Items Similar to "Diabelli Variations", Violin Serigraph by Arman
Want more images or videos?
Request additional images or videos from the seller
1 of 6
Arman"Diabelli Variations", Violin Serigraph by Arman1980
1980
About the Item
Artist: Arman, French (1929 - 2005)
Title: Diabelli Variations
Year: 1980
Medium: Serigraph, signed and numbered in pencil
Edition: 150, AP 30
Image Size: 39 x 25.5 inches
Size: 45 in. x 30.5 in. (114.3 cm x 77.47 cm)
The French Armand Pierre Fernandez, born in 1928, is one of the most important international object artists and a co-founder and member of the Nouveau Réalisme. He studied at the Ecole Nationale des Arts Décoratifs in Nice from 1946 to 1949 and then continued his studies for two years at the Ecole du Louvre in Paris. An acquaintance with Yves Klein led to the idea of organising joint happenings and events, which the two artists realised in 1953. Armand's neo-dadaist 'Cachets' (stamp prints) of 1955, and later the 'Allures' (prints made with objects dipped into paint) and the 'Coupés' (cut-up objects) followed by the 'Colères' (objects which were smashed and then mounted) were still influenced by Kurt Schwitters. When the last letter of his name was accidentally forgotten on a catalogue cover in 1958, he decided to keep this spelling.
- Creator:Arman (1928 - 2005, French)
- Creation Year:1980
- Dimensions:Height: 45 in (114.3 cm)Width: 30.5 in (77.47 cm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Long Island City, NY
- Reference Number:1stDibs: LU4666112332
Arman
Arman was born in Nice, France, in 1928, and showed a talent for painting and drawing as a child. He studied at the the Ecole Nationale des Art Décoratifs in Nice followed by studies at the École du Louvre in Paris. In his early years he focused on abstract paintings. Then, in 1957, he became interested in common objects as works of art. He first did what came to be called his "allures d"objet" (object impressions), where he would dip an object into paint and press it on canvas thus leaving the object's shadow or impression. Then he decided the object itself was worth paying attention to and started to treat them in his own way. His intention was to remove the material purpose of an object so that its only remaining function was to "feed the mind" as a work of art. What better way to achieve that result than by breaking, slicing or even burning objects such as violins, telephones, typewriters or even whole cars? He also made objects useless by accumulating them, such as 2,000 wristwatches in a Plexiglass box that all kept different time. Once emotionally detached from the circumstances associated with a broken object, the viewer could grow to appreciate its abstract beauty; so, in a sense, Arman was literally teaching that things one never thought could be regarded as attractive could indeed turn out to be so. Through this achievement, Arman gained worldwide recognition and is regarded as one of the most prolific and inventive creators of the late 20th century. His work can be found in the collections of numerous museums including the Metropolitan Museum of Art in New York, the Tate Gallery in London and the Centre Pompidou in Paris. Arman’s work has also been exhibited in galleries, museums and public spaces worldwide including the Musée D’Art Contemporain in Tehran, Iran; the Museum of Art in Tel Aviv, Israel; the Musée Des Arts Decoratifs and Opéra De Paris in France; the La Jolla Museum of Contemporary Art in California; and the Museum of Arts and Design and the Guggenheim in New York He died in 2005 in New York.
About the Seller
4.8
Platinum Seller
These expertly vetted sellers are 1stDibs' most experienced sellers and are rated highest by our customers.
Established in 1979
1stDibs seller since 2014
2,706 sales on 1stDibs
Typical response time: <1 hour
- ShippingRetrieving quote...Ships From: Long Island City, NY
- Return PolicyA return for this item may be initiated within 7 days of delivery.
