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Nancy GravesExhibition Poster (Hand signed and inscribed to the founder of Tallix Foundry)1980
1980
About the Item
Nancy Graves
Nancy Graves: A Survey 1969/1980 (Hand signed and inscribed to Dick Polich of Tallix), 1980
Offset lithograph poster (hand signed, dated and inscribed)
signed, dated and inscribed to Dick and Toni on the front
35 × 24 inches
Published by the Buffalo Fine Arts Academy
Unframed
This offset lithograph poster was published on the occasion of a Nancy Graves survey that traveled to seven different museums. It is warmly inscribed to Dick Polich and his wife. Polich was the founder and owner of Tallix Foundry, one of the most famous foundries in the world where many sculptors, including Nancy Graves, cast their work.
- Creator:Nancy Graves (1940-1995, American)
- Creation Year:1980
- Dimensions:Height: 35 in (88.9 cm)Width: 24 in (60.96 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Good vintage condition; some overall fading and gentle creasing.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745211214482
Nancy Graves
A sculptor of animals and American Indian shamanistic objects, filmmaker, and painter, Nancy Graves had a highly successful and varied career, primarily in New York City. In her abstract work, she united her interest in anthropology, totemic objects, cartography, and biomorphic shapes. She was born in Pittsfield, Massachusetts, and became a graduate of Vassar College in 1961 and then Yale University's School of Art and Architecture. Graves won a Fulbright-Hayes Fellowship for painting, allowing her to spend a year in Paris in 1964-65. In the next few years, she traveled in North Africa and the Near East and lived and worked in Florence, Italy where she did her first signature work, which was sculptures of life-size Bactrian camels.
In 1966, she moved to New York City and further experimented with ways to produced these sculptures by building wood and steel armatures, covering them with skins of animal embryos, stuffing the skins with polyurethane to form humps, and tinting the skins with oil paints.
In 1968, she had her first New York one-woman show at the Graham Gallery followed by her second one-woman show at the Whitney Museum in 1969. Both exhibitions featured her camels.
In 1972 at the Philadelphia Institute of Contemporary Art, she made sculpture suggestive of Indian objects such as bones, skins, and feathers and added also steel rods to this motif for other exhibitions.
As a filmmaker, she has had showings in film festivals in London, New York, and Boston. Source: Charlotte Rubinstein, "American Women Artists"
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