Yaacov AgamYellow Abstraction, Agamograph by Yaacov Agamcirca 1980
circa 1980
About the Item
- Creator:Yaacov Agam (1928, Israeli)
- Creation Year:circa 1980
- Dimensions:Height: 23.5 in (59.69 cm)Width: 23 in (58.42 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:In very good condition.
- Gallery Location:Long Island City, NY
- Reference Number:
Yaacov Agam
Influenced by his upbringing in Judaism as well as the teachings of the Bauhaus, Yaacov Agam is a pioneer of kinetic art as well as the Op art movement and is often credited with introducing geometric abstraction to his home country of Israel.
Born in Rishon LeZion, Palestine — now part of Israel — the son of a rabbi, Agam found that the spiritual world had a major influence on his art practice, as did the sand dunes he grew up watching as they constantly shifted with the wind. This perpetual movement would inform his work, whereby riveting, prismatic compositions that transform from different perspectives, patterns that generate optical effects and sculptures that move with a passing breeze all reflect the gradual changes in nature.
Agam studied with Israeli painter Mordecai Ardon at the Bezalel School of Art in Jerusalem in the 1940s before traveling to Zurich where he trained with Swiss Expressionist painter Johannes Itten and was inspired by the abstract work of Russian painter Wassily Kandinsky.
One of the innovative techniques Agam developed was the Agamograph, which uses lenticular printing so that multiple images, which are revealed as the viewer moves around the piece, can be seen on a single work. His art has regularly involved the spectator as a participant, whether it’s the 1972–74 room-size kinetic installation he created for the Elysée Palace that’s now in the Centre Pompidou in which a gleaming abstract sculpture is surrounded on all sides by polychromatic lines or it’s public art like the 1986 Fire and Water Fountain in Tel Aviv with circles of vibrant panels that offer varying colors from every angle.
In 2018, the Yaacov Agam Museum of Art opened in Rishon LeZion, showcasing six decades of Agam’s influential work that engages with perception through color, shape and form, from paintings, prints and installations to new experiments in interactive digital art.
Find a collection of Yaacov Agam art today on 1stDibs.
- ShippingRetrieving quote...Ships From: Long Island City, NY
- Return PolicyA return for this item may be initiated within 7 days of delivery.
- Untitled IV, Agamograph by Yaacov AgamBy Yaacov AgamLocated in Long Island City, NYThe Agamograph is Agam’s unique contribution to the OP Art movement. The object is a print behind a lenticular surface that fools the eye to show movement and ...Category
Early 2000s Op Art Abstract Prints
MaterialsLenticular
- Color and Space, Agamograph by Yaacov AgamBy Yaacov AgamLocated in Long Island City, NYArtist: Yaacov Agam, Israeli (1928 - ) Title: Color and Space Medium: Agamograph, signed and numbered in ink Year: circa 2000 Edition: 99 Size: 15 in. x 14 in. (38.1 cm x 35.56 cm) F...Category
Early 2000s Op Art Abstract Prints
MaterialsLenticular
- Nine Squares, Abstract Geometric Op Art Agamograph by Yaacov AgamBy Yaacov AgamLocated in Long Island City, NYArtist: Yaacov Agam, Israeli (1928 - ) Title: Untitled - Nine Squares Medium: Agamograph, signed and numbered in ink Year: circa 2000 Edition: 99 Size: 12 x 12 in. (30.48 x 30.48 c...Category
Early 2000s Op Art Abstract Prints
MaterialsLenticular
- Agamograph no. 17, Abstract Geometric Op Art Lenticular by Yaacov AgamBy Yaacov AgamLocated in Long Island City, NYArtist: Yaacov Agam, Israeli (1928 - ) Title: Agamograph no. 17 Medium: Agamograph, signed and numbered in ink Edition: 99 Size: 12 x 12 in. (30.48 x 30.48 cm) Frame Size: 20.5 x 2...Category
Early 2000s Op Art Abstract Prints
MaterialsLenticular
- Time from the Mobility Within Series, Agamograph by Yaacov AgamBy Yaacov AgamLocated in Long Island City, NYArtist: Yaacov Agam, Israeli (1928 - ) Title: Time from the Mobility Within Series Medium: Agamograph, signed and numbered in ink Edition: 99 Year: circa 2000 Size: 11 x 11.5 in. (2...Category
Early 2000s Op Art Abstract Prints
MaterialsLenticular
- City of New York, Op Art Serigraph by Roy AhlgrenBy Roy AhlgrenLocated in Long Island City, NYArtist: Roy Ahlgren, American (1927 - 2011) Title: City of New York Year: 1972 Medium: Silkscreen, signed and numbered in pencil Edition: 50 Image Size: 20 x 26 inches Size: 23 x 29 ...Category
1970s Op Art Abstract Prints
MaterialsScreen
