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Red GroomsRuckus Manhattan (Hand signed)1981
1981
About the Item
Red Grooms
Ruckus Manhattan (Hand signed), 1981
Offset lithograph poster (hand signed by Red Grooms)
11 × 28 inches
Hand signed by Red Grooms on the front
Unframed
The artist signed this scarce print for the present owner so provenance is direct
It was published by the public arts organization Creative Time to promote the 1981 installation of "Ruckus Manhattan", Red Grooms most iconic work, a monumental walk in installation he called a "sculpto-pictorama". Ruckus Manhattan was a multimedia, three-dimensional representation of Manhattan. The out-of-scale model, constructed of papier-mâché, wood, plastic, fiberglass, and vinyl, was designed to conform to Manhattan’s psychic dimensions, rather than its physical ones, and included such landmarks as the Apollo Theatre, the Brooklyn Bridge, Central Park, the Chrysler Building, the Stock Exchange floor, Trinity Church, and the World Trade Center. Finding inspiration in sources as diverse as cubism and newspaper comics, Red Grooms’ city-within-a-city provoked serious thought about everyday life in Manhattan.
RED GROOMS
Red Grooms was born in Nashville, Tennessee in 1937 and has lived in New York for the past 60 years. He studied at the School of the Art Institute of Chicago, The New School in New York City, and at Hans Hoffman School of Fine Arts in Provincetown, Massachusetts.
The artist’s work has been exhibited widely since the 1960s. Since Ruckus Manhattan, his widely acclaimed exhibition at Marlborough Gallery in 1976, Grooms has staked his claim as one of America’s most original, inventive, and popular artists. He has been honored with several important exhibitions including the Memphis Brooks Museum of Art in Memphis, Tennessee in 2016; Yale University Art Gallery, New Haven, Connecticut and Brattleboro Museum & Art Center, Brattleboro, Vermont in 2013; Hudson River Museum, Yonkers, New York in 2008; the Katonah Museum of Art, Katonah, New York in 2003; National Academy of Design, New York, New York in 2001; The Whitney Museum of American Art, New York, New York in 1987; and the Pennsylvania Academy of Fine Arts, Philadelphia, Pennsylvania in 1985. Grooms has received numerous awards and commissions throughout his career, including the he National Academy of Design’s Lifetime Achievement Award in 2003.
Grooms’s work can be found in over forty public institutions, including: The Art Institute of Chicago, Chicago, Illinois; Solomon R. Guggenheim Museum, New York, New York; Hirshhorn Museum and Sculpture Garden, Washington, D.C.; Nagoya City Art Museum, Nagoya, Japan; The Metropolitan Museum of Art, New York, New York; Moderna Museet, Stockholm, Sweden; Museum of Contemporary Art, Chicago, Illinois; The Museum of Modern Art, New York, New York; National Portrait Gallery, Smithsonian Institution, Washington, D.C.; Philadelphia Museum of Art, Philadelphia, Pennsylvania, and The Whitney Museum of American Art, New York, New York.
- Creator:Red Grooms (1937, American)
- Creation Year:1981
- Dimensions:Height: 11 in (27.94 cm)Width: 28 in (71.12 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:Very good vintage condition with no apparent issues; in fact this collectors item, when found on the market, is rarely seen in such good condition.
- Gallery Location:New York, NY
- Reference Number:1stDibs: LU1745210801352
Red Grooms
Charles Roger Grooms was born in 1937 in Nashville, Tennessee, a city that, with its lively honky-tonk scene and the theatricality of the historic Grand Ole Opry, would later influence much of his work. Nicknamed for his ginger hair, Red enrolled at the Art Institute of Chicago in 1955. A self-proclaimed “restless and undisciplined student,” Grooms spent the next few years moving between schools and cities, including the New School in New York, Peabody College (now part of Vanderbilt University) in Nashville, and Hans Hofmann’s summer school in Provincetown, Massachusetts. Frustrated with the academic track and anxious to enter the New York art scene, Grooms abandoned formal education to focus exclusively on creating art and securing exhibition opportunities in his Chelsea neighborhood. There, he found quick success and a supportive circle of artists that became close friends and collaborators. From the start of his career, Grooms has worked in multiple media, from painting, printmaking, and sculpture, to installation art, filmmaking, and theatrical experiences known as “Happenings.” Much of his art blurs the boundaries between these different forms, such as his large-scale, carefully-crafted environments he calls “sculpto-pictoramas,” and smaller objects like Dalí Salad. In this example, Grooms combines silkscreened and lithographic elements with a wooden base and acrylic dome to create a three-dimensional portrait of the famous Surrealist artist. Grooms is perhaps best known for his colorful and comedic commentary on the culture, politics, and figures associated with the American urban environment and art historical traditions. Relying on satire and caricature, Grooms’ art has paid homage to a wide range of artists including Rembrandt, Auguste Rodin, Thomas Eakins, and Benjamin West, as well as national icons like Thomas Jefferson and Chuck Berry. Grooms’ disparate output is so difficult to classify that he has been compared to the influential Dada artist, Marcel Duchamp. Like Duchamp, Grooms often deliberately confronts the art world establishment, noting in 1974 that “it’s good to have . . . something to go against.” Despite his affinity for defying the mainstream, Grooms is routinely cited by scholars as one of the leading American artists of his generation and was honored with the National Academy of Design’s Lifetime Achievement Award in 2003. The subject of a 1984 mid-career retrospective exhibition held at the Pennsylvania Academy of the Fine Arts, the artist’s work can be found in public collections across the United States, including the Metropolitan Museum of Art, the Whitney Museum of American Art, and the Hirshhorn Museum and Sculpture Garden, as well as in many international museums. - The Johnson Collection, Spartanburg, South Carolina
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