Mimmo Rotella

Un Documento Storico Eccezionale

unknown

La Magnifica Preda. Original color silkscreen and collage, unknown year. Edition of E.A. (artist’s proof) signed and numbered impressions on Arches paper. Mimmo Rotella was an Italia...

A qualcuno piace caldo (eng. Some like it hot). Original color silkscreen and collage on canvas, unknown year. Edition of 100 signed and numbered impressions on Arches paper. Mimmo R...

Original color aquatint and etching, 1976. Edition of 75 signed and numbered impressions on Arches paper. Kyu-Baik Hwang is contemporary painter and printmaker, from South Korea. He ...

La tete (eng. The head). Original hand colored etching, 1974. Edition of E.A. (artist’s proof) signed and numbered impressions on Arches paper. Miodrag Dado Đurić was a famous figura...

Original color woodcut, 1992. Edition of 100 signed and numbered impressions on Arches paper. Mimmo Paladino is an Italian contemporary sculptor, painter, muralist and printmaker. He attended the Liceo Artistico di Benvenuto (Benevento Art School) from 1964 to 1968, when minimalism and conceptualism dominated the international art scene, which had effects on his art. He was also a part of Transavantgarde – the artistic movement with the neo-expressionist resurgence that swept through Italy in the 1980s. Paladino seeks his inspiration from both the ancient and the modern – from Egyptian, tribal, and classical artworks to the modern painting and sculpture. In his compositions we can often see a figure in combination with the signs like crosses, and techniques like the application of gold leaves, a symbol of eternity, borrowed from Christian iconography, as well as the hieratic pose of Byzantine figures and the gestural quality of that culture’s rites. Paladino himself admits to being “an artist of the south, but of the darkest, most mysterious south, and this is why I find poetic sensations that belong to me in certain aspects of Nordic culture, why I can make a totally black painting...

Original mixed media and collage, 1989-95. Edition of 70 signed and numbered impressions on Arches paper. Published by Visconti Fine Art. IRWIN is a political internationally acclaimed group of five Slovenian artists (Dusan Mandic, Miran Mohar, Andrej Savski, Roman Uranjek and Bort Vogelnik), primarily painters, and an original founding member of Neue Slowenische Kunst...

Includes a Certificate of Authenticity

"Dos Personajes Atacado Per Perros" by Rufino Tamayo is a Figurative Abstraction Mixographia on amate paper measuring 61x98 in. The piece is sandwiched between two pieces of plexigla...

Audrey Flack Une Bouchee D'Amour, 2013 Mixed media: Digitized drawing with silkscreen Signed, titled and numbered recto (front) in graphite pencil Annotated presentation proof Frame included: in elegant vintage wood frame Print Club of New York, Publisher; Printer: Experimental Printmaking Institute, Lafayette College, Easton, PA Digitized drawing with silkscreen Flack's "Une Bouchee d'Amour" was the 2013 presentation print commissioned by The Print Club of New York, and it is accompanied by a COA issued by the Print Club of NY as well as Alpha 137...

VARIOUS ARTISTS AUFBRUCH AUS MOSKAU MOCKBA - PORTFOLIO OF TWENTY (20) ORIGINAL LIMITED EDITION SIGNED GRAPHICS, 1990 20 Limited edition, hand signed and numbered Screenprints, unfram...

Kerry James Marshall Keeping the Culture, 2011 Silkscreen and linocut in colors with full margins and deckled edges on Arches paper with full margins and deckled edges 20-1/4 x 30-1/4 inches Hand signed, titled and numbered 79/100 by Kerry James Marshall in graphite pencil on the front Published by Africa House International, Chicago Unframed Kerry James Marshall's 2011 "Keeping the Culture" is based upon the artist's eponymous painting done the year earlier. Marshall, along with his dealer, were voted by ArtReview the top two of the 100 most influential people in the art world of 2018 - even ahead of the #MeToo movement, and ahead of figures like Jeff Koons, Larry Gagosian and Eli Broad! His paintings now sell for tens of millions of dollars - after P. Diddy paid $21 million for a painting. The present work "Keeping the Culture" is an extremely desirable work of art and exemplifies Marshall's style. For a feature profile/article written for Marshall's first retrospective - a blockbuster show entitled "MASRY" at the Museum of Contemporary Art, LA, the Museum of Contemporary Art Chicago and the Met Breuer in New York, Barbara Isenberg of the LA Times wrote: ." The New York Times called the show “smashing” and its subject “one of the great history painters of our time.” The New York Review of Books and Artforum magazine put large images from the show on their January covers. “I’ve been acutely aware that museums are behind their academic colleagues in terms of thinking of representation and people of color,” MOCA chief curator Helen Molesworth says. “I find Kerry’s paintings ravishing — they are drop dead, great paintings — and they have an extra level of reward for people who hold in their heads a history of Western painting.” Marshall is a compelling storyteller, whether on canvas or in conversation. Talking at length during a visit to MOCA, he is easygoing but eloquent, recalling his neighborhood in Birmingham, Ala., where he was born in 1955, or about growing up black there and in Los Angeles. He remembers the names of teachers who encouraged him. Asked when he first began to notice a lack of black subjects...

Niki de Saint Phalle My Love We Wont, 1968 Lithograph and silkscreen on wove paper Signed and numbered 51/75 in graphite pencil on the front Frame included: elegantly floated and framed in a museum quality white wood frame with UV plexiglass From the Brooklyn Museum, which has an edition of this work in its permanent collection: "Throughout her long and prolific career Niki de Saint Phalle, a former cover model for Life magazine and French Vogue, investigated feminine archetypes and women’s societal roles. Her Nanas, bold, sexy sculptures...