- Agam Lenticular Kinetic Agamograph Hand Signed numbered Israeli Kinetic Op ArtBy Yaacov AgamLocated in Surfside, FLYaacov Agam, Israeli (b. 1928) Hand signed, and numbered. Limited edition lenticular lens kinetic Agamograph Titled 'Sea Fathom'. Hand-signed and numbered edition 24/99, size of w...Category
20th Century Op Art Abstract Prints
MaterialsScreen, Lenticular
- Fuchsine Composition - Original Screen Print by Victor Debach - 1970sBy Victor DebachLocated in Roma, ITHand signed and numbered. Edition of 100 prints. On headed paper.Category
1970s Op Art Abstract Prints
MaterialsScreen
- Composition VII - Original Screen Print by Franco Cannilla - 1971By Franco CannillaLocated in Roma, ITComposition VII is an original serigraph realized by Franco Cannilla in 1971. The artwork is hand-signed in pen by the artist. Edition of 40 prints. ...Category
1970s Op Art Abstract Prints
MaterialsScreen
- GlobeBy Victor VasarelyLocated in PARIS, FRScreen print of victor vasarely edited in 1974Category
1970s Op Art Abstract Prints
MaterialsScreen
- Agam Silkscreen Mod Judaica Lithograph Hand Signed Israeli Kinetic Op Art PrintBy Yaacov AgamLocated in Surfside, FLYaacov Agam Israeli (b. 1928) Hommage aux Prix Nobel (1974) Serigraph signed lower right, numbered 85/100 sheet: 22 x 29 3/4 inches frame dimensions: 28 x 35 1/2 x 1 inches, wood fra...Category
1990s Op Art Abstract Prints
MaterialsLithograph, Screen
- Op Art, Kinetic 1970s Original Vintage Silkscreen Lithograph PrintBy David RothLocated in Surfside, FLHand signed and numbered limited edition print. David Roth studied at the Illinois Institute of Technology's Institute of Design and was twice the recipient of the Moholy-Nagy Scholarship in visual design. It was Roth's initial work as a designer at fine art for commercial use that brought him interesting positions as art director for Lanvin, Charles at the Ritz, and Germain Monteil. . The strings are tied in bunches and closely hung tram a wooden bar. The size and shape of the string is similar to that at a canvas painting. Each bundle is represented by a vertical row at squares on the graph and the groupings at string are lined up along the wall according to the horizontal rows at the program. The six primary and secondary colors are used in their full intensity along with black, grey, and white. As a painter Roth works to formulate with color. Some painters regard color as a concomitant of form, hence a subordinate, but Roth's color is the chief medium of his pictorial language. A programmed juxtaposition at primary color allows Roth and the viewer to play upon various combinations. The graphs Roth executes are proportioned according to a strict mathematical formula - the pictures are Composed according to horizontal and vertical divisions on the graph paper. The optical quality of color, deliberately sought, has its roots in the Bauhaus investigations of illusion, and thus has a direct relationship to the Op art produced in postwar Europe. Roth has arranged his hues so as to persuade the planes to separate from the ground on which they are planted, and float free in space. It is almost as if Roth is giving us a "readout" on his creative process. Although the graphs appear to vary in their use of color the same colors are used throughout, also the same amount of color. Roth's work illustrates the sophistication of the human eye-brain relationship that has developed and invites the viewer to participate in the evolution at visionary ideas. One Man Shows 1966 The Gallery Upstairs, Buffalo, New York 1967 The Gallery Upstairs, Buffalo, New York 1969 The House of Graphics, New York 1969 Illinois Institute of Technology, Chicago, Illinois 1972 Robert Elkon Gallery, New York 1973 Robert Elkon Gallery, New York 1974 Robert Elkon Gallery, New York 1975 Michael Wyman Gallery, Chicago 1975 Robert Elkon Gallery, New York 1976 G.W. Einstein, New York 1976 Robert Elkon Gallery, New York 1977 Robert Elkon Gallery, New York 1977 G.W. Einstein, New York 1978 Sunne Savage Gallery, Boston, Massachusetts 1978 Robert Elkon Gallery, New York 1979 Nancy Roth Gallery, Katonah, New York Group Exhibitions 1967 State University of New York, Buffalo 1970 Ronald Feldman Gallery 1970 The Everyman Gallery 1971 Robert Elkon Gallery, New York 1972 The Brooklyn Museum, New York 1972 The Newark Museum, New Jersey 1972 Art...Category
1970s Op Art Abstract Prints
MaterialsScreen
Recently Viewed
View AllRead More
Chryssa’s 1962 Neon Sculpture Was Way ahead of the Art-World Curve
By working with lettering, neon and Pop imagery, Chryssa pioneered several postmodern themes at a time when most male artists detested commercial mediums.
7 Exciting Works by Female Artists from the RoGallery Auction
Prints by these modern and contemporary visionaries are relatively affordable — for now.