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Jim DineMid Century Mod exhibition of 27 international artists (Hand Signed by Jim Dine)1963
1963
About the Item
Jim Dine, Jackson Pollock, Arshile Gorky, Roberto Matta, Sam Francis, Mark Rothko, Franz Kline, Kenneth Noland, Robert Rauschenberg, Jasper Johns, Joan Mitchell, Helen Frankenthaler, John Hultberg, Adolph Gottlieb, Paul Jenkins, Hassel Smith, Jack Youngerman, Ray Parker, Cy Twombly, Philip Guston, Robert Motherwell, Louise Nevelson, Larry Rivers, Mark Tobey, David Budd, Hans Hofmann, and Various Artists
Exhibition of 27 international artist (Hand Signed by Jim Dine)
Offset Lithograph invitation
Hand signed by Jim Dine on the front -signed in person for the present owner, so provenance is direct.
12.25 x 16.75 inches
Unframed
Uniquely signed. We acquired this historic 1963 invitation and then Jim Dine graciously signed it for us in black marker - as he was/is the only artist of the entire group who was still alive. We know of no other one in the entire world with any hand signature by any of the artists exhibited. This very rare invitation/poster was published on the occasion of this important 1963 exhibition of American painting at the Galleria Ariete, Mostra n. 94, in Milan, Italy. The roster of artists represented is literally a Who's Who of American Abstract Expressionists of the era. The Galleria dell'Ariete in Milan, Italy, opened in 1955, and ran an active exhibition until its closing in the mid-1980s. It was among the most important galleries in Italy for contemporary art, and had extensive connections with dealers, collectors, artists, and critics in Europe, the United States, and Japan. Beatrice Monti della Corte opened the Galleria dell'Ariete at Via San Andrea, 5, Milan, Italy in 1955, when she was twenty-five years old, principally as a showplace for modern art; Galleria dell'Ariete rapidly became one of the foremost Italian galleries for contemporary art, forming close connections with such like-minded establishments as the galleries of Kasmin and Waddington in London, and Leo Castelli, Ileana Sonnabend, and Betty Parsons in New York. Artists such as Cy Twombly, Robert Rauschenberg, and Jasper Johns amongst the Americans, and Andrea Cascella, Enrico Castellani, and Luigi Parzini amongst Italians were particular enthusiasms of hers, as was the Spaniard Antoni Tápies, and she kept in personal contact with some of them even after she had finally closed the gallery. She was also amongst the first to exhibit the work of the English artists Francis Bacon and David Hockney in Italy, and, as her business became established, she started to bring modern Asian art, especially Japanese, within its range. The extensive archives of the gallery, in both Italian and English, was ultimately acquired by the Getty Museum in San Francisco, where they remain to this day.
Provenance of the signature is direct.
Provenance:
Uniquely signed in person by Jim Dine for the present owner, so provenance is direct.
- Creator:Jim Dine (1935, American)
- Creation Year:1963
- Dimensions:Height: 12.25 in (31.12 cm)Width: 9 in (22.86 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Very good vintage condition; there are natural folds as issued.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745212606672
Jim Dine
The Ohio-born artist Jim Dine brought his ever-shifting, multidisciplinary vision to New York in 1958, a time of transition in the American art world. Abstract Expressionism, which had dominated the scene for years, was on the wane, and a group of young artists, including Dine, Allan Kaprow, Jasper Johns and Robert Rauschenberg, was eager to replace it with a movement that flipped the traditional rules of art-making on their head.
Beyond dissolving the boundaries between mediums and genres, attaching found objects and detritus to their canvases, these revolutionaries began staging performative “happenings” in public spaces, redefining the very definition of a work of art. As Pop art took form, Dine used objects with personal significance, like his paintbrushes, to transform his paintings into two-dimensional sculptures. He was included in the Norton Simon Museum’s 1962 “New Painting of Objects,” often considered the first true Pop art exhibition in America, but he remained a chameleon, constantly changing his style, material and technique.
More than his contemporaries, Dine has forged new paths in drawing, scrawling words and names across the canvas to create graphic, abstract landscapes. He is obsessed by certain motifs — such as hearts and his own bathrobe — which recur in various forms throughout his oeuvre. He has occasionally worked in classical genres, such as portraiture, as exemplified by the 1980 aquatint Nancy Outside in July. He has also co-opted the bold, graphic vocabulary of advertising and commercials, as in the sleek 2010 composition Gay Laughter at the Wake.
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