Massimo Campigli, 1895-1971

Passeggiata Romana

1955

A very good impression of this color lithograph. Edition of 2000. Published by "L'Estampe Moderne," Paris, with the blind stamp (Lugt 2790, lower right).

A superb, richly-inked impression of this very scarce lithotint on Japan paper. Edition of approximately 55. Signed with the artist's cypher in pencil, lower right.

A very good impression of this scarce, early lithograph on Rives BFK. Artist's proof, aside from the edition of 100. Initialed, dated and inscribed "a...

A very good impression of this color lithograph with strong colors. Signed and numbered 38/50 in pencil by Marini. Printed by Mourlot, Paris. Published by XXe Siècle, Paris.

A very good impression of this scarce color lithograph with strong colors. Signed and numbered 13/90 in pencil. Printed by Christian Kruck, Frankfurt am Main...

An early and scarce impression of this color lithograph, printed in black and light beige on white wove Zerkall paper. This print has full margins and is signed and dated in pencil b...

Original Edition Linocut on wove paper. Inscription: Signed in the plate and unnumbered, as issued, verso. Excellent Condition; never framed or matted. Notes: Extracted from the volu...

Christo and Jeanne-Claude The Wrapped (MCA), 1969 (Hand Signed), 2019 Four-color offset lithograph on 110 lb. Crane Lettra Cover stock, with an elegant gold foil stamp. Hand Signed by Christo 22 3/5 × 30 inches Edition of 200 Hand-signed by artist, Signed in graphite pencil by Christo on the front. Also elegant gold foil stamp. Unnumbered from the documented limited edition of only 200 Published by Museum of Contemporary Art, (MCA) Chicago Unframed A great gift for anyone with ties to Chicago! This limited-edition, hand signed offset lithograph on 110 lb. Crane Lettra Cover stock commemorates Christo's exhibition "Wrap In Wrap Out", which took place at the MCA’s original location on 237 East Ontario Street, Chicago. The project became the first public building Christo and his wife, Jeanne-Claude, wrapped in the United States. In an illuminating 2010 article entitled, "A daring plan to wrap a Chicago museum raises city ire – and makes art history," author Robin Amer recounts how Christo came to choose Chicago -- or rather how Chicago chose New York based artist Christo: "During a recent conversation he [Christo] ticked off the list of buildings he approached in downtown Manhattan starting in 1961. “Number 2 Broadway, number 20 Exchange Place,” he recalled. “We tried to wrap a building at Times Square. They all said no. Christo said he quickly realized that his best hope to wrap a building – his first in North America – would be to wrap a museum, which might be more amenable to his strange proposition.Christo and Jeanne-Claude approached New York’s Museum of Modern Art in 1967. The museum was interested, but Christo said they failed to secure permission for the show from the New York Fire...

Robert Indiana LOVE in Central Park, New York, 1971 Color lithograph on wove paper. Pencil signed, dated and numbered with LOVE drawing/flourish Hand-signed by artist, Pencil signed, dated and numbered 66/ 89. Also bears a drawing of the stacked letters LOVE in pencil. Bears Robert Indiana's copyright Published by Robert Indiana and printed by the American Poster Company to raise money for Central Park 39 × 30 inches Unframed This impressively large 1971 lithograph - pencil signed and numbered from the limited edition of only 89, with a stacked LOVE drawing on the front - depicts Robert Indiana's iconic LOVE sculpture (from the permanent collection of the Indianapolis Museum of Art) when it was exhibited at Central Park in New York City. This was the turn of the decade of the 1970s - during the height of the anti-Vietnam War protests of the Nixon Administration, when the presence of Indiana's monumental cor-ten steel LOVE in Central Park took on a much deeper significance in New York and indeed the country. This important print is pencil signed, dated and numbered by Robert Indiana from the very small edition of only 89. It also bears a drawing - a flourish - of the word LOVE written by the artist in pencil. Very few of the signed editions of this print remain -- so it is rarely seen on the market. Indeed, eighty nine (89) is a very small edition; however, this oversized print was used for promotional purposes in public places, so very few of the 89 signed and numbered works remain - let alone with the original stacked love drawing. . If you LOVE Robert Indiana...

Robert Indiana Anne inspired by Susan B. Anthony, 1977 Color Lithograph on Arches Paper Hand Signed, dated and numbered 93 from the limited edition of 150 (93/150) front in graphite ...

Ed Ruscha Absolut Ruscha, 1988 Offset Lithograph in colors on wove paper Hand signed and dated by Ed Ruscha in pencil on lower right front Limited Edition of 200 (unnumbered) 45.25 x...

Horst Antes Untitled, from the Swiss Society of Arts Portfolio (Lutze 629), 1975 Lithograph on paper with Deckled Edges. Hand signed and numbered 26/200 by the artist on the front 2...