract Prints
MaterialsLithograph, Screen
- Color Silkscreen Pop Art Lithograph Print Les Levine Canadian Pop Art PortraitBy Les LevineLocated in Surfside, FLLes Levine On the Bowery, 1969 - 1971 Screenprint in color 25.5 x 25.5 inches, signed, numbered 21/100 Hand signed, published by Edition Domberger, Bonlanden, West Germany (with their blindstamp) Provenance: Collection of Tom Levine On the Bowery, 1971. The portfolio consists of nine screenprints in colors (one with mylar collage), on wove paper, by representative artists of the Pop Art period. Cy Twombly, Robert Ryman, Will Insley, Robert Indiana, Les Levine, John Willenbecher...Category
1960s Pop Art Abstract Prints
MaterialsLithograph, Screen
- Abstract Minimalist Color Silkscreen Print Will Insley On The Bowery Pop ArtLocated in Surfside, FLWill Insley On the Bowery, 1969 - 1971 silkscreen on Schoeller's Parole Paper, edition of 100 + 20 A.P. 25.5 x 25.5 inches, signed, numbered 21/100 Screenprint in color on wove paper Hand signed, published by Edition Domberger, Bonlanden, West Germany (with their blindstamp) Provenance: Collection of Tom Levine On the Bowery, 1971. The portfolio consists of nine screenprints in colors (one with mylar collage), on wove paper, by representative artists of the Pop Art period. Cy Twombly, Robert Ryman, Will Insley, Robert Indiana, Les Levine, John Willenbecher...Category
1960s Pop Art Abstract Prints
MaterialsLithograph, Screen
- Offset Lithograph Poster Resistible Rise of Arturo, Bertold Brecht 1968 Pop ArtBy Richard LindnerLocated in Surfside, FLPlate signed and dated, offset lithograph. Richard Lindner was born in Hamburg, Germany. In 1905 the family moved to Nuremberg, where Lindners mother was owner of a custom-fitting co...Category
1960s Pop Art Abstract Prints
MaterialsLithograph, Offset
- Color Lithograph Linocut Chine Collé "Workshop" Bright Modernist Pop ArtBy Tom BurckhardtLocated in Surfside, FLHand signed and numbered edition of 25. 16 x 36" sheet size without frame. “Workshop” is an ambitious color lithograph and linocut with chine collé printed in twelve colors from nine plates and one linocut. It has been printed in an edition of 25, plus proofs, on white Rives BFK paper 16 x 36” with chine collé of various papers. (No, it’s not upside down) Born 1964 in New York where he still currently resides and works alongside his partner the ceramist Kathy Butterly. Son of the photographer Rudy Burckhardt and painter Yvonne Jacquette, Tom Burckhardt was 1986, BFA, State University of New York, Purchase, NY 1992–1993, Skowhegan School of Painting and Sculpture, ME 1996, Marie Walsh Sharpe Art Foundation Studio Grant 1997, New York Foundation for the Arts, Painting Grant 1997 Pollock-Krasner Foundation Grant 2002 George Hitchcock Award, National Academy of Arts 2003, Richard & Hinda Rosenthal Foundation Award, American Academy 2005, AICA Best Show of an Emerging or Underknown Artist 2005 Pollock-Krasner Foundation Grant 2006 Best Installation, Best of Houston, the Houston Press 2009 Guggenheim Foundation Grant 2010, New York Foundation for the Arts Drawing/Print Grant 2010 Joan Mitchell Foundation Grant Tom Burckhardt’s work is a carnival of images jumbled and jostling each other in precarious nonsensical compositions. He uses lushly colored and patterned images from all kinds of sources that bounce between abstraction and representation. Images come from tool catalogs, paper and fabric patterns, funhouse painting, architectural details, stripes, dots and squiggles. It is as if Burckhardt is a cartoonist merrily channeling Ellsworth Kelly, Paul Feeley, Robert Therrien, and Myron Stout, among others. Like Red Grooms, for whom he worked as an assistant, Burckhardt ransacks his influences yet ends up with something unmistakably his own. His work bears the influence of is a synthesis of many things: the tribal-influenced abstract painting of Steve Wheeler...Category
Early 2000s Pop Art Interior Prints
MaterialsLinocut, Lithograph
- Vintage Modern Lithograph Poster 1960s Pop Art Mod Figure Pencil SignedBy Richard LindnerLocated in Surfside, FLRichard Lindner was born in Hamburg, Germany. In 1905 the family moved to Nuremberg, where Lindners mother was owner of a custom-fitting corset business and Richard Lindner grew up and studied at the Kunstgewerbeschule (Arts and Crafts School since 1940 Academy of Fine Arts). From 1924 to 1927 he lived in Munich and studied there from 1925 at the Kunstakademie. In 1927 he moved to Berlin and stayed there until 1928, when he returned to Munich to become art director of a publishing firm. He remained there until 1933, when he was forced to flee to Paris, where he became politically engaged, sought contact with French artists and earned his living as a commercial artist. He was interned when the war broke out in 1939 and later served in the French Army. In 1941 he went to the United States and worked in New York City as an illustrator of books and magazines (Vogue, Fortune and Harper's Bazaar). He began painting seriously in 1952, holding his first one-man exhibit in 1954. His style blends a mechanistic cubism with personal images and haunting symbolism. LIndner maintained contact with the emigre community including New York artists and German emigrants (Albert Einstein, Marlene Dietrich, Saul Steinberg). Though he became a United States citizen in 1948, Lindner considered himself a New Yorker, but not a true American. However, over the course of time, his continental circus women became New York City streetwalkers. New York police uniforms replaced European military uniforms as symbols of authority.At a time when Abstract Expressionism was all the rage, Lindner’s painting went against the current and always kept its distance. His pictorial language of vibrant colours and broad planes of colour and his urban themes make him a forerunner of American Pop Art. At the same time, he owes the critical tone of his paintings to the influence of European art movements such as Neue Sachlichkeit and Dada. His first exhibition did not take place until 1954, by which time he was over fifty, and, interestingly, it was held at the Betty Parsons Gallery in New York, a venue associated with the American Expressionists. From 1952 he taught at the Pratt Institute, Brooklyn, from 1967 at Yale University School of Art and Architecture, New Haven. In 1957 Lindner got the William and Norma Copley Foundation-Award. In 1965 he became Guest Professor at the Akademie für Bildende Künste, Hamburg. His Ice (1966, Whitney Museum of American Art) established a connection between the metaphysical tradition and pop art. The painting shows harsh, flat geometric shapes framing an erotic but mechanical robot-woman.His paintings used the sexual symbolism of advertising and investigated definitions of gender roles in the media. While influencing Pop Art (Tom Wesselman and Claes Oldenburg amongst others) his highly colourful, hard-edge style seems to have brought him close to Pop Art, which he rejected. Nevertheless, he is immortalised on the cover of the Beatles record...Category
1960s Pop Art Abstract Prints
MaterialsLithograph