More From This SellerView All
- Fire Bridge, Pop Art Screenprint by Robert IndianaBy Robert IndianaLocated in Long Island City, NYArtist: Robert Indiana, American (1928 - ) Title: Fire Bridge: Chrysler Museum at Norfolk, December 1 - January 15 Year: circa 1965 Medium: Screenprint on Fabriano Paper Size: 30 x ...Category
1960s Pop Art Abstract Prints
MaterialsScreen
- Bowers (Lauben) - P2, F11, I1By Josef AlbersLocated in Long Island City, NYFrom the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...Category
1970s Abstract Geometric Abstract Prints
MaterialsScreen
- Homage to the Square - P1, F15, I2By Josef AlbersLocated in Long Island City, NY"Homage to the Square - Portfolio 2, Folder 4, Image 2" from the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 origina...Category
1970s Abstract Geometric Abstract Prints
MaterialsScreen
- Amsterdam, 1973 Silkscreen by Risaburo KimuraBy Risaburo KimuraLocated in Long Island City, NYArtist: Risaburo Kimura, Japanese (1924 - ) Title: Amsterdam Year: 1973 Medium: Silkscreen on BFK Rives, Signed, titled and numbered in pencil Edition: 250, AP 20 Size: 30 in. x 22 i...Category
1970s Abstract Impressionist Abstract Prints
MaterialsScreen
- Biconjugate - P1, F27, I2, Abstract Geometric Screenprint by Josef AlbersBy Josef AlbersLocated in Long Island City, NYFrom the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...Category
1970s Abstract Geometric Abstract Prints
MaterialsScreen
- Challenging Confusion - P1, F14, I1By Josef AlbersLocated in Long Island City, NYFrom the portfolio “Formulation: Articulation” created by Josef Albers in 1972. This monumental series consists of 127 original silkscreens that are a definitive survey of the artist...Category
1970s Abstract Geometric Abstract Prints
MaterialsScreen
You May Also Like
- Late 19th century color lithograph art nouveau ornate bookplateBy Alphonse MuchaLocated in Milwaukee, WI"Title Page" and "Art Nouveau Motif" are two sides of one double-sided original lithograph by Art Nouveau master Alphonse Mucha. These illustrations were from "Ilsee, Princess of Tri...Category
1890s Art Nouveau Portrait Prints
MaterialsLithograph
- "Ilsee's Welcome" & "Pilgrim's Tale, " Double-sided Lithograph by Alphonse MuchaBy Alphonse MuchaLocated in Milwaukee, WI"Ilsee's Welcome" and "Pilgrim's Tale" are two sides of one double-sided original lithograph by Art Nouveau master Alphonse Mucha. These illustrations were pages 83 & 84 of "Ilsee, P...Category
1890s Art Nouveau Figurative Prints
MaterialsLithograph
- "Dream Weavers" & "Soul of the Land, " Double-sided Lithograph by Alphonse MuchaBy Alphonse MuchaLocated in Milwaukee, WI"Dream Weavers" and "Soul of the Land" are two sides of a double-sided lithograph by Alphonse Mucha. These illustrations were created for "Ilsee, Princess of Tripoli" and are the rare proofs before the text. These artworks were for pages 31 and 32. 8" x 6 1/4" art 19 1/4" x 17 1/8" frame Alphonse Mucha was born in 1860 in the small town of Ivancice, Monrovia. Though it is rumored that Mucha was drawing before he was walking, his early years were spent as a choirboy and amateur musician. It wasn’t until after he finished high school that he came to realize that living people were responsible for the art that he admired in the local churches. That epiphany made him determined to become a painter. He was soon sent off to Paris, where he studied at the Academie Julian. On January 1, 1985, he presented his own new style to the citizens of Paris. Spurning the bright colors and the more square-like shape of the more popular poster artists, the design was a sensation. Art Nouveau can...Category
1890s Art Nouveau Figurative Prints
MaterialsLithograph
- "Departing Beauty" & "Dreams, " Double-sided Colored LithographBy Alphonse MuchaLocated in Milwaukee, WI"Departing Beauty" and "Dreams" are two sides of one double-sided original lithograph by Art Nouveau master Alphonse Mucha. These illustrations were pages 94 & 93 of "Ilsee, Princess...Category
1890s Art Nouveau Abstract Prints
MaterialsLithograph
- Vision AntiqueBy Paul BerthonLocated in Fairlawn, OHVision Antique Color lithograph, 1899 Signed in the stone upper left (see photo) Titled in the stone lower right (see photo) Edition: unsigned edition about 200 (per Arwas) Published...Category
1890s Art Nouveau Abstract Prints
MaterialsLithograph
- The NewsBy KAWSLocated in New York, NY2018 The complete set of 9 screenprints in colors Sheet: 24 x 24 in., each Edition of 100 Each sheet signed, dated and numbered in pencilCategory
2010s Pop Art Abstract Prints
MaterialsScreen
Recently Viewed
View AllRead More
Chryssa’s 1962 Neon Sculpture Was Way ahead of the Art-World Curve
By working with lettering, neon and Pop imagery, Chryssa pioneered several postmodern themes at a time when most male artists detested commercial mediums.
7 Exciting Works by Female Artists from the RoGallery Auction
Prints by these modern and contemporary visionaries are relatively affordable — for now.