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George NamaThe Cricket hand painted etching by George Nama 19781978
1978
About the Item
The Cricket is a hand painted etching by American artist George Nama edition A. P. hand signed and titled in pencil by the artist. Believed to be from a collection of 9 etchings from the suite titled "The Origin of Language." This etching is raised at the six horizontal red lines and is touched by hand with watercolor in green, pink, white and red colors. It is in excellent condition.
George Allen Nama was born in Homestead near Pittsbugh, Pennsylvania in 1939. In the 1960’s he was part of an international artistic circle in Paris while working at the Atelier 17 with William Stanley Hayter. In 1981 he was elected to the National Academy of Design, New York. Over the years he has been represented in numerous important exhibitions, galleries, and public collections, such as The Morgan Library, the Boston Athenæum, The Metropolitan Museum, the Brooklyn Museum and the Carnegie Institute. He was included in the distinguished international art fairs at Maastricht and the Salon du Dessin, Paris.
- Creator:George Nama (1939, American)
- Creation Year:1978
- Dimensions:Height: 15 in (38.1 cm)Width: 11 in (27.94 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Paonia, CO
- Reference Number:1stDibs: LU78033846421
George Nama
George Nama (b. 1939 - ) is an American artist. Nama claims that all his images, whether drawings, etchings or sculptures, are figurative. If they don’t show something that really exists, his configurations “might exist”. Nama’s city of his birth, Homestead, Pennsylvania played a major role in his artistic vocabulary and imagery created in the early 1960’s. Industrial and rugged and largely void of color, Nama recreated familiar city vistas in a rich palette of blacks and grays. Using casein paint, oil sticks, watercolors and inks Nama also masterfully reproduced interiors of his mother’s living room, and his grandmother’s kitchen. Some of the later works, his openly expressionistic sketches of trees, fast and precise, figures and country landscapes point to his transition towards abstraction. Already involved with poets and writers since the early 1960s, Nama collaborated in 1976 with his friend, the French poet and art historian Yves Bonnefoy, on artist’s books. This in turn fostered a series of artist’s books and exhibitions with Alfred Brendel and Charles Simic. During his long career, Nama has been represented in numerous important exhibitions, galleries, and public collections, such as The Morgan Library, the Boston Athenæum, The Metropolitan Museum, the Brooklyn Museum and the Carnegie Institute. He was recently included in the distinguished international art fairs at Maastricht and the Salon du Dessin in Paris.
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