Joan MiróFusées D2601959
1959
About the Item
- Creator:Joan Miró (1893 - 1983, Catalan)
- Creation Year:1959
- Dimensions:Height: 5.12 in (13 cm)Width: 7.09 in (18 cm)
- More Editions & Sizes:sheet 28.2 x 37.9 cm, Edition of XV.Price: $9,359
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:London, GB
- Reference Number:1stDibs: LU2730214445792
Joan Miró
With his wide-ranging oeuvre, comprising strikingly original paintings, prints, ceramics, sculptures, metal engravings and murals, Catalan modernist Joan Miró was a critical force in moving 20th-century art toward complete abstraction. Although often considered an early Surrealist because of his nonobjective imagery and evocation of the subconscious, he defies neat categorization.
Miró’s identity is largely rooted in the city of his birth: Barcelona. To this day, a number of his public artworks can be found there, including the 72-foot-tall statue Dona i Ocell (Woman and Bird), 1983. Female and avian forms, along with bright colors and the theme of Catalan pride, are recurring elements in his work.
The radical visual world Miró created with his expressive lines, signature symbols and biomorphic shapes influenced such American Abstract Expressionists as Jackson Pollock and Color Field painters like Mark Rothko and Barnett Newman.
Mirò continued to work and experiment until his death at the age of 90 in 1983. Five years before that, he was quoted saying, “I painted these paintings in a frenzy, with real violence so that people will know that I am alive, that I’m breathing, that I still have a few more places to go. I’m heading in new directions.”
Find a collection of original Joan Miró art on 1stDibs.
- ShippingRetrieving quote...Ships From: London, United Kingdom
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- Fusées D257By Joan MiróLocated in London, GBEtching and aquatint on watermarked Rives, 1959. Signed in pencil lower right. Numbered III of XV proofs, from a total edition of 100 copies for the portfolio Fusées. Printed by Cro...Category
1950s Modern Abstract Prints
MaterialsEtching
- Fusées D251By Joan MiróLocated in London, GBEtching and aquatint on Rives, 1959. Signed in pencil lower right. Numbered III of XV, from a total edition of 100 copies for the portfolio Fusées. Printed by Crommelynck et Dutrou,...Category
1950s Modern Abstract Prints
MaterialsEtching
- Fusées D250By Joan MiróLocated in London, GBEtching and aquatint on watermarked Rives, 1959. Signed in pencil lower right. Numbered III of XV proofs, from a total edition of 100 copies for the portfolio Fusées. Printed by Cro...Category
1950s Modern Abstract Prints
MaterialsEtching
- Fusées D249By Joan MiróLocated in London, GBEtching and aquatint on watermarked Rives, 1959. Signed in pencil lower right. Numbered III of XV proofs, from a total edition of 100 copies for the portfolio Fusées. Printed by Cro...Category
1950s Modern Abstract Prints
MaterialsEtching
- A lithograph for the exhibition 'Miró. Peintures, Graphiques' JapanBy Joan MiróLocated in London, GBColour lithograph on Arches paper, 1979. Signed and numbered 24 of an edition of 35 copies in pencil (plus 20 HC proofs). Published by Art Life Ltd., Tokyo, 1980, for the poster of t...Category
1970s Modern Abstract Prints
MaterialsLithograph
- A lithograph for the exhibition 'Miro' at the Kristianstads MuseumBy Joan MiróLocated in London, GBLithograph on Schoeller Turm, 1973. Signed and numbered 32 of an edition of 75 copies. Published by Société des Admirateurs de Joan Miró, Åhus, Sweden, and printed by Sala Pelaires, ...Category
1970s Modern Abstract Prints
MaterialsLithograph
- Salvador Dalí, "Un entré fracassant aux U.S.A" , etching, hand colored, signedBy Salvador DalíLocated in Chatsworth, CASalvador Dalí Un entré fracassant aux U.S.A (A shattering entrance to the U.S.A) from After 50 Years of Surrealism Original etching with hand coloring, hand signed in pencil 1974 Im...Category
1970s Modern Abstract Prints
MaterialsEtching
- Composition - Etching by Togo - 20th CenturyLocated in Roma, ITComposition is an original contemporary etching artwork o realized by artist Togo. Hand-signed on the lower right and numbered on the lower left in pencil, edition of 62/100 prints....Category
20th Century Modern Abstract Prints
MaterialsEtching
- Victor Guadalajara, "Intersections", 2009, Woodcut 16x12inBy Victor GuadalajaraLocated in Miami, FLVictor Guadalajara (Mexican, 1965) 'Intersecciones', 2009 Woodcut and Aquatint 100.00 x 185 cm. (39.4 x 72.8 in.) Edition of 30 UnframedCategory
Early 2000s Modern Abstract Prints
MaterialsPaper, Ink, Engraving, Etching, Woodcut
- Orofena, from Imaginary Places IIIBy Frank StellaLocated in London, GBLithograph, screenprint, etching and aquatint printed in colours, with relief, 1998, signed in pencil, dated, numbered from the edition of 55 (there were also 14 artist's proofs), with the publisher's blindstamp, Tyler Graphics, Ltd., Mount Kisco, 54.6 x 55.2 cm. (21½ x 21¾ in.) Catalogue Raisonne: Axsom 252 Over a period of four years, Stella created a body of prints whose titles all came from ‘The Dictionary of Imaginary Places’ by Alberto Mangual and Gianni Guadalupi. Each work from this series is recognisable for its teaming compositions of twisting, colliding and knotted forms. The shapes appear to spill out of their sheet, seemingly trying to escape their frames. As he had done since the ‘Swan Engravings...Category
1990s American Modern Abstract Prints
MaterialsEtching, Aquatint, Lithograph, Screen
- Aiolio, from Imaginary Places IIIBy Frank StellaLocated in London, GBLithograph, screenprint, etching and aquatint printed in colours, with relief, 1998, signed in pencil, dated, numbered from the edition of 51 (there were also twelve artist's proofs)...Category
1990s American Modern Abstract Prints
MaterialsEtching, Aquatint, Lithograph, Screen
- Iffish, From Imaginary Places IIIBy Frank StellaLocated in London, GBLithograph, screenprint and etching printed in colours, with relief, 1998, on TGL handmade paper, signed and dated in pencil, numbered from the edition of 55 (there were also 14 artist's proofs), published by Tyler Graphics, Ltd., Mount Kisco, 55.9 x 53.7 cm. (22 x 21¼ in.) Catalogue Raisonne: Axsom 254 Over a period of four years, Stella created a body of prints whose titles all came from ‘The Dictionary of Imaginary Places’ by Alberto Mangual and Gianni Guadalupi. Each work from this series is recognisable for its teaming compositions of twisting, colliding and knotted forms. The shapes appear to spill out of their sheet, seemingly trying to escape their frames. As he had done since the ‘Swan Engravings...Category
1990s American Modern Abstract Prints
MaterialsEtching, Lithograph, Screen