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Andre Minaux1964 Andre Minaux 'La Barque Echouee' 1964
1964
About the Item
Paper Size: 10 x 7.5 inches ( 25.4 x 19.05 cm )
Image Size: 10 x 7.5 inches ( 25.4 x 19.05 cm )
Framed: No
Condition: A-: Near Mint, very light signs of handling
Additional Details: Lithograph by Andre Minaux titled La Barque Echouee from the book titled "Prints from the Mourlot Press" published in Paris, 1964, first edition, 2000 copies.
The book also contained several lithographic plates after and 18 lithographs (15 in colors) by Picasso (Bloch 1846; G.&C.128); Chagall (Mourlot 415; Sorlier 87; Cramer 60); Miro (Cramer 91; Mourlot 332-333); Braque; Estève; Villon; Matisse (Duthuit 91); Giacometti; Andre Brasilier; Cocteau; Paul Jenkins; Calder and others.
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- Creator:Andre Minaux (1923 - 1986, French)
- Creation Year:1964
- Dimensions:Height: 10 in (25.4 cm)Width: 7.5 in (19.05 cm)Depth: 0.1 in (2.54 mm)
- Medium:
- Movement & Style:
- Period:
- Framing:Framing Options Available
- Condition:All items are carefully stored. Condition is a main concern, unless otherwise indicated, all items are in mint condition. Additional pictures are available upon request. Feel free to contact our team if you have any questions or concerns. Thank you.
- Gallery Location:Brooklyn, NY
- Reference Number:
Andre Minaux
Andre Minaux was a Contemporary French painter, draftsman, lithographer, engraver, illustrator and sculptor. He belonged to the illustrious School of Paris, to the Young Painting movement in the 1950s and then to the group of Painters Witnesses of their time. His search for perfection in his work was compared to that of Matisse by Jean Bouret. (Minaux, Sauret Editions, 1977). He belonged to the illustrious School of Paris, to the Young Painting movement in the 1950s and then to the group of Painters Witnesses of their time. André Minaux embraces several periods: naturalism, rural, baroque, figurative and non-figurative. It was through the power of his line that he imbuded his compositions with an inexhaustible energy. In the heart of the post-war period, his works captured a euphoric context in a French expressionist realism. “It's the rhythm that brings unity to a painting,” confides André Minaux. “You could call Minaux's approach in his search for perfection 'Matissian'. (Jean Bouret, Minaux painter, Sauret editions, 1977). In 1950 The Museum of Modern Art of the city of Paris acquired one of his paintings In turn, the Tate Gallery in London quickly followed suite. He took part in the 1948 Salon d'Automne with 'Le Raccommodeur de filets', a work hailed by a multitude of art critics. A year later, his work was crowned by the critics' prize and displayed his work at the Salon des Jeunes Peintres, at the Claude gallery on rue de Seine in Paris. He exhibited at the Venice Biennale in 1952 and continued to exhibit Internationally up until his passing in 1986.
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