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Julian StanczakThree to Compare1971
1971
About the Item
Three to Compare
From: Twelve Progressions
Signed and numbered in pencil
Commissioned by Martha Jackson Graphics
Printer: Domberger, Stuttgart, Germany
Their drystamp lower right corner
Edition 90 (53/90)
Image size: 32 x 26 inches
Condition: Excellent (never matted or framed)
Stanczak's works are in the following museums:
Ackland Art Museum, University of North Carolina, Chapel Hill, North CarolinaAkron Art Museum, Akron, Ohio
Albright-Knox Art Gallery, Buffalo, New York
Allentown Art Museum, Allentown, Pennsylvania
Asheville Museum of Art, Asheville, North Carolina
Ball State University Museum of Art, Muncie, Indiana
Baum Gallery of Art, University of Central Arkansas, Conway, Arkansas
Birmingham Museum of Art, Birmingham, Alabama
Boca Raton Museum of Art, Boca Raton, Florida
Bryn Mawr College, Bryn Mawr, Pennsylvania
Butler Institute of American Art, Youngstown, Ohio
Canton Museum of Art, Canton, Ohio
Carnegie Museum of Art, Pittsburgh, Pennsylvania
Centrum Sztuki Studio im Stanislawa I. Witkiewicza, Warsaw, Poland
Cleveland Artists Foundation, Lakewood, Ohio
Cincinnati Art Museum, Cincinnati, Ohio
Cleveland Museum of Art, Cleveland, Ohio
Columbus Museum of Art, Columbus, Ohio
Corcoran Gallery of Art, Washington, DC
Dayton Art Institute, Dayton, Ohio
Herbert F. Johnson Museum of Art, Cornell University, Ithaca, New York
Herron Gallery, Herron School of Art/IUPUI, Indianapolis, Indiana
Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC
Hood Museum of Art, Dartmouth College, Hanover, New Hampshire
Housatonic Museum of Art, Bridgeport, Connecticut
Indianapolis Museum of Art, Indianapolis, Indiana
Kalamazoo Institute of Arts, Kalamazoo, Michigan
Kemper Museum of Contemporary Art, Kansas City, Missouri
Kennedy Museum of Art, Ohio University, Athens, Ohio
Krannert Art Museum, University of Illinois, Champaign, Illinois
Lowe Art Museum, University of Miami, Coral Gables, Florida
Masur Museum of Art, Monroe, Louisiana
McNay Art Museum, San Antonio, Texas
The Metropolitan Museum of Art, New York, NY
MIT List Visual Arts Center, Cambridge, Massachusetts
Kendall Campus Art Gallery, Miami-Dade Community College, Miami, Florida
Miami University Art Museum, Oxford, Ohio
Milwaukee Art Museum, Milwaukee Wisconsin
Mint Museum of Art, Charlotte, North Carolina
Montclair Art Museum, Montclair, New Jersey
Museum of Fine Arts, Boston, Boston, Massachusetts
Museum of Modern Art, New York, New York
National Gallery of Art, Smithsonian Institution, Washington, DC
Naples Museum of Art, Naples, Florida
Nevada Museum of Art, Reno, Nevada
New Orleans Museum of Art, New Orleans, Louisiana
North Carolina Museum of Art, Raleigh, North Carolina
Norton Museum of Art, West Palm Beach, Florida
Oklahoma City Museum of Art, Oklahoma City, Oklahoma
Orange County Museum of Art, Newport Beach, California
Orlando Museum of Art, Orlando, Florida
Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania
Phoenix Art Museum, Phoenix, Arizona
Princeton University Art Museum, Princeton, New Jersey
San Francisco Museum of Modern Art, San Francisco, California
Scottsdale Museum of Contemporary Art, Scottsdale, Arizona
Smithsonian American Art Museum, Washington, DC
The Snite Museum of Art, University of Notre Dame, Southbend, Indiana
Springfield Museum of Art, Springfield, Ohio
Tamayo Museum, Museo de Arte Contemporaneo, Mexico City, Mexico
University at Buffalo Art Gallery, SUNY-Buffalo, Buffalo, New York
The University of Michigan Museum of Art, Ann Arbor, Michigan
Victoria and Albert Museum, London, England
Wake Forest University Fine Arts Gallery, Winston-Salem, North Carolina
Frederick R. Weisman Art Museum at the University of Minnesota, Minneapolis, Minnesota
Frederick R. Weisman Museum of Art, Pepperdine University, Malibu, California
Winnipeg Art Gallery, Winnipeg, Manitoba Canada
Worcester Art Museum, Worcester, Massachusetts
- Creator:Julian Stanczak (1928, American)
- Creation Year:1971
- Dimensions:Height: 32 in (81.28 cm)Width: 26 in (66.04 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Fairlawn, OH
- Reference Number:
Julian Stanczak
Julian Stanczak was born in Borownica, Poland in 1928. At the beginning of World War II, Stanczak was forced into a Siberian labor camp, where he permanently lost the use of his right arm. He had been right-handed. In 1942, aged thirteen, Stanczak escaped from Siberia to join the Anders' Army in Persia. After deserting from the army, he spent his teenage years in a hut in a Polish refugee camp in Uganda. In Africa, Stanczak learned to write and paint left-handed. He then spent some years in London, before moving to the United States in 1950. He settled in Cleveland, Ohio. He became a United States citizen in 1957, taught at the Cincinnati Academy of Art for 7 years. The Op Art movement was named after his first major show, Julian Stanczak: Optical Paintings, held at the Martha Jackson Gallery in New York in 1964. His work was included in the Museum of Modern Art's 1965 exhibition The Responsive Eye. In 1966 he was named a "New Talent" by Art in America magazine. In the early 1960s he began to make the surface plane of the painting vibrate through his use of wavy lines and contrasting colors in works such as Provocative Current (1965). These paintings gave way to more complex compositions constructed with geometric rigidity yet softened with varying degrees of color transparency such as Netted Green (1972). In addition to being an artist, Stanczak was also a teacher, having worked at the Art Academy of Cincinnati from 1957–64 and as Professor of Painting, at the Cleveland Institute of Art, 1964-1995. He was named "Outstanding American Educator" by the Educators of America in 1970. (Wikipedia)